This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958). The print is quite small, 2 7/8" by 2 1/8" inside the mat (9 1/2" by 8 1/4" as framed). I believe that this is from the edition published at a later date by the Collectors' Guild of New York, as other examples I have seen are identically framed, and with their label on the reverse...

Pierre Mas, French born 1933 is a modernist painter. This work with its heavy impasto is quite beautiful. Dan in his modernist style with a painterly impasto.

This print contains Japanese hieroglyphics not real kanji. It shows "rain" "day" and maybe a bird. It is 19.3x12.6cm.

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions...

Japanese Woodblock Print Nineteenth Century Geisha and Samurai 17x21 inches. Call or email. We have a rare and fine selection of Japanese art dating to 1860

Etching in dark brownish-black ink, 14 3/8" by 10 1/2" inside the mat (19 3/4" by 15 1/2" as framed), the print numbered at lower left 37/100, while additionally signed and dated there as well in the plate, while titled in the plate "Notre Dame #2" at lower right. This is likely by an artist considered Canadian, CAROLINE HELENA WILKINSON ARMINGTON (1875-1939) rather than by American CAROLINE ARMINGTON (1898-1986), though records for the two seem to be hopelessly entangled...

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings...

Photographic print, 24" by 18" protected in a plastic poster box, issued by the Musee D'art Moderne in Paris for a 1963 exhibition of the works of noted French 20th century painter GEORGES MATHIEU (1921-2012), today considered a major artist, the large oils of whom regularly command over $100,000 at auctions in the US and Europe...

Oil, or gouache mix on paper laid on board painting of "Les Bouquinistes" (booksellers) by the Seine in Paris in the autumn, Notre Dame filling the background, 14 1/2" by 11 1/4" as framed, circa 1950's. The work is signed at lower right with name that looks like "E. Bigot". There is a listed Eugene Bigot but I do not think this the same artist. This is a pleasant work featuring a much-loved and familiar scene. The painting is a bit soiled but you can enjoy it as-is...

A pair of oil on card paintings, each signed lower left, by C. Ph. Weber. The first is of a church and churchyard behind a rock wall. The second depicts fishing along the Delaware river. Typical of the artist's work is the fine use of light and color, rendering an almost impressionistic feel.

Condition of the paintings is very good, with no damage or restoration...

Pre-1940 painting of mountains and waterfall, unsigned, measuring 16" by 30" (19 1/4" by 33 1/2" framed), in the loosely impressionist style popular since the early years of the century. Ideal for vacation cabin or other rustic home. As found---some digs and light scratches are present. See photos.

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt...

Late 19th century painting of the Roman Colosseum, an historical arch and surrounding gardens and park, signed at lower left "Conti". The piece, which measures 6 1/2" by 4 1/4" inside the mat, and 13 3/4" by 11 3/4" as framed in polished, shiny reddish-brown wood, displays exceptionally fine detail despite its small size. The colors are sharp and fresh and the paper not oxidized...

A very fine partial nude of a peasant, done for tourist of the world tour of the 19th century, oil on panel, measuring 11” x 9”

This is a beautiful DOUBLE SIDED watercolor dated 1883 by the hand of listed American 19th century artist BENJAMIN FITZ (1855-1891), measuring 11 1/2" by 18 3/4" plus about 3 1/2" of liner and modern frame. I am not sure as to the authorship of the loose dry landscape on the reverse, which might be later and by a totally unrelated hand...

SOLD - First all palette knife marine oil work. Framed signed small original American oil painting on stretched canvas depicting a rocky Maine coast in an impressionist style with a muted neutral palette. New England coastal scene by a self taught artist. All knife, no brush. Title: Marginal Way Cove, Ogunquit Maine. Image: 4" X 6". Framed: 6 1/4 X 8 1/4"...

A miniature portrait painting by Abraham Parsell, done in his recognizable style with somewhat frizzy hair, and the sitter posed with his arm on a chair. Housed in its original cast foliate frame with a rear aperture containing a lock of hair.

The painting is 2 5/16" by 1 7/8", while the overall locket size is 2 1/2" by 2 1/8". Condition is excellent with no chips, cracks, bowing, paint loss or restoration.

Note: Abraham Parsell (1792 - after 1856), a popular American folk miniature painte...

Avery fine romantic oil on canvas painting of traveling Roma being horse drawn by the artist Halian, 24x30 inches, frame size 34”x40”