Old early 20th century painting of a thin line of trees bordering a waterway, executed in a lovely impressionist palette with excellent handling of light, 17 1/2" by 21" as framed, signed in red at lower right corner "Chatterton". Though found in Ogunquit, Maine, in an art colony area where the well known American artist Clarence Chatterton was known to have painted, the signature does not resemble that of Chatterton, who was a student of Edward Hopper...

Oil on canvas, 19 1/2" by 25 1/2" (25 1/2" by 31 1/2" as framed)---(possibly an inner frame, the outer one long since separated), apparently unsigned, circa early 20th century, the subject the famous and unique twin Thatcher Island lighthouses (also known as Cape Ann Light Station), about one mile off the coast of Rockport, Massachusetts. The lighthouses were erected in 1861 as a pair, thereby aiding navigation by mariners. Each is 124 feet in height...

Oil on canvas laid against board painting of historic ancient structures apparently on a coastline, 11 1/2" by 9" (19" by 16" framed), signed at lower left in Hebrew script. There is a second painting on the reverse signed "Hausner" and dated 1979. A reader of Hebrew has confirmed that the signature in that language also reads "Hausner". The scene of buildings is almost expressionistic as opposed to impressionistic. There is a brooding darkness to the sky and a vigor to the brushstrokes...

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Early twentieth century impressionist painting of one of New Orleans' famous courtyard subjects, 9 1/4" by 7" as framed, signed at lower right corner "Don Juan". While an interesting name to be sure, I have not been able to find a listed artist corresponding to it. The work though is by an obviously trained and talented hand. The vintage frame makes all in all for a very satisfying little painting sure to please the New Orleans fan. The surface is soiled evenly, consistent with age...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner...

Drypoint on wove paper print, "La Petite Boudeuse" (translating as "the little sulk/sullen one"), 1905, pencil signed at lower right margin near the blindstamp of Edouard Sagot, Editeur, Paris, and numbered at lower left "No. 18", by famous French cubist painter and printmaker JACQUES VILLON (1875-1963). Villon, one of three brothers, (one of them the famous Marcel Duchamp), worked early on in the style of Degas and Henri de Toulouse-Lautrec...

Attractive watercolor on quality watercolor paper painting of a Mediterranean style estate with red tiled roof, tall cypress trees and exquisite ironwork and stonework, 12 1/2" by 19" (18" by 25" framed), signed at lower left by French artist "L. SEILLARD". There is a small listing for the artist, and some trail of watercolors and a painting or two in the auction records...

Early watercolor on paper of flowers, I think petunias, in a ceramic vessel, 11" by 14", 17 1/2" by 20 1/2" as framed, signed at lower right indecipherably, and possibly dated 1901. I believe the artist is likely listed, considering the quality of the drawing. The paper was laid long ago on a board, as shown. Condition of the image area is excellent, with colors true and not faded.

This is a PAIR of color aquatints, each 8 1/2 by 12" inside the mat, 13 1/4" by 17" as framed, the subjects Notre Dame cathedral and the Seine in Paris, and the flower market at the Madeleine, each numbered at lower left out of editions of 500 and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

Old, antique oil on fine weave canvas laid on board painting of trees, distant small structures and a wooden footbridge in the foreground crossing a stream, 17 3/4" by 23 3/4" (23" by 29" as framed), apparently unsigned, and likely executed at the end of the 19th century. The rather naïve painting is very mellow and easy to live with; a classic antique American old landscape. The surface is evenly soiled, consistent with age, giving the painting that old patina...

Oil on canvas painting of a traditional German house or cottage in a forested landscape, 20" by 28" on the stretchers, 23" by 31" as framed, signed at lower right by artist "M. Lichtmann" and dated there 1920. The painting is beautifully executed, though there is very little information on the artist. There is stable craquelure, and a slight drip of foreign matter at center left, though the painting can be placed on the wall as-is.

Oil on canvasboard painting of the famous white Sacre Coeur church in Montmartre, 19" by 23" as framed, signed at lower left "M. Plagnier" or similar, created circa 1960's. At center bottom is "Paris, Sacre Coeur". This is a kitschy sort of painting that will grace your mid century interior. Condition is excellent.

Oil on canvas still life of red roses on a table with ceramic vessel, 17" by 39" as framed. The painting is executed in the Victorian style, but I think it probably dates to the final years of the 19th century or early years of the 20th. I cannot find a signature. There is a framer's stamp on the stretcher from Grand Rapids, Michigan, giving some hint as to its origin perhaps. Also the corner keys are of the post-1885 style...

This is a difficult to describe painting----we see a beach on a summer's day, the blue sea beyond; budding clouds, a spiky yucca at left, and what look at first like children's sandbox toys in the sand, until it appears that maybe they're not children's sandbox toys. The "tower" at right looks more like a Greek islands windmill, the "sail" a takeoff from the yucca. There's also a starfish, a bucket, a brightly colored striped beach ball--and a difficult to make out signature...

Poster of 1986, "EGE ART LINE TOUR", 27 1/2" by 19 3/4", unframed, hand signed in somewhat faded marker by the noted Danish modern artist, PER ARNOLDI (1941-)...

Gouache on paper drawing of a snowy mountain landscape with low structures depicted almost cubist style in the middle distance, apparently unsigned, circa mid 20th century, 12 1/4" by 16 1/2" inside the mat, 21" by 24" as framed. The cubistic handling of the houses reminds of artists like Andrew Dasburg and other New Mexico modernists, but this is just a guess. The colors are fresh and quite vigorous. The drawing is taped along the edges to a backing.

Drawing in blue ink and watercolor, 14" by 11", in an inexpensive temporary protective frame, unsigned, a second drawing of a female head on the reverse. Judging from the appearance, hairstyle, this probably dates to before World War II. The anonymous artist created an interesting study with skilled use of shadow and line. Allow for a few reflections in the image, appearing as a dark shadow in a few images. What appears as a greenish vertical stain or tear at top is actually just a scratch i...