Watercolor on paper of a large ship at the dock, 13 1/2" by 17 1/4" (21" by 26" framed), signed in the image at lower left and also on the mat at lower right "Herbert Manasse", and titled "ENSENADA 'L.'C.I." on the mat at lower left. The artist is HERBERT MANASSE (1891-1965), who according to the AskArt listing was an artistically talented attorney. He was obviously quite familiar with the medium. Note the wet-on-wet technique in the sky...

Oil on masonite panel, 13 " by 22 " (16" by 25" in black frame with gold inner), the subject a female mallard duck among brown grasses suggestive of autumn. The artist signed his name at lower left. S. SCOTT ZUCKERMAN (1951-) was born in Connecticut and lives there still, living a life close to nature and therefore an excellent observer of it. He is widely known for his paintings of wildlife, including fish, birds, and large mammals like moose. Zuckerman attended Pratt Institute in Brooklyn...

Found in Maine, is this oil on canvas painting, 24" by 20 1/2" in its silver metal frame, signed at extreme lower right "Judith Nelson Harper" and titled on the reverse "Red, White and Blue". It is a striking work, though I see minimal information on the artist---I believe just one minor bit of information shows up on a net search. Regardless, this will please anyone looking to brighten up a modern interior with original art from the 1970's...

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned...

Oil on canvas painting, 24" by 36" (30" by 42" framed), late 20th century, the subject a family of elephants at an African waterhole, signed at lower right by listed artist DON ERDMAN (sometimes spelled as ERDMANN). The work is similar to works by better known artists such as David Shepherd or Bob Kuhn which bring thousands of dollars. Erdman is listed in Davenport's, but I am hard pressed to find more information on him...

Oil on canvas colorful and skillfully painted abstract landscape of the glorious Southwest, 27 1/2" by 36" as framed, signed at lower right "Helen Peeke", and bearing the title "Indian Country" and the original price "150.00" on the stretcher. I have not been able to locate information on the artist but obviously she was a skilled painter who was able to capture the feeling of the Southwest in abstracted form. Condition is excellent and this is wall-ready.

This is a fine ink and wash drawing, 9 3/4" by 13 3/4" (16 5/8" by 20 1/2" framed), titled at lower left "CAPRI" and signed there by the artist, GONSALVO CARELLI (1818-1910). The artist's name is sometimes spelled "Consalvo" or "Consalve" or "Gonsalve". The scene includes more than ten vessels ranging from little more than rowboats to masted sailing ships. The famous island of Capri looms as a backdrop, the foreground boats filled with carefully drawn figures...

Icon-style painting in gouache on board, late 20th century, executed in the style of ancient religious icons, the painting 10 1/2" by 8" inside the mat, 19 3/4" by 17 1/4" in its pleasing, quality light oak frame. The painting is titled "Saint Neofytos", which literally means, according to a Greek-speaker with whom I consulted (for a lack of a better term), the "NEWLY INITIATED ONE"...

By the noted California artist FRANK MOSS HAMILTON (1930-1999) is this gouache on paper painting, 11 1/4" by 15 1/2" inside the frame, 19" by 23 1/2" framed, signed at lower right by the artist and titled there "December Snow". Hamilton was a highly talented master of realistic painting, sometimes in oil but perhaps more impressively in gouache or tempera or casein type media...

Oil on canvas, 36" by 24" (45" by 33" as framed in wood), the subject a wicker chair draped with lacy cloth, a painting in the background and tea pot at right, signed with what appears as "Egeun" at lower right and dated 82. A Greek-speaker emailed me to inform me that the signed name is, in Greek, "Eleni" (Greek for "Helen"). This is a bright, contemporary painting in really excellent, fine wall-ready condition.

One of three works in my shop by the same artist, F. KENWOOD GILES of Bermuda, is this watercolor on paper painting, 14" by 19 1/2" inside the mat, 20 1/2" by 26 1/2" as framed, the subject a pink-walled, white-roofed island home on a lovely piece of property, flowering oleander shrubs and a few pines or cedars completing the happy scene. The paintings are not dated, but I believe that they would have been created in the 1950's...

In the style of an artist like Stark Davis is this 15 1/2" by 19 1/2" gouache painting, gold paint used for the background to the parrot and vegetation, possibly oleander, the work signed at lower left "O. Schroeter". This is a work dating to about the late 1930's to about 1950, by listed artist OTTO FELIX SCHROETER (born circa 1880 in Germany, died circa 1965 in California)...

Oil on canvas titled on stretcher "Golden Silence", 28" by 21" (33" by 25" in original vintage frame), signed at lower right and again on the stretcher by California plein air artist EUGENE PIERRE FRANQUINET (1875-1940). This is a fine example of the work of this Belgian-born painter who immigrated to the United States in 1907, and who was in Southern California as early as 1911...

An impressively large (26" by 39", and 40" by 53" in a fine high quality gilded oak style frame of the period) watercolor landscape of a fascinating primeval, mystical forest interior, signed at lower right by English Victorian period artist JOSHUA RENSHAW, who was active in the 1880's and 1890's, though little biographical information is available...

This is a medium folio size (lithograph 12 5/8" by 15 1/2" inside the mat, the sheet " by ", and as framed 20" by 22 1/2") by famous American printmakers Currier and Ives...

A beautiful circa 1920 impressionist painting of tall pines or cedars in a sun-dappled forest landscape which includes two groups of small figures at center left. The unframed work measures 30" by 24" and is apparently unsigned. Judging from the canvas and stretcher, this is likely the work of a listed American artist. It has been suggested that it was cut down at some point, as the painting extends over the tacking edge. The work as found was loose on the stretcher and separating at the edg...

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exis...

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher. Many familiar names of mid ce...

A color lithograph print of the year 1937, signed in the plate, 13 1/2" by 10 1/2" (20 1/4" by 17 1/2" in wood frame, no mat), by the noted Spanish modern artist FRANCISCO BORES LOPEZ (1898-1972). The artist, more commonly known as Francisco Bores, was born in Madrid. He went to Paris and associated with the Surrealist movement, and became a friend of important artist Juan Gris. Bores is known for his abstracted figural, landscape and still life works, some of which achieved over $300,000 at ...

Oil on canvas, 27" by 39" (32 1/2" by 44 1/2" as framed), the scene a deep blue lake with small boats and a dock, puffy clouds filling the sky on a peaceful summer day. It is an expansive scene, large enough to invite the viewer to feel he is a part of it. I suppose the work is Swedish or Danish. The artist chose to sign with just the conjoined initials "HM" at lower left, where it is also dated 1948. Condition: because of evident past moisture exposure, there is flaking of the paint at rig...

Lithograph on paper, 8 3/4" by 12 3/8" inside the mat, 13 3/4" by 17 3/4" as framed, by American artist STOW WENGENROTH (1905-1978), pencil signed at lower right by the artist. Titled "Woodland Ledge" (created 1960 in an edition of approximately 50 examples for associate members of the Print Makers Society of California), this is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a...

This is an original painting in gouache on paper, 23 3/4" by 23 3/4" square, in a narrow metal frame, apparently by an unlisted artist named Gertmenian. This is an Armenian name, and the painting was found in Los Angeles, where there is a large Armenian population. If you're seeking an eye-dazzler of a painting that contains strong primary colors, consider this decorative art. The photos were taken through the glass, which will be discarded as it's broken at lower right anyway; allow for refl...

At first glance this might appear to be a print, but it is not: it is an amazingly crafted quite large hyper-real watercolor painting, 29" by 19 3/4" inside the mat, 37 1/2" by 26" framed, signed at lower right by the artist, JAY RATHER. From my internet research, this appears to be a work by the son of Texas artist Herb Rather (1930-), who painted in a similar style, though the online reference mentions Jay as Herb's father, not his son. I am guessing that Jay is the son because the work doe...

Oil on canvas, 25 1/2" by 18" (32 1/2 by 24 1/2" as framed), apparently unsigned, circa 1930 to 1950, and very probably European (French or perhaps Scandinavian, judging from the stretcher). The painting is something of a mystery, the mysterious hand and spectacles at lower left coming from outside the image area. Almost certainly this was created by a listed artist but without a signature I cannot go further on that front. On the reverse stretcher appear the words "Vendredi" (Friday, in Frenc...

Watercolor on paper, unframed, 9" by 11 3/4", signed at lower right in pencil, and signed again and apparently titled on the reverse, by the noted, long-lived American artist, THERESA FERBER BERNSTEIN (1890-2002). The watercolor likely dates to about the middle years of the 20th century, I would guess. Writing on the reverse seems to say "Israel/Yarkon River". In upper corner in different hand is "Yarkon, B./Israel". This is a scene on the Yarkon River which winds through Tel Aviv on its way...

ONE OF SEVERAL WORKS BY THE ARTIST IN MY SHOP---Watercolor on paper of a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 21 1/2" by 17 1/2" as framed, signed at lower right by the listed New Orleans artist TOM LANE (1916-1991). Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the familiar and much-loved scenes frequented by tourists. This example is titled in the mat at lower left "Rue Roy...

American circa 1910 or at least early twentieth century pastel on paper drawing of grapes, apples and a banana, 17" by 20 3/4" framed in an oval, unsigned. The work is typical of pastel still life of the period, though I do not believe it by the "Chandler" workshop. Modest homes of the period were lucky to have an original work of art rather than a print. This one has survived in very good condition. The frame has a bit of wear consistent with age, including a broken off piece of the outer r...

Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.

After a watercolor drawing by the iconic, famous French modern artist PAUL CEZANNE (1839-1906) is this print best described as a pochoir, titled "La Cruche Verte", ("The Green Jug"), numbered at lower left 128/225. The print is affixed to a board on which the numeration is written in pencil. In a window in the mat below (and, not attached to that board---taped to the mat on the underside) is the title, description of the media used in the original drawing, measurements of that original, date o...

This is a landscape work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1937, when the artist was 48 years old, at mid-career. Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly exc...

Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented. The painting has a few losses and shallow scrapes that could use i...

Vintage (circa 1910 or 1920---possibly earlier---) old watercolor landscape of a log bridge over a small creek in a woodland, nicely framed, signed at lower left by listed upstate New York artist ELBRIDGE J. FENN (1857-1934). Fenn seems to have executed landscapes in oil and watercolor, in the area around the old Skaneateles art colony near the Finger Lakes, west of Syracuse. There is not a lot of biographical information to be gleaned from the net, but he was obviously talented. This work me...

Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government. While in his 20's he began to exhibit annually at the Salon des Artistes Francais, where he won medals ...

Pastel on paper, 11" by 23 1/2" (15 1/2" by 28" in its original stained oak veneer frame), unsigned, the subject a beautiful still life arrangement including a number of peaches and bananas in front of a tilted bowl or possibly basket. I think the work dates to about the year 1900 give or take a decade or two. Condition is excellent, with just a little pastel dust adhering to the glass. I recall having seen some time ago a photo of an oil of this exact arrangement, the painting being by Calif...

Watercolor on paper, with skilled use of wet-on-wet technique, 19" by 27" (31" by 38" as framed), the subject quite possibly a city with figures, (but that is just a guess---only the artist knew for sure), signed at lower right "G. Benaroyo" (or "Benaroya") and dated there 1962. I believe Benaroyo or Benaroya is a Jewish surname, and I discovered upon opening this up that there is writing in Hebrew on the back of the work, the words "Benaroya landscape" and the original $150 price. I do not se...

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow. The work is signed at lower right by the talented contemporary Russian gallery artist NIKOLAI TROSCHENKOV (1961-) and dated there 1989, and at lower left, I'm told, is the name of the town (all this related to me by Russian speakers). On the reverse in longhand i...