A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

A lovely highly impressionist oil on board painting of coffee pots and creamers on a table, apparently unsigned, and of vintage age, possibly 1930's or 1940's I believe. The work measures 14 1/2" by 15 1/4" (18" by 18 1/2" framed). On the reverse of the old board is written in old hand in pencil what appears as "Robert Swasey/327 Spring St./Portland Maine". I have looked for the name Robert Swasey in standard art search sites and have not located a known recognized painter by this name...

This is an original etching, 11" by 16 1/2" (17" by 21" as framed), by American artist Kerr Eby (1889-1946). The title of the work is "Cattle Ford", and it was executed in 1945, in an edition of 100 apparently. Eby was born in Tokyo to Canadian missionaries but was in the United States by age 3. At 18 he went to New York City for art education, working for a lithographic firm to enhance his financial situation, gaining valuable experience that served him well later in life...

Old circa 1950 painting on board of the majestic Grand Canyon in Arizona, apparently unsigned, measuring 17 3/4" by 22", plus pleasingly old patterned frame, 1 3/4" wide on a side. The artist had talent but the work is also fairly primitive, in a charming way. A lot of effort went into painting this. I would almost describe it as folk art. Materials suggest a late 1940's or early 1950's age. There's some wear on the frame especially at lower right corner...

A highly detailed etching in brown ink, featuring canal-side classic old architecture of Amsterdam, 12 1/2" by 9 3/4" plus narrow wood frame, pencil signed at lower left margin by the very important Dutch-born 20th century artist WILLEM GERARD HOFKER (1902-1981). At right in pencil is "epreuve d'artiste" and "no. 24" in ink. Hofker was born in The Hague and received early art instruction from his father's friend, the famous artist Isaac Israel...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...

19c French Miniature Portrait Painting. 19c Miniature Portrait Paintings of French Queen Marie Antoinette in Blue Dress & White Lace Collar, Artist Signed: Prevost. size: Portrait 1 5/8 x 1 3/8 inches, frame 2.5 x 2 inches in good condition.

19th century. hand painted miniature on card, depicting a European woman adorned with flowers, the image measuring 2" x 1.5", mounted in a coin silver scalloped rim bezel c.1860-1880. Good condition.

A small pencil drawing of several structures on rolling hillsides, drawn in a very impressionist hand, and signed "A C Goodwin" at lower right by one of Boston's most beloved artists, ARTHUR CLIFTON GOODWIN (1864-1929). Written on the backing presumably by another hand and at a later date is the artist's name and "Berkshire Landscape, pencil drawing". The work was acquired in suburban Sudbury, Massachusetts...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black...

An interesting contemporary abstract painting on canvas, 25 1/4" by 25 1/4" as framed, signed illegibly at lower right corner, featuring blackish and reddish rectangles arranged in a manner suggesting the works of famed twentieth century American artist Mark Rothko. This stylish work will easily complement your modern or mid century interior. Condition is excellent. Probably dates to the 1980's or 1990's. Nice texturing and skilled blending techniques (edge blurring) is evident...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name. On the reverse in pencil is written (Pound or Florins? sign) and 5.50, and below that, at the very edge of the panel, appears to be very possibly a name, however it is cut off by the lower edge of the p...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches ...

By the noted California artist FRANK MOSS HAMILTON (1930-1999) is this gouache on paper painting, 11 1/4" by 15 1/2" inside the frame, 19" by 23 1/2" framed, signed at lower right by the artist and titled there "December Snow". Hamilton was a highly talented master of realistic painting, sometimes in oil but perhaps more impressively in gouache or tempera or casein type media. This is a typical example of his work, the subject classic, eastern-looking barns in the quiet of December, everything...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship. The paper is generally somewhat browned with advanced age, and the extreme left and right 1/2" or so is severely browned---evi...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris. This print shows the artist at age 45 (who ...

An interesting work of the mid 1970's----original watercolor and crayon drawing of the freeway intersections and downtown towers of Los Angeles at the time, signed at lower right "John N" and dated 10-74. The piece measures 12 1/2" by 13" inside the mat and 19 1/2" by 19 1/2" in the period frame. This is not quite artist Wayne Thiebaud and his famed California elevated freeways, which are now seen as Pop Art works in and of themselves; but this artist had a modern vision and handled the subjec...