This is a beautifully executed white pigment on eucalyptus bark painting by ANDREW MUNAKALI (KUNWINJKU), an aboriginal painter from Arnhem Land in northern Australia. The piece measures 12" by 18" (31 cm. by 43 cm.) The Oenpelli label on the reverse says "Depicting: A Possum --- djebbuh. Gunbalanya Council Inc. Code No...

Oil on canvas painting of a young woman knitting on a grassy slope in a glade, 25" by 18", 32" by 25" framed, signed at lower right in red by a talented, though little-known, apparently Argentine painter who worked in the early years of the twentieth century, A. MORENO DE TORRES. This is a fine work by a very skilled hand. Were it by a better-known artist, the price would be multiples higher...

Watercolor on paper of herons or egrets in a marshy area, measuring 21 1/4" by 29 1/4" (54 cm. by 74 cm.), in a 1" wide modern era frame. The painting is firmly signed in ink at lower right and dated 1905. This is, judging from auction records I see, **one of the largest works by this noted Belgian impressionist artist**. Outer was born in the part of Luxembourg closest to Belgium. He studied art in Louvain and Brussels, and in the atelier of Jean-Francois Portaels...

Watercolor on paper, 22 1/4" by 15", unframed, signed at lower right in black ink "N. P. Brigante", the subject a forest glade with trees, boulders and grasses. The painting is by NICHOLAS P. BRIGANTE (1895-1989), a California painter often confused with the Italian painter of Venice scenes, Nicholas Briganti with an "i". Brigante was born in Italy, and was in Los Angeles as a child. According to the Hughes biography, he was a sign painter and studied under Hanson Puthuff...

Decorative etching on paper in brownish inks showing ancient houses in a continental European village, 6 3/4" by 8 5/8" (15 1/2" by 16" as framed), signed in pencil in lower margin by the noted English modern art figure FRANK BRANGWYN (1867-1956). Brangwyn was a unique figure in British art, not easily categorized stylistically, but today his contribution to that art is unquestioned. Born in Belgium, he was in London by an early age, where he largely taught himself to draw...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000...

This is an interesting example of a monotype, in which art is created on a piece of glass which is then pressed against paper to produce a unique image. The artist is well listed and his paintings sell well at Canadian auctions. At first glance, this work could easily pass for a watercolor; a monotype is something of a hybrid, with characteristics of prints and original art. It measures 17 3/8" by 13 1/2" inside the mat; with an additional 5 1/4" of mat and frame on a side...

A complex mixed media drawing, in the style of Russian artist Wassily Kandinsky (1866-1944), featuring geometric shapes and forms, measuring 7 1/2" by 11 3/4" inside the mat opening (17" in 21" in frame). The drawing is created with graphite, watercolor, gouache and perhaps pastel crayon. The detail is tight and finished. A very decorative work with color and form, sure to be a conversation piece.

“Venice” oil on canvas 20 x 24 Claudio Simonetti was born in Rome, January 29, 1929, into a family of artists. From his father he inherited his love for art and interest in colors. He began his studies at the Rome School of Art, and after these studies, he traveled extensively throughout Italy and France, where he painted from nature and learned from his associations with other artists...

Charcoal drawing on paper laid on thin board, 28" by 38", unframed, signed at lower right "McBride". I am not familiar with the apparently unlisted artist might be but he or she was talented and possibly familiar with the San Francisco School/California School, Northern California School of art---artists like David Park, Nathan Oliveira, Elmer Bischoff and Manuel Neri. The haunting face especially reminds me of some of these esteemed artists' works...

Large (21 1/4" by 30 1/4" plus 3 1/2" mat and gold frame) highly detailed drawing of a royal Indian elephant festooned with festive "hat", bells and rug, seen in profile, and surrounded by a decorative floral border. This is classic Indian art executed in a traditional style, though I believe it is of fairly contemporary age. The silk is backed by rather cushy, soft material. Frame is in good condition with minor wear...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period. As such, it is not in perfect condition; but is certainly in good enough condition ...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P. LATIMER (1857-1941), but Latimer had many students who painted in his style, (including his son), so we cannot be a...

Oil on canvas painting of fruits in a shallow dish, 6" by 12" (10" by 16" nicely framed), signed at lower right by the well-known American artist ALEXANDER BROOK (1898-1980). The subdued colors and careful arrangement suggest familiarity with the great Italian still life master Giorgio Morandi. There is a coldness, a stillness, that is quite monumental. Brook was born in Brooklyn, and studied at the Art Students League from 1914-1918. He married painter Peggy Bacon, and was divorced from her...

Watercolor on heavy paper laid on board, 30" by 22", unframed, signed at upper left corner in ball point pen "Ernest W. Scanes, 3/25/66, Otsego Remnant". Scanes (1909-1994) is best known as a Michigan artist, certainly a Midwest artist, but also, due to his illustration of books and ads, he is known as an illustrator as well. I have previously owned a 1947 gouache, also of skiers, and am currently offering a charcoal drawing by him in my shop. Evidently, a relative of the artist resides or re...

Watercolor on paper drawing, unframed, 15" by 21 1/2" inside the gold mat, the subject two proper late Victorian women with parasols, on a small boat in a lake landscape, towering trees in the background, signed at lower left with what appears as "D. G. Streeton", and dated there 1898. This is a nicely executed work, probably American. I cannot seem to match it to a known artist. It is not the work of Australian Arthur Ernest Streeton. I also thought the signature could be "Streeter", but I...

Watercolor on paper painting of an old wooden church of northern New Mexico, signed at lower right by artist ROSS PAXTON (1931-2003). The painting is very impressionistic. Paxton was born in rural northeast Oregon and went to college in Albuquerque, and later lived in New Jersey, furthering his art career in New York City. After serving in the Army, in the Korean War, Paxton remained in New York for much of his life, an illustrator for AC&R ad agency, and handled major accounts. Measurements ...