Gouache on paper on board, 17 1/2" by 12 1/2" and 1 1/2" frame/mat, signed at lower right "MIZEN". This work has the feel of illustration art, and well it should as FREDERIC KIMBALL MIZEN (1888-1964) was a noted illustration artist, having done covers for the Saturday Evening Post. He was a member of the Society of Illustrators. Mizen studied at the Art Institute of Chicago and was a student of the great Taos master Walter Ufer. Mizen's oils sell at major auctions...

This pencil/watercolor drawing on heavy paper, 34 1/2" by 24 1/2" is actually signed by the artist, one "Sil Marraccini" at lower right and is dated 2/11/39. Originally intended as architectural plans, it would today easily qualify as a late Deco/early mid century art work on its own accord. I believe I acquired this in the San Francisco area, where Bank of America began. No doubt this was a plan for the interior details and exterior elevation of a branch of the bank...

Gouache and watercolor on paper landscape titled on reverse "Arab Village Near Jerusalem", measuring 14 5/8" by 19 3/4" (26" by 29" as framed), signed at lower right "WM. D. RAFFEL" and dated 1954. This is a beautifully executed work in fine condition save for a cracked (but not detached) upper left corner due to brittleness likely caused by aging...

Oil on canvas, 20" by 24" (30" by 36" as framed) signed at lower left by well listed and auctioned artist JORDI BONAS (1937-). The scene is a small boat harbor with a traditional church and coastal village in the middle ground. Bonas was born in Barcelona but was in France in his twenties. Exhibitions throughout continental Europe and then the US were held in subsequent years...

Mid nineteenth century watercolor, gouache and gum arabic drawing on paper of a young woman with the ringlet hair and prim dark dress fashionable at the time, holding the back of a Hitchcock chair, all against an extensive landscape. The drawing measures 6" by 4 1/4" inside the mat, and comes with a newish 1" wide gold colored frame. I don't see a signature. The gum arabic has oxidized and aged and is crackly, with tiny losses in the sleeve, and her lower face has lost some detail...

Watercolor and ink drawing of an arch in Paris, 11 3/4" by 15", (19 3/4" by 23" as framed), signed at lower right by noted late 19th and early 20th century artist JULES ADLER (1865-1952). Adler's name is mentioned in texts describing major and significant French artists of the late 19th century, along with such figures as Millet, L'Hermitte, and. Most of his subject matter shows everyday scenes of common people going about their lives in French cities and countryside...

**ONE OF TWO OF THIS PRINT IN MY SHOP**Etching of Victorian children playing in an interior, 10 3/4" by 8 3/8" inside the mat. pencil signed "R. Ernst" at lower right. This is an unusual medium for the artist, best known for his highly finished and detailed oil paintings of orientalist subjects. These oils regularly bring hundreds of thousands of dollars at auction. This etching is all original, including the old soiled mat, and so forth...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple...

This is a stunning, classic plein air style seascape painting (24" by 30", 29 1/2" by 33 1/2" as framed) signed at lower left by California master artist HENRY LEOPOLD RICHTER (1870-1960). A probable original title, "SURF", is written on the stretcher. The handling of color, motion, and especially the balance of sunlight and shadow is quite impressive. Having viewed a number of other works by the artist online, this one really seems to stand out...

This is a large and impressively painted (28 1/4" by 47" just the painting alone) oil on canvas signed at lower left "J. Mathey 21", showing an early autumn landscape with patches of snow and forest depicted in an impressionist manner. The artist, JACQUES MATHEY (1883-1973), was the son of French artist Paul Mathey (1844-1929)...

Oil on canvasboard painting titled on backing paper "LAVISH FALL PALETTE/LONGS PEAK", signed at lower right by artist RUTH ERWIN (1904-1994). The work, featuring flaming aspen in the Colorado high country in high autumn, a view to monumental Longs Peak in the distance, measures 10" by 8" (18 1/2" by 16" framed). I've gathered a few nuggets of information on the artist through the net. One person wrote what she found on a label attached to the back of an Erwin painting she owned: "....the "pa...

This is a very pleasing country landscape (9 3/4" by 13 3/4" inside the mat, 16 1/2" by 20 1/4" as framed), executed in watercolor on paper by listed 20th century British artist F.L. BLANCHARD. A kind Englishman has emailed me to inform me that the building in the landscape is what is known as an "oasthouse", commonly seen in Kent, and used for processing hops for the brewing of beer. Though there are a number of auction records for this artist Blanchard, in England, and mostly for marine and...

According to Sotheby's London old master specialists, this painting is an ANTIQUE copy of the major museum work "Stormy Landscape with Philemon and Baucis" by artist SIR PETER PAUL RUBENS (1577-1640), one of the major figures in European art history. The original is presently in the Kunsthistorisches Museum in Vienna, Austria. I can describe the art as oil on joined old oak panels, 17 1/2" by 23 1/4", circa 1700's, showing an extensive fantasy landscape including violent storm and flood, over...

Chalk and charcoal drawing on brown paper, 23 3/4" by 17 3/4", unsigned, in old frame on which is written "ADELE WATSON Ex. Coll. Pasadena Art Inst.". This is a skillfully executed portrait of a seated young woman. There is a bit of red color in the pot at her feet, in the collar area, and in her face, to go along with the white and black chalk. Unfortunately the piece is not signed, but the framing appears to be totally original, and in addition to the inscription, there is a very old, early...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892. Shortly after 1900, Glyndon lived in Alameda, California. He was known for genre, landscapes, and portrait paintings. Some paintings have recently sold at auction, one, of a night sce...

Impressionist watercolor on textured paper painting of a landscape with houses and trees, signed in ballpoint pen in Hebrew script at lower left and dated there 1972 by listed Israeli artist ZIPORA KOVELMAN (1936-). The work is nicely crafted by an obviously talented hand. There is not a lot of biographical information on her but works in oil and watercolor appear with some frequency at auction in Israel. This measures 7 1/2" by 11 1/2" inside the mat and 14 3/4" by 18 1/2" in a pleasing brig...

Aquatint on paper 20" by 14" (32" by 24 1/2" in tasteful framing, with quality materials), signed in pencil at lower right corner within the image, the subject a lady intensely examining a print from a bulging portfolio in a studio, other works visible in other portfolios and hanging on the wall. Title I believe is "Dans l'Atelier". The colors are somber and elegant. Robbe was a major French printmaker late in the 19th and early in the 20th century. His subject matter included Paris scenes, whi...

Old American watercolor painting, early 1900's, featuring a leafless tree in what is apparently late autumn, a flash of color in the middle distance giving an indication that winter has not completely arrived. The work appears unsigned. Measurements are 15 1/4" by 10" and 18 1/4" by 12 1/2" in the old frame, which shows wear. The watercolor itself has survived the decades in good condition.