Signed ELLIS in block letters in the lower right corner. A small brown spot is in the upper right corner. Professionally framed and matted under glass. Frame measures 11" x 21"

A view of Ely Cathedral in eastern England, signed at lower right by listed contemporary British artist KENNETH W. BURTON (1946-), the work painted skillfully in gouache and measuring 9" by 13" (18 1/2" by 22 3/4" in whitish wood frame). Condition of painting and frame excellent. Burton was born in Lincolnshire and has painted widely throughout the United Kingdom, seeking out a wide range of landscape subject matter. See his website for more information on the talented artist.

Vintage watercolor painting of the famous miniature drawbridge in the far western part of the island (Somerset Parish), actually signed twice at lower right "Worcester" or (less likely) "Norcester", and dated "42". I am so far unable to connect this to a known, listed artist working in the islands. The work measures 12" by 16" as framed. Note the typical, quaint old whitewashed stone Bermuda house at left and the white roofs and shutters...

Contemporary watercolor painting of a sun-filled, arid landscape with eucalyptus, spiky yucca-like plants, and a lizard (Australian goanna?) in the foreground, the painting signed at lower right "Meg Hocking". The piece is likely from Australia, as the goanna and eucalyptus would suggest. An internet search does not turn up an artist by this name but obviously she knew watercolor painting. The work, unframed (is matted, though) measures 13 3/4" by 9 7/8" inside the mat...

A 19th century European pencil drawing of a classical male figure seated on a drape, holding a staff and a round object, signed with initials at lower right with what appears as "MLB". There is no other hint as to the identity of the artist. The paper has no watermarks. Measurements are 9 1/2" by 7" inside the mat, 14 7/8" by 11 1/4" in inexpensive modern frame behind non glare glass.

A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame)...

A vintage, original dated hand tinted copper plate stipple engraving by Francesco Bartolozzi dated 1786. This print measures 11" x 8-3/8" (imprint size) and it is in a later (c.1900) painted and gilt 14-3/4" x 11-3/4" frame. It has the following inscriptions: "Painted by Sir Joshua Reynolds", London. Published Dec 12th 1786 by E.M. Diemar, No. 114 Strand, and "Engraved by F. Bartolozzi, R.A. Engraver to His Majesty...

A lithograph poster printed by Maeght, 24" by 16", to be shipped unframed (flat or tube-rolled as per buyer preference), circa 1980's, publicizing the gallery's long and fruitful relationship with the famous Spanish artist JOAN MIRO (1893-1983). Miro of course needs little introduction, as one of the best known artists of the twentieth century, his colorful iconic imagery by now firmly integrated into modern visual culture...

A pastel on paper drawing of an urban alleyway with whitewashed structure and tiled roof, possibly in Mexico or other Latin country, signed at lower right by American artist "Dave M....", or similar. The work measures 14 1/2" by 10 3/4" inside the mat and 21" by 16" as framed. The artist has taken an everyday kind of scene and transformed it into a work of art. The art is in excellent condition as are the frame and mat.

Engraving on paper, the sheet 16 1/8" by 19" (18" by 20 1/2" as framed), the subject a bewigged magistrate type at his desk, surrounded by a salon of 18th century folk, the title line underneath beginning with "Here Justice Triumphs in his Elbow Chair.......". This is a moralizing work by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764)...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos...

Watercolor on heavy paper, 5 1/4" by 10", 10 1/4" by 14 1/2" in early 20th century dark laminated wood frame, signed at lower right in pencil "Della Vernon". DELLA VERNON (1876-1962) was an early California painter, the works of whom are considered scarce, according to the biography in the definitive Hughes Dictionary of California Artists. She was born in Iowa but was known to be in San Diego by 1901, and by 1909 she was in Oakland...

This is a large lithograph, 32 1/2" by 22 3/4", unframed, the subject a reclining nude in a claustrophobic room hung with framed artworks, signed at lower right in pencil by the artist WILLIAM BRICE, and numbered at lower left 5/20 examples. The work was created in 1962 and bears the blindstamp of Tamarind, as well as another unidentified blind stamp on the front and an ink stamp of a gallery, or printer, on the reverse...

A Hand Colored Lithograph by Kellogg & Thayer, circa 1850. Titled "Bobby Burns and His Highland Mary". Dimensions 12" wide x 16" high.

Oil on canvas, unframed, 15 3/4" by 11 3/4", unsigned, the subject a colorful Indonesian or Chinese traditional dancer in elaborate costume, complete with extra long fingernails and fierce-looking mask. The work was likely executed in the past twenty years or so. A Chinese ad for cigarettes is used as backing paper (a tear in that). This is a most decorative piece that took a long time to create.

An extensive classical Italian Mediterranean landscape on paper, signed at lower right by artist CARL NACKE (1876-after 1931). Measuring 15 1/2" by 23 1/4", the work's colors are unusually fresh considering the age of the piece. The watercolor is unframed, laid on a board, as found in a Georgia estate. Nacke was an artist best known for his work on fine porcelains at German porcelain factories; these porcelains appear at auction in Europe.

A peaceful scene of a quiet creek winding next to a forest, signed at lower right Emily M. Cornwall. An early century blue Philadelphia framer's label has been retained and affixed to the present backing. The 10" by 15 1/4" watercolor (18" by 23" framed) is offered in AS-IS condition. Somehow, over the years, the sky area in the left portion was severely damaged, with complete paper loss in areas especially at far left portion. The right half of the work is in good condition...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

Watercolor on heavy textured watercolor paper, depicting a m urban scene from the NYC area, including a high bridge in the background, industrial and apartment buildings, and a railroad car, a large sun in the sky in vivid colors, signed by artist. Measures 14 1/2" x 21". Signed in lower right, to the left of the ladder leaning on the railroad car. An exceptionally large image, fine color and energy. Condition is good, color is bright, no stains, a small edge loss along the bottom, would be ...

Scarce 1941 color lithograph print titled in the lower left margin "Babes in the wood" and facsimile signature in right margin by the noted California artist CONRAD BUFF (1886-1975). These prints are sometimes found with pencil signatures, and many were issued in small editions generally under 200 examples. I cannot be certain as to the edition size of this particular title. Museums collect Buff's prints, which have been overshadowed by his bold, colorful, often modernistic landscape painting...

Watercolor on paper small painting of a Mediterranean-looking seacoast with a rock outcropping and a gnarled pine tree branch extending out over the water, measuring 9 1/4" by 13 3/4" as simply framed, signed at lower left by artist "H. Clottu" and dated there "27". Surprisingly I have not located a listing for this name, though the work suggests that this could be by a listed artist. The scene reminds of south of the France impressionist paintings by Monet, such as the works he created around...

Oil on board painting of a harbor with small boats, 11 3/4" by 14", (15 1/2" by 17 1/2" in stained oak frame), said by a handwritten note on the reverse to be Morro Bay in central California. The note reads "View of Morro Bay/by Mary Harrington on trip of California coast with friends Mr. & Mrs. Dan Castro 1961". The painting might be signed by the artist at lower right; difficult to see among the browned varnish. There is a listing for an artist by this name but I cannot determine if the...

"William Hogarth" Paul before Felix, Plate 2 The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 ...

Original 19th century lithograph "A Scene in Old Ireland", by Currier and Ives, the famous American printmakers. This is a true antique hand-colored lithograph and not a later restrike. The work is framed in a late 19th century wood frame with gold inner fillet. Wood backing with rotary saw marks indicates it was framed after the 1870's. Measurements are 12" by 15 3/4" as framed (margins are ample but might have been trimmed a little in early days). The print is in about average condition ...

Oil on canvas, 18" by 21 1/4", unframed, signed at lower right "A. Alvarez", the subject a colorful flower stall "La Flor de la Rambla" in an obviously European (Spanish, no doubt) town. The work is in need of a frame but otherwise is ready for display. Presently there is an inner frame remnant but no true frame.

PAIR of unsigned watercolors from Japan, one featuring a seaside beacon or shrine, the other small boats along a coast, a volcano (possibly Mt. Fuji) in the distance. The works were found intact and identically framed, but in shipping one frame essentially broke apart and may not be serviceable at this point. One painting measures 4 1/4" by 11 1/2", the other slightly smaller at 3 3/4" by 10 3/4" (and that one 9 3/4" by 17 1/2" framed). The framing seems to have been done since they were in t...

Watercolor painting of an elaborate Orthodox church on a rise above a lake in winter, a rowboat in the foreground, the work signed at lower right in Russian. On the reverse in ink is written the artist's full name, Sergei Nemirovski, and the date, 1998. Measuring 9 1/2" by 6 3/8" inside the mat (16 1/2" by 13 1/4" in simple wood frame), the piece is very clean and ready for the wall.

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

"William Hogarth" "Paul before Felix The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches s...

Black ink, red watercolor and white gouache drawing, unsigned, 22 1/2" by 15", unsigned, the figure playing a mandolin or lute, wearing poofy medieval-style pantaloons, and sporting a Dali-esque moustache. The drawing definitely has some age, maybe circa mid century. The camera somewhat overstates the color difference between top (more brownish) and bottom (less browned) half; I can't explain the variation. There are some edge flaws (short tears, old nail cuts) and at upper left there is some...

(See two other works by the artist in my shop)**Nicely executed watercolor painting of traditional Japanese scene in the autumn season, measuring 12 1/4" by 8 3/4", unframed, signed at lower left by the talented listed Japanese artist FUKUTARO TERAUCHI (1891-). Terauchi was born December 9,1891. In 1910 he entered the private school Kiyoteru Kuroda, and later became a member of the Hakuda Association. His name is often misread as Tanauchi or Tarauchi, and his body of work is confused with that ...

An old oil on canvas laid on board painting of the northern San Francisco waterfront around Fort Mason, along with a panoramic view to Angel Island and Marin County beyond, unframed, 11" by 14", signed at lower right "Whited". There is only one listed artist with the last name, an (Elva) Viola Whited of Texas, which internet search reveals likely birth/death dates of 1902-1983. This could be our artist or could be someone totally unrelated. Written on the reverse of the card to which this was...

"William Hogarth" "The Man of Taste" and "Rich's Triumphant Entry" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet ...

**ONE OF THREE ORIGINAL WORKS BY THE ARTIST IN MY SHOP**Gouache on thin board, 16" by 14", unframed, the subject a young girl wearing a flower-bedecked hat, signed at lower right by the listed California and Illinois artist MARGO ALEXANDER (1894-1965). This is a whimsical and very feminine subject that would be a fine addition to a lady's dressing area perhaps. The artist studied at the Art Institute of Chicago and the Pennsylvania Academy of Fine Arts, and exhibited at the Golden Gate Internati...

Oil on board still life of red roses, and a few bumble bees in the composition as well, 24 1/4" by 18 1/2", 31 1/4" by 24 3/4" in likely original old gold frame, signed at lower left "N. Miller" and dated there 1910 or possibly 1916. This was executed in the early 20th century, but takes from a nineteenth century tradition in Victorian times----painting roses. In this case, the artist seems to have been familiar with the widely known artist Paul De Longpre (1855-1911), who painted flowers, oft...

A vintage impressionist oil on canvas painting of a sunny fenced meadow, signed with initials "FB" at lower right, 10" by 14" (14 1/4" by 18 1/4" framed). The work came from a German-American family which had brought much art from the old country, suggesting a European origin. The painting is pleasant and easy to live with. A cleaning to remove light surface dirt would be beneficial, as would a new gold frame, the present wood one not flattering to the work.

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Lithograph on paper, 11 1/2" by 14 1/2" inside the mat, 19" by 23" as framed, (no glass), the title at bottom "The Peerless GOLDSMITH MAID, driven by Budd Doble./"THE QUEEN OF TROTTERS" UNRIVALLED IN THE WORLD." This is a popular, folky image of an apparently well known 19th century trotting horse pulling the single driver of the sulky. Since the print has traveled without glass, it has acquired a number of faults common to Currier and Ives prints, including water stains (especially at top rig...

A true lithograph, possibly titled "Litografia VI", 9 1/2" by 12 1/2" inside the mat, 12 1/2" by 15 1/2" including the mat, unframed, by the famous Spanish modern artist who needs little introduction, JOAN MIRO (1893-1983). I do not know when this was produced or if the edition was limited. The mat is permanently glued down over the work, which is also apparently permanently affixed to the foamboard backing. Colors are very bright. Simply frame this and you will be making a smashing modern a...

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: GOLDEN POND, written by pencil on lower left of margin,
The size of Lithograph Sheet: 27” Long x 20” High,
Image size: 24” Long x 18” High,
Signed by artist, ALIZERA 89 on the lower right side in plate
Medium: Offset Gallery quality Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C. in 1989
Printed in Canada.
The condition: Excellent, never been framed.
...

"William Hogarth" Sancho at the Feast, Starved by his Physician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size:...

An old watercolor of a street scene in Alsace (the portion of eastern France that borders Germany), featuring a well for water and a half timbered house wall, along with a pretty window with flowers in pots. The artist, AMELIE FOLEY-RISLER (1870-1947) signed at bottom left and the town is identified there as Niedermorschwihr, Alsace. The unframed watercolor, 14 3/4" by 11", is in excellent condition. The artist was primarily a watercolorist, but there does not seem to be an available biograph...

A Fine Etching from the Early Texas Artist, Clara Caffrey Pancoast (1872-1959). Pancoast was a student of Jose Arpa and taught at the Art Colony in Alpine. Matt opening measures about 4 3/8" by 6 3/8", overall frame about 8 1/8" by 10 3/4".

Watercolor painting on paper, 29 1/2" by 21 1/2", (37 1/2" by 29 1/2" framed behind Plexi, in simple gold metal framing), signed at lower right "Julia R. Ayres" (and copyright symbol and 1985 date). The subject is the world famous Grand Canyon in Arizona. Ayres might be a listed artist, there being another Julia Ayres on google known as an artist, but further research should be conducted to see if there might be a relationship. The watercolor is nicely executed and the popular southwestern su...

A contemporary Thai or otherwise Southeast Asian painting of traditional thatched houses by the water, palms, banana trees, water buffalo and blooming lilies completing the scene. Oil on canvas 13 1/2" by 20", 17" by 23" in attractive, complementary, grayish, distressed-look wood framing. Condition is excellent. The work is signed at lower left with what appears as "Song Suk".

A contemporary painting by a talented anonymous artist, the subject a church stained glass window, with Gothic arches and impressive detail, including the names of the saints pictured. The work measures 14 1/2" by 11 1/4" (21 1/2" by 18" framed in black). Condition is excellent, I note a tiny chip at lower left frame easily painted black. The artist invested a lot of time in creating this and the former owner installed UV resistant glass to prevent fading. Allow for reflections in a few imag...

A print of Pierre-Auguste Renoir's 1889 painting "A Young Girl with Daisies", 9 1/2 by 7 1/2" (18" by 16" in the attractive wood frame). The print is very glossy, as made---giving the impression of being on porcelain, or made as an enamel. The frame is likely of Mexican origin and is hand carved and gilded, making for an attractive combination. A work for the Renoir fan who cannot quite afford the real deal at a Sotheby's auction.

This is a very contemporary work, unframed, on a wood or masonite panel, 8 3/4" by 12", signed (incised) at lower right corner "EW" and dated there "01". The scene is a city street, depicted in rather bright color, in an impressionist technique; what is quite unusual here is the added medium used, the surface obviously having been worked with wax (I believe this might be called "encaustic" when used in a painting). The mix of the waxy material and the paint creates a quite modern surface and a...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

Oil on canvas painting of a calf standing in a tawny meadow, 12" by 12" (15 1/4" by 15 1/4" in simple wood frame), signed at lower left "Hutcheson". This is a simple yet competently painted work by an artist whose identity remains unknown to me. I have searched online and feel this could be by a female Arkansas artist, but that would be just a guess. Condition is excellent.

Drawing of a nude woman lying on her side, 10 1/4" by 15" inside the mat, 16 1/2" by 20" in frameless protective framing, signed at lower right "Sean Mayten" or similar, and dated there 1-13-86. The artist does not appear to be listed, at least under that name or variants of it. He seems to have used perhaps grayish-tan silverpoint or other unusual medium to draw this on a pebbled paper. An artistic work with sensitive shading and line. There are some spidery shadows on the drawing near the ...

Watercolor on paper painting of waves lapping at rocks in the ocean, 9" by 12", unframed, signed at lower right in blue by well-listed California artist GEORGE DEMONT OTIS (1879-1962). The simple scene of waves lapping at a rock is simple yet complete. The artist was born in Memphis, Tennessee and was raised in the Midwest after being orphaned. He showed early talent and was enrolled at the Art Institute of Chicago at 14, followed later by more training in Philadelphia and New York. By 1911 Otis...

Old circa 1940's chalk portrait drawing of a young woman with red hair and striking light eyes, 22" by 16" (27" by 20 1/2" framed in green metal strip frame), apparently unsigned. This is one of several drawings I encountered by (I believe) the same artist. Two other drawings were signed, but illegibly, so the identity of the artist is a mystery. I think the paper might have been rolled at one time as under certain raking light conditions one can see soft horizontal, roughly parallel creases....

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title. The painting belonged to the Houghton Hall ar...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane". The painting appears to have been fra...

Brandywine frigate frame Print 11 x 15”, frame size 20 x 24”

An early (early 20th century) unframed watercolor of the brick buildings of San Francisco's Chinatown, unsigned, 11 1/2" by 7 1/2", from the collection of a longtime San Francisco art dealer. The work includes a number of figures in traditional Chinese clothing, along with the ornamental grillwork of some balconies overlooking the street in these post-Gold Rush buildings. The artist could be any number of listed artists, or perhaps, a talented amateur. There is light foxing in the sky.

This is a difficult to describe painting----we see a beach on a summer's day, the blue sea beyond; budding clouds, a spiky yucca at left, and what look at first like children's sandbox toys in the sand, until it appears that maybe they're not children's sandbox toys. The "tower" at right looks more like a Greek islands windmill, the "sail" a takeoff from the yucca. There's also a starfish, a bucket, a brightly colored striped beach ball--and a difficult to make out signature. I would guess th...

An etching on paper, 7 1/4" by 5 1/4" inside the mat, 12 1/2" by 9 3/4" framed, signed at lower right in pencil by well-known New Orleans artist EUGENE F. LOVING (1908-1971). The print is titled at lower left, "Bourbon Street Patio", and bears the artist's notation "Ed/100" at lower center. Loving was a familiar figure on the New Orleans art scene for decades, painting and executing prints as well. A teacher as well, he was something of a father figure of sorts to other artists in the region. Th...

An etching with extensive watercolor depicting two arches of an old bridge with a house built on the pier between the arches, two men in red coats and a dog on the bank below the bridge and lane with trees and houses on the right. Titled along the lower margin to the left, “Part of the Old Bridge east Shrewsbury.” It is unsigned, but part of the old mount that is saved in a folder on the back of the present mount states that it is by Paul Sandby (British 1725-1809). The evidence that it is b...