Simon Lake’s argonaut on the seafloor oil on canvas 1898 F. Wightman artist 25x37 inches If that white man who is in Richmond Virginia shows the first documented use of a submarine in the construction of a seawall or lighthouse I believe it was in Portsmouth Virginia or Virginia Beach very very rare

Engraving on Steel published by "Eigenthun. d. Verleger", "Der Kaiser - Fallast" in "Peking", Ca. 1850, image:6" x 4 5/8", frame:10 1/2" x 8 1/2", printed "CCCC VIII"(top right), "Aus d. Kunstanst. d. Bibliogr. Inst in Hildbh."(bottom left), "Eigenthun. d. Verleger"(Publisher or Artist, bottom right). Some brown marks on paper and mat and frame is in good condition.

William Baptiste Baird was born in Chicago, Illinois, in 1847, but as an adult, he moved to Paris to perfect his painting technique. In Paris, Baird studied under Adolphe Yvan, and exhibited extensively at the Paris Salon from 1872 until 1899. Baird was a painter of farm animals, rural subjects, and small animals. In 1872, he exhibited in a formal gallery in Paris, and was represented there through 1899, during which time the gallery became the Salon des Artistes Français in 1881...

A small gem of a watercolor painting, the subject a traditional house in a landscape with trees, signed at lower right "F Diday fecit", ("fecit" Latin for "did it" or "made it"), circa mid 19th century. The work on laid paper measures 3 1/4" by 5 1/8" inside the beautifully hand drawn lines mat. Presently this is unframed...

Charles François Daubigny landscape oil on panel signed lower left presented in a quality gold leaf frame. Panel measures 10.5"W x 7.75"H. overall framed size 16.0" W x 13.0" H x 2.5" D A French landscapist of the Barbizon School, Charles-Francois Daubigny was born in 1817 in Paris. In 1835, having received a small scholarship, he went to Italy, where he spent an unproductive year...

INDIAN NINETEENTH DANCING SHIVA BRONZE SCULPTURE measuring 12” in height. Most likely from the South of India

Oil on unusual crimped/bent metal tin panels, each extensive landscape painting measuring 5 1/2" by 9 1/2" and about 1 1/2" margin all around, each signed at bottom in red "H. ROUX". These are beautifully painted works of the nineteenth century by an apparently listed Swiss artist. The pair has some scratches and small abrasions in a few spots, and one has a scratched area at top extending into the gold margin; but, these flaws are not so significant as to affect the overall impression...

One of a number of Whistler lithographs I am offering: "Gants de Suede", ("Silk Gloves"), 1890, measuring 11 1/4" by 8", mounted with hinges/tape at top corners as shown, in red mat, unframed. Condition: toned paper, semi-circular punch at left edge and some other roughness there, and fox mark below the famous monogram at right. Toned creamy color is difficult to capture in the photos...

A hand-colored engraving after William Henry Bartlett (1809-1854), titled "Eastport and Passamaquoddy Bay", 1839, engraved by C. Cousen, printed by George Virtue of London, England. Tiny foreground figures relax on a bluff overlooking the panorama, framed by a feathery tree at right and close-in island. William Bartlett was a well-known artist at the time, his topographical scenes very sought after. They proved popular works for transfer to engravings which could be widely distributed...

SOUTH INDIAN BRONZE FIGURE OF A DEITY standing in slight tribhangha and dressed in an ankle-length dhoti, adorned with various jewelry, the sacred thread and a garland hanging to his ankles, the face with long nose and large eyes flanked by elaborate earrings and surmounted by a conical headdress, all atop a circular single lotus base 13 inch height circa 1930

A nineteenth century watercolor painting of high purple mountains looming above an arid landscape framed by two trees at right, unsigned, 6 1/2" by 9 1/2" plus 3/4" wide framing. Found in California, and I lean towards this being a view in that state, though it could be elsewhere in the West or even conceivably in a place like Italy. The houses at far left do not help to solve the riddle. The piece, glued to the backing board, is definitely quite old...

Oil on canvas impressionist seascape painting of green waves breaking on a beach, 12" by 24" (17 3/4" by 29 1/2" framed), signed on overlap "D. W. Parshall '95". This is a work by a Buffalo-born artist, DeWitt Parshall (1864-1956) who is today best known as a California painter from the Santa Barbara area...

Gorgeous still life of fruit and leaves in a compote upon a table, the fruit spilling over onto the table, American school, 19th century, oil on canvas. Frame measures 26" high and 22 1/2' wide, with the sight size of the painting measuring 19" x 15". The painting is signed in block letters, F. R...

Henry Sadd, British, 1811-1893, "Lord Viscount Nelson, Duke of Bronte," Mezzotint, plate size measures 15 1/2 x 20 1/2 inches on 25 3/4 x 20 inch wove type paper. From a painting by J. P. Knight. C. 1845. Engraved for the New York Albion, January 1st. 1845. Lettered below the image with the title in open, strengthened letters, around a crest with the motto 'Palmam Qui Meruit Ferat', and 'Born at Burnham Thorp, Co. of Norfolk, Sep. 9th. 1758.

An antique oil on canvas, 19 1/4" by 26 1/2" (27 1/2" by 34 1/2" in gold frame), featuring the oft-painted view of the Wetterhorn peak (3,692 meters) in south-central Switzerland, above the village of Grindelwald. The work is signed with initials at lower center and dated 1859, but to date my efforts to tie it to a particular artist have been unsuccessful. The painting has extensive craquelure in the sky at upper right portion, and there are two small losses elsewhere...

A fine pair of Venetian canal scenes painted by the School of Panini. Includes unique hand-carved frames. Oil on canvas...

Very attractive praying gilded bronze disciple, Rattanakosin era, 19th Century, Thai. Condition: good, size: H. 15.5cm x W. 8cm x D. 10cm

Oil on canvas laid on a card, unstretched, signed at lower right corner "C Vianello". The subject is an older lady seated in a darkened interior, obviously deep in thought. The work measures 13" by 10 1/4". It is sorely in need of some restoration, as it was laid long ago on a card which is now bent and cracked. The surface though stable is dry, and there is soiling and no varnish present. A restorer could likely avoid the higher expense of totally removing the work from the card, by simply ...