An antique Kearsley hand coloured snake copper plate engraving print from 1801. This is a really fine example and it is entitled "VIPER-HEADAED SNAKE", from the original by James Heath. Published in 1801 for inclusion in "Kearsley's Systematic Natural History" series published in various volumes and with various topics beginning in 1800, this plate is from Volume 3 "Amphibia", published in 1802. Notations on the print include: VIPER-HEADED SNAKE, 1801 JANy 1 LONDON PUBLISHED BY G...

Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame

An American portrait miniature of a woman with strong features and striking presence. Excellent condition, although the photo came out somewhat blurry. A card with illegible writing was inside the traveling case which measures 4" by 3 1/8" when closed. The sight size is 2 5/8" by 2".

PAIR of pencil drawings, one titled "The Customs House London" (1820) and the other a botanical still life, both bearing the original auction stickers and labels from the Sotheby's London sale of October 9, 1996. The Customs House work measures 10 1/2" by 7 7/8" inside the mat. It is signed "By Thom. S. Boys" at lower left and titled "The Custom House London 1820" at right...

A c1840 fine portrait miniature of a young woman in a black dress with elaborate white lace edging around the collar and bodice, and running down the center of the dress almost to the waist. A necklace and lavalier complete her outfit.

Housed in a brown leather over wood case measuring 2 3/4" by 2 1/2" when closed. The sight size of the painting is 2 1/4" by 1 3/4". Excellent condition with wear to the case exterior..

Charity in the Cellar Engraved by Leney, after Hogarth's painting Heath edition The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A harness horse racing print, with fine hand coloring, after the painting by noted English artist WILLIAM J. SHAYER (1811-1892), engraved by James R. Markell (1814-1866), featuring a great horse in his day, Lord William. The horse is described in the title area as the property of Samuel Lawrence Esq...

"William Hogarth" Industry and Idleness suite The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Alexander Wilson (Scottish/American, 1766-1813), Plate 71, from his "American Ornithology", published by Bradford & Innskeep, Philadelphia. 1808-1814. 1st edition. Engraved by Alexander Lawson. This hand colored, engraving depicts six species: gadwal duck, eider duck, female eider, smew, ruddy duck, and female ruddy. Plate size: 10.25" x 13.25". Condition: some light foxing...

An excellently painted miniature portrait of a gentleman, rendered by Thomas Richmond in watercolor on organic wafer. The sitter, with powdered hair, is attired in a black coat, matching waistcoat, and a frilled white shirt and stock.

Presented in a gilt metal frame, with printed interior scene on the reverse. The condition is excellent, with strong colors and no issues. Any white specks in the photo are dust motes...

A fine c1790 portrait miniature of a woman with a somewhat serious demeanor, wearing a white fichu with lace trim, her powdered hair beneath a white bonnet with blue bows. The painting is in a period gold bracelet clasp frame. Excellent condition with an overall size of 1 5/8" by 1 1/4".

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

A nicely done late 18th century miniature of a woman wearing a blue dress and white fichu, her powdered hair with an interwoven white ribbon. Presented in a gilt bracelet clasp mount. Excellent condition with an overall size of 1 3/8" by 1 1/8".

A fine miniature by Charles Dixon, signed "CD" and dated 1750. The subject is a gentleman with his hair tied back, wearing a blue coat, red waistcoat, and black stock. Presented in a gilt metal mount with bracelet clasp, measuring 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Information about Charles Dixon (fl 1748 - 1798) appears to be quite sparse, and there is not even certainty that his first name was Charles since those pieces he signed were done so with "CD"...

Portuguese early eighteenth century Santos of Saint Maria of Lisbon, carved Rosewood sculpture measuring 18.5 inches

This is an antique 18th-century, circa 1740 AD, oil portrait of King Augustus III (October 17, 1696 – October 5, 1763), hand-painted on heavy, hand-woven canvas with great attention to detail.

From 1733 to 1763, he was the King of Poland, Grand Duke of Lithuania, and Elector of Saxony.

The king is depicted wearing armor and a blue moiré silk sash of the Polish Order of the White Eagle...

A fine pair of miniature portraits, done in watercolor on wafer, by Ozias Humphry. They are mounted back to back in a gold case which has black and gold eglomise work on the cover glasses...

A beautifully painted miniature, on organ material, of an older woman dressed in a dark dress with elaborate ruffled collar, a lace fichu and hat, the latter two with incredibly detailed brush strokes. Excellent condition with no issues. 2 1/2" diameter.

Ex Frederick Cochran collection.

Diane Roman Mythology Figure Print dated 1794 Measuring 15x19”

Valentine Green, British, 1739-1813, mezzotint after Reynolds, "Self Portrait of Sir Joshua Reynolds", 1780, plate size: 19 x 15 inches, signed in the plate. Water stains along the bottom edge of the sheet, outside of the plate mark.

A very fine miniature bust length silhouette on natural organic material by John Miers. The piece is signed along the left side of the bust line. As is usual with his best examples, this painting shows very finely executed bronzed work. The interior of the top is glazed with a hairwork enclosed. Sight size is 1 1/8" by 7/8", and the locket size is 1 1/4" by 1".

Both the miniature and the locket are in excellent condition, with no issues.

NOTE: The following are excerpts from two reference w...

English school ( 18/19th century ), watercolor, miniature portrait of a woman in the manner of downman. Measurements: 2 1/2" x 2 1/4", framed and glazed in a 4 3/4" x 4" frame and in great condition.

A finely painted miniature portrait of a handsome dark-haired young gentleman in a blue jacket, and a white waistcoat and stock. Presented in a rolled gold case with a glazed reverse. Though unsigned, there is a taped pencil inscription with artist's name en verso.

The condition is excellent with no issues to speak of. The overall size is 2 3/8" by 2 1/8".

BIOGRAPHICAL NOTE: Louis-Marie Autissier (1772–1830), was born in Brittany, France. He joined the French Revolutionary army in 1791, le...

Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded The Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century. This work is part of a series all dated London 1748, measuring 15x9”

A superb 19th Century Terracotta HEAD OF FAUN signed by famed artist CLAUDE MICHEL CLODION, (1793-1814), France. Size: 14.5 x 10.5 x 7 cm.

A 1643 dated lithograph measuring 5x6” mounted and framed work

Antique Two panel Japanese byobu screen depicting the first frost at waters edge. Japanese herons and mandarin ducks contently rest and foliage with a light dusting of snow screen depicted on the late white plumb blossom tree. Three ducks rest and warm themselves beneath the near barren tree. A pair of Japanese herons are seem amoungst the water with sprouted bamboo and flowering water lilly. In Japan the white heron is known to be able to move between three elements air, earth and water. T...

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr. le Comte Algarotti Chambellan from Her Russian Majesty by he...

A PAIR of Dutch drawings on toned paper, laid on a board, each 13" by 19" plus old French matting a few inches wide, unframed, each signed at lower right "L. Verschuier 1653" in an old hand. Puzzled by the pair, I sent images to the Sotheby's New York auction house Old Master specialists. They said that the drawings were likely 18th century works for some reason bearing the signature of Lieve Pietersz Verschuier (c. 1630-1656), a 17th century important Dutch artist. That specialist did identi...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a ...

Persian Illuminated Page 18th Century hand calligraphy and hand painted flower study. Measuring 16x12 inches

18th Century Northern European Recumbent Carved Wood Sculpture Figure more information coming…..Berlin Estate

Original English late 18th century oil on paper decorative design panel attributed to Robert Adam or his studio circa 1780 comes from the collection of Maurice Rosenblatt 40x50 inches

A miniature portrait, painted in watercolor on organic wafer, depicting a gentleman with powdered hair, a deep blue jacket, and a white shirt and tie.

The miniature is housed in a period, heavy gilt bronze frame which in and of itself has a good amount of intrinsic value.. Neither the painting nor the frame have any condition issues. Sight size is 2 1/8" by 1 5/8", with a frame size of 5 5/8" by 3 1/4".

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G. Gerrard...

Authentic antique, large 18th-century Greek Orthodox icon triptych, finely hand-painted on wood panels. The center wooden panel has a niche carved as a raised arch. Within is an image of the crowned Mother of God (Theotokos), flanked by the Greek script.

The Virgin crowned and nimbate, in a richly embroidered veil, supports a small, rather adult-looking Christ child on the one hand. The Christ is dressed in an elaborate gown and holds a "globus cruciger" in the right hand.

"The top t...