Work 73-12A is a firm and strong dragon not fierce not wimpy. The central kanji is offset by a small yellow Maki sun at the top left and a red splash on the right. They counterbalance each other and give color and verve to the whole print.

Big Green shows 4 moving figures.A similar image is in the US in the kas frane but it is 3 moving figures. I think these were not frequent uses for Maki Poem 71-84

Haku Maki was a major creative Japanese print maker of the second half of the 20th century. His major output from 1965 to 1990 consisted to several different themes of prints Kanji was the main theme for the first 15 years of that period. Then. Ceramics was second. But he also did a large number of prints with persimmon on theme. Most of the persimmon prints showed just one fruit. A few showed two Only two showed 3. These are shown here Both prints are serene no jarring colors or edges...

George Valmier, French, 1885-1937. 3 oil and collage on board, approximately 29.3cm by 22.3cm ( 11.5" by 8.9" ) all signed L G. Valmier,are available as a group or individually. Born and educated in France, Georges Valmier was a pioneer of the Cubist Movement. He studied with Luc-Olivier Merson at the Ecole des Beaux-Arts from 1905 to 1909. As early as 1911, he adapted the Cubist designs for practical application such as futuristic decorations for Marinetti’s theater...

Please notice the new image overlays on Whistler. These match very well. After 50 years+ of ownership and research by an Art Collector this unknown Self-Portrait of an Artist has been identified. The Old Master Collector who purchased this Portrait does not remember where he bought the Portrait. It was a habit of his to visit Antique and Art Shops around the world during his travels. He especially enjoyed working the shops in England for works of Art...

"Rain & Masts Sailboats" Watercolor on paper, 9" x 12" unframed, 16" x 19" framed Ms. Nedwill was born in New York City and studied at the Arts Student League, studying with some of the great artists of the time including Bridgman, H. Dunn, G.P. Ennis, D. Beard, R. Reid and C.G.Chapman. She belonged to numerous organizations including North Shore Artist's Association, The Studio Guild of New York, The Bronx Artist's Guild, Gotham Painters and the Glaucester Society of Artists...

This is one of three research notes that were numbered 23. This one is about Work 73-2, a Maki homage to a 19th-century Chinese writer. Dan Tretiak wrote: Enigma. The original eBay seller wrote this in his listing. He really got it right. Maki’s print has the four-character phrase as done by Deng in his writing in the 19th century We confirm Deng and Maki were in sync. The arrangement of Maki’s gold seal is more used in Chinese than Japanese. In any case ENJOY

"Arc de Triomphe" Oil on canvas, 16" x 12" unframed, 19" x 15" framed Andre Gisson was born with the name Anders Gittleson, in Brooklyn, New York but lived in Westport, Connecticut for most of his life. He traveled extensively and studied throughout Europe and the Far East. Mr. Gittleson was a leading American realist painter. He graduated from the Pratt Institute and was a Captain in the Army during WWII...

Note 10 part II continues to discuss the evolution of Maki's prints.

White Mountain Landscape Oil on canvas 18” x 30” w/o frame Benjamin Champney is synonymous with White Mountain paintings of the 19th century. Most art historians consider him the founder of the White Mountain School of painters who came to North Conway and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals...

The print consists of vertical strokes, a mid-1960s series of six different images. The sun is large and shimmering. The paper is very heavy; the print is in good condition. It measures 12.5 “ x 18”.

The size of Sculpture: 27 1/8" High with base. 25 7/8" High without base. Base 11" dia. 18" Long. The weight 32 Lbs. This is one of famous Frederick Remington subject, "Mountain Man". I bought this sculpture in 1989 twenty years ago. The condition of Bronze excellent, no broken part of any...

In 1976 Haku Maki did three pairs of prints in which the black and white were reversed. One set is shown here. The cement blocks were used to print the white on black, then cleaned to do black on white. These were done in such themes as Mind Wind and Cloud. These are strong sweeping images in rather large prints. The two Wind images here are typical of the type. They are all about 15" x 20" and in editions of 150.

This is one of Maki's dramatic Big Red prints, a kanji on a black background.

Another of Maki's all-white prints, this one is of a Chinese coin. wu wei zhi zu Frame 5 shows the Han dynasty coin which inspired this 1981 print.

This research note was edited by Lois Dougan Tretiak whose assistance is gratefully noted.

In the early 1980s Haku Maki produced this unusual print, Poem 3. It has a kanji bottom margin (Mountain and Water) and is only slightly embossed. It is as if he started to do a lithograph and then decided to emboss it a bit. It is a modest-size print and not spectacular. By the time he did this print Maki had finished with embossed kanji and ceramics and was heading toward less compelling work.Poem 3 has a gold sun right center, but the print has no drama and no oomph. 15x15cm.

In 1970 Japanese print maker Haku Maki (1921 – 2000) produced this large Wind image. It is 84c x 84 cm; 33 " x 33" . Provenance; Maki produced this print and this copy was sold to a Japanese buyer it stayed in Japan until it came to me last week in Beijing this is one of the few times I have been able to obtain a Maki print from Japan not through a dealer. When the previous owner decided to sell he did so through an auction in Japan; then it was fully restore in Tokyo and I acquired it. Becaus...