Vintage oil on panel painting of the coastline at Santa Monica in Southern California, 7" by 9" framed, signed at lower right "K. Latour". Written on an old label on the reverse is "Scene looking right from Palisades at Santa Monica Calif./remember?". The painting likely dates to about the 1940's or early 1950's. Ready to hang on your small empty wall. The vintage frame has slight corner separation and wear at upper left.

A collage work in mixed media, by the Los Angeles-area artist IRWIN BROWN (1928-2020), the subject a religious Jew in traditional clothing, holding a Jewish newspaper with prominent Hebrew characters. The work is an impressive mix of techniques----the base image is actually a dot print; but over that, the artist has used acrylic paint, gauze, ink, and heavy gloss varnish to create an original and unique work. Measurements as framed 15" by 15"...

In the tradition of Victorian rose paintings of the late 19th and early 20th century, here is an unframed work, canvas laid on board, 11 1/2" by 21 1/2", signed at lower right "IDMAY". The painting likely dates to the early years of the 20th century, a time when young girls were encouraged to take up the "ladylike" skill of flower painting. "IDMAY" might have been Ida Mae----one of these young ladies. Our artist was of average skill, but her handiwork has outlived her...

Watercolor on paper painting of a large sailboat off a lighthouse at the coast, some industrial looking electrical towers completing the scene, 9 3/4" by 13 1/2" inside the mat, 16 1/2" by 21" framed, signed "DNadson" or similar at lower right. This is well painted by a skilled but unidentified artist. Found in Los Angeles. Condition is excellent.

A contemporary oil on canvasboard painting, 16" by 20", 19 1/2" by 23 1/2" as framed, the subject an intimate little harbor no doubt in coastal Maine, with a lobsterman's shack and traps stacked on the deck, and his trap-identifying floats hanging on the side of the structure. The talented amateur artist "Paula" signed at lower right and dated the work '98. The work has accumulated a little light soiling and two small abraded areas, as shown.

A watercolor painting of a small motor boat and the surrounding dock area complete with lobster traps, signed at lower right by artist WILLIAM J. GILLETT, where it is also dated 1950. The work on heavy watercolor paper measures 12 1/2" by 17 1/4" and is currently housed in an old frame and mat that should all be discarded (that measuring 21" by 25")...

A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

Unframed watercolor painting of a tawny Australian landscape, signed at lower right by artist PETER BOUSFIELD and titled there "Murrumbidgee River nr Canberra", measuring 10" by 12". Bousfield is a recognized artist who studied at the Australian Watercolor Institute and Royal Art Society of New South Wales. He studied with Will Ashton...

This is the original cartoon art (5" by 16 3/4") for the daily strip of June 26, year unknown, by well known figure in American cartoon art, MERRILL BLOSSER (1892-1983). Blosser drew the comic strip for over 50 years, from 1915 to 1965. He started professionally in 1912 at the Chicago Academy of Fine Arts, worked for Motor Cycling Magazine, and contributed to Denton Publishing in Cleveland...

A pencil drawing of an elegant interior scene with chairs and credenza, center mural and flanking high panels, 15" by 11 1/2" framed in black metal and matted, signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Arts Co Founder Panavision Co.". This early work would date to the artist's teens...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6 1/4" by 8 1/8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From the Fairmount" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking east towards the Bay Bridge and Ferry Building, from the top of Nob Hill, on which sits the opulent Fairmount Hotel...

A very rare booklet with original signed print by famous late Japanese print maker Tokio Miyashita 宮下登喜雄 (1930-2011), published for members of "Club de Tokio", a group of collectors celebrating his work that met once a year. Text is in Japanese. This is volume 2, from 1993. Eight loose pages, not stapled inside the cover, plus the print...

An oil on rough side of the Masonite painting of a windmill in a landscape with a foreground cow, painted in a skilled impressionist hand, and signed by the artist, one PENNY SMITH, at lower left. The work was probably painted in the 1950's, judging from the signature and style/materials. I do not see a listing for a Penny Smith, but she was trained. Measurements are 14" by 12" and the work is unframed...

A pair of pencil signed color reproduction prints of classic wildflowers of Colorado, identically framed and of the same size, 10 1/2" by 8 1/2" as framed, both signed in pencil by the artist at lower right margin, and titled at left "Colorado Columbine" and "Wood Lily". Byxbe is a popular artist closely associated with Colorado's high country. Born in Illinois, he was showed early talent, studying etching in Nebraska. By 1938 he had moved to Estes Park, Colorado...

The size of sheet: 24 " L x 18 3/8", Image area size: 17 1/2" L x 12 3/4". It is very pretty Magnolia flower etching done on heavy laid paper. It is also done with embossing on magnolia flower as well as strip design above magnolia. The top blue stripe is done with applied paper. The etching done by Mary E. Davidson, Southern State American Artist. The title of "Whipped Craem"...

Watercolor on heavy paper of trees leaning over a lake, a swooping bird and small boat with primitive figures in the right lower portion, 12" by 21 1/2", signed at lower left "J. H. Dore" or "T. H. Dore". This is a late 19th century work with a primitive and folky touch. The green mat is too wide. Reframe this charming work with a smaller mat for optimum presentation.

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period. As such, it is not in perfect condition; but is certainly in good enough condition ...

Color woodblock on paper, 13 1/4" by 9 1/4" (21" by 17" as framed), pencil signed by the artist at lower right, numbered 143/200 at lower left and titled there "Prayer". Amen's works are most commonly prints, as he was considered a master print maker in woodblock, etching, lithography and silk screen, but he also executed oils and acrylics, in the course of a long career. The subject is a young boy of about bar mitzvah age, holding a prayer book---a rather typical subject for Amen, who general...