Really well executed watercolor of a classic American town's streets and buildings, as seen from a bird's eye view on a gray, snowy winter day, 14" by 11 1/2" inside the present mat, unframed, signed at lower left by artist Warren Blackwell, and dated there 1948. It is surprising that there seems to be no information available on the artist, as his handling of the medium is so skilled and advanced...

Eye-catching patinated bronze swan statue on a black marble base.. This curvilinear design is reminiscent of the Art Deco period. The edges of the marble base are beveled and the corners are rounded; it all feels very smooth. Unsigned, there was green felt on the bottom that was removed, but enough remains that it will protect a wood surface from scratching. In excellent condition, it measures 16.12ʺ long × 4.12ʺ deep × 11.75ʺ high.

American regionalist painter Robert Walker (1920 - 1990) painted this study of 3 pears as a watercolor on heavy paper. The seeming simplicity of this work belies a great power of observation and sensitivity of even the most mundane.

This work was done in 1949, during the early years of Walker's career who was born in Alameda, California. His works often soar on the simplicity which made 20th century American justly famous...

Oil on canvas, 24" by 36" (28" by 39" as framed), UNSIGNED, but certainly by the popular listed California artist HERBERT SARTELLE (1885-1955) (I will stand by this). This is a classic mountain scene favored by the artist (he seems to have painted that particular mountain over and over again), with large eucalyptus trees and a lake with distant mountains, all executed in Sartelle's unique impressionistic style and characteristic color palette. The painting probably dates to the 1940s or 1950s...

By the hand of listed American artist HUGO MELVILLE FISHER (1876-1946), an impressive oil on canvas painting of the vegetated banks of a river on a spring day, 23" by 27" (31" by 35" attractively framed), signed at lower right corner in red. The impressionist, rich, IMPASTO technique (as in the tree's leaves) is impressive and skilled. Fisher, the son of artist Hugo Anton Fisher, was born in Brooklyn in 1876, moving to Alameda, California at age 8. He spent two years in Hawaii...

Palace royale Brussels ByPerry Menkarn Print 7 x 9“, frame size 13 x 14“

Pencil signed etching, 8 1/2" by 6 1/2" inside the mat, 15 1/4" by 12 1/4" as framed, titled at lower left "The Arts and Crafts Courtyard", (and edition number there given as "100"), the subject the famed and often painted Brulatour Courtyard in the French Quarter, by the well listed Arizona and southwestern painter and art educator GERRY PEIRCE (1900-1969). Peirce was born in upstate New York and educated at the Art Students League and the Cleveland School of Art...

This is a Hand Colored Print. It shows the equestrian Statue of George Washington surrounded with a wreath, composed of the principle agricultural products of the Confederacy--cotton, tobacco, sugar cane, corn, wheat and rice. It is Marked "The Confederate States of America: 22 February 1862". At the bottom, the motto, "Deo Vindice" (God Favor Our Cause) The Seal was engraved by Joseph S. Wyon, Chief Engraver of Her Majesty's Seals, London, England. The Seal is 18 3/4" Diameter...

From our African Collection: Fante Akuaba Doll, circa 1960. Akua'ba (sometimes spelled Akwaba or Akuba) are wooden ritual fertility dolls from Southern Ghana and nearby areas. The best known akua'ba are those of the Fanti people, “Fanti Dolls” whose akua'ba have large, disc-like heads. Other tribes in the West Africa region (f.ex...

Oil on canvas laid on board painting of the Grand Canyon, 17" by 21" (20" by 24" as framed), apparently unsigned, circa 1940's, possibly earlier, executed in a naive manner that borders on or crosses the line to folk art. I think the technique is intentionally naive and primitive, as opposed to just the less-refined work of an amateur artist. The frame (see close-up) adds to the folk art aspects. This is a fine addition to your Southwest or Southwest folk art collection.

Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis...

This is a Pair of WATERCOLORS signed by the ARTIST: R.E. HOLMES. From a Maryland Estate, suburb of Washington, DC. Bio of the Artist: Born in Rosedale, B.C., Canada on March 6, 1917. After graduating from Chouinard Art Institute in 1940, Rosinda Sellers went to work in San Diego in an advertising agency. The following year she married artist Rexford Holmes and moved to San Francisco into Maynard Dixon's old studio (later the Melvin Belli office)...

By the German woman artist Meta Pluckebaum (1876-1945) is this **HAND SIGNED IN PENCIL** etching of two Scottish Terriers, the sheet measuring 5 1/2" by 8 1/4" inside the old mat. At lower left the artist has titled this "Zwei Rowdies". Pluckebaum was born in Germany and studied with Hermann Emil Pohle. Her subjects included child and animal portraits (the latter, mostly cats and dogs), and still life. She was also an illustrator of children's books...

20TH CENTURY BRONZE BULLFIGHTER, Double Patina Circa 1950's Approximately 4 Inches Tall and 4 Inches Wide In Excellent Condition.

"Rattlesnake", bronze sculpture, approximate height with marble base 9 1/4". In good condition.

One of a number of prints by this artist in my inventory, this is a fresh and clean rather early example of one of William Russell Flint's fine color reproductions issued in limited editions for collectors over a period of decades. This one is signed by the artist in pencil at lower right and bears the characteristic embossed Fine Art Trade Guild blind stamp in lower left margin...

Oil on board, 14 1/2" by 20 1/2" as framed, unsigned, the subject an extensive hilly landscape with distant structures. I believe the scene is more than likely American. The painting could use a cleaning as there is discolored varnish, causing the colors to appear more brown and less blue/white in the sky. There is some soiling at top mostly and a small 1/8" or less pressure mark at center in the sky. Overall this painting makes for a pleasant and decorative landscape. A wider frame would wo...

John Taylor Arms, American, 1887-1953, "Cavendish Common," Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American...