Oil on tin sheet painting of a man in cowboy hat, titled on reverse backing "The Old Hat", 16" by 12" (22 1/2" by 18 3/4" framed), signed at lower right and again on the backing, by the well known artist of the American Southwest, RAMON KELLEY (born 1939). This is a sensitively painted work of a subject obviously very familiar to the artist. Kelley studied on a scholarship at the Colorado Institute of Art in Denver, where he counted the artist Charlie Dye among his instructors...

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an 20th century Impression. English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects",[2] and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode...

Oil on canvas painting of a street scene, presumably in Israel, 16" by 11 1/4" framed, signed at lower left "Moshe M.". This does not appear to be by Moshe Mokady, the best known artist with whom that name corresponds closely. Nevertheless it is a competently handled work in excellent condition.

This is a museum poster or flyer issued by the Long Beach Museum of Art in 1972, advertising an exhibition that year of the paintings of the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The unframed sheet measures 24 1/4" by 18", and bears the complementary signature of the artist in blue ink at lower right just below the black area of the central image. Burkhardt was born in Switzerland and arrived in America in 1924...

"Harbor Scene" watercolor on paper 36 1/2" x 30 1/2" framed \ 20" x 16" view size Painter. Born in Matthews, IN on Nov. 9, 1902. At age five Faivre moved with his family to Portland, OR where as a teenager he studied at the Portland Art Gallery and privately with Howard Ellis. He moved to Los Angeles in 1923 and worked as a freelance commercial artist and in the late 1920s went north to San Francisco...

Oil on canvas laid against board painting of historic ancient structures apparently on a coastline, 11 1/2" by 9" (19" by 16" framed), signed at lower left in Hebrew script. There is a second painting on the reverse signed "Hausner" and dated 1979. A reader of Hebrew has confirmed that the signature in that language also reads "Hausner". The scene of buildings is almost expressionistic as opposed to impressionistic. There is a brooding darkness to the sky and a vigor to the brushstrokes...

This is Maki's print 71-2, which tells us it was the second print that he created in 1971.

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

This is the familiar classic black and white poster, titled "Aspens, Northern New Mexico, 1958", 37" by 25 1/2" in typically seen black metal strip frame, copyrighted 1981 by the Trustees of the Ansel Adams Publishing Rights trust, HAND SIGNED in marker below the text, by the famous American photographer ANSEL ADAMS (1902-1984). Adams and other photographers in the Rockies found aspen trees to be excellent subjects, with their white bark...

This is a mixed media work on paper, 9 1/4" by 12" plus 2 1/2 inches on a side of linen mat and inexpensive old frame, signed at lower right by the artist "J-Cl Imbert". It's a difficult to photograph work since it's rather dark and since I need to take the time to remove it from the frame to reduce the unusually troublesome reflections in the glass...

A mid 20th century watercolor on paper landscape painting of craggy classical mountains and gnarled pines, signed at center left with characters. The work measures 14" by 19" (24 1/2" by 30", no glass).

A copy of "Yosemite and the Range of Light", 1979, 12 1/2" by 16", published by the New York Graphic Society, Boston, 1979, stated second printing, HAND SIGNED on an inserted label of Time-Life Books, Carmel, California, 1980. The book has the original dust jacket which like the rest of the book is not in perfect condition. Dust jacket has small stain at lower left and general signs of moderate wear and slightly light-struck at far left...

Gouache and watercolor on smooth side of Masonite painting of a merchant ship in a stormy sea, 11 1/2" by 15 3/4" (18" by 22" as framed---no glass), signed at lower right "HINGER" (California artist Richard Hinger, born 1937). The work is technically excellent, leading one to think it a print, but I guarantee this to be an original work...

A beautiful colorful abstract oil painting by Ken Stabler signed on verso and dated 1961. Presented ready to hang with a thin wood ebony color frame. Canvas size 20 x 24 inches overall 20.5 x 24.5 inches. In excellent vintage condition.

Oil or acrylic on board, large and impressive wall-filling size at 33 1/2" by 45" (41 1/2" by 53" as framed), in a very contemporary style incorporating the complex geometric small squares repeating patterns of artist Robert Natkin, with the addition of various swirls and carefully placed parallel lines. The artist was surely familiar with Natkin's work...

In his book Daniel Tretiak says: “Maki’s kanji prints were normally of one main color against a white or black background. Poem 71-29 below is an exception—and all the more interesting because of it. In this print, Maki has created an abstract Person—the splashes of color show the head, eyes, shoulder, and two legs.” It measures 8.75in W X 12in H and is no. 73 of an edition of 152.

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor...

A nicely executed watercolor painting of a Mediterranean or Spanish style courtyard, the stuccoed white buildings with red tile roofs and grills on windows. Apparently unsigned, the work measures 10" by 13 1/4" (18" by 21 1/4" in circa 1960's or 1970's frame). This could be a scene of Spain, Central or South America, or, even, Southern California. Condition is excellent.