British Artist Ian Hooker oil on paper 24 x 29” A beautifully framed work of a landscape with a beautiful sky, Signs lower right

W.T. Carlsen Danish born Canadian Artist who work in Canada and Scandinavia. Known for his rich harbor scenes. This work dates from the 1970s and is done from his memory of Denmark. The work is oil on panel and measures 24 x 24“, and is framed in a beautiful 1970s era drift wood frame measuring 32 x 32“

An original photograph of gauchos (Aregentine cowboys) on their horses, wading through a river, by the noted Argentine photographer PEDRO LUIS RAOTA (1934-1996), signed by him in marker at lower right. The work measures 17 1/4" by 12 3/4" (24" by 20" in metal frame). The paper has an unusual texture, seen best in the photos of the signature area...

Still Life Italian Artist C. D. Mirani oil on canvas Italian Artist Mirani, the granddaughter of the the artist Silvio Ottoviani known for his simplicity. This still life is a painting in oil of a bouquet of flowers and bowl of fruit., measuring 17” x 15”

1972 Original William Weege Erotic nude 3 way Flocked silk screen and glitter 1/1. Stitched cloth paper with flocking stitching . As made condition , the back "1st Variation 22nd Ed Weege 72 ". size 11.25" 8.8"

Poem 70-10 is the kanji for day 日. It is a striking, simply executed print. Created in 1970, it is now over a half-century old. The print is 17.5in W x 24.5in H, large (but not huge). As Daniel Tretiak has said: In 1970 quite suddenly Haku Maki started producing truly large prints. He tells us that this one was large but Maki was destined to do even larger ones, that year and in 1973.

A small unframed oil on Masonite painting, 8" by 10", signed at lower left indecipherably, the work a fantasy landscape painted very much in the style of acclaimed California artist Eyvind Earle (1916-2000). The neon green sunlit strip, the surreal shadows cast by rocks there, the bare tree, the hillside, all are reminiscent of Earle's work. A silvery frame might work on this. Surface is a bit dusty, and heavily varnished. There are some very light drips of something at right center.

Australian aboriginal art eucalyptus bark painting (the art itself 28 1/2" by 20 1/2", the mounting panel 35" by 20"), by listed artist GEORGE ANARAGAYURA (1934-), the powerful image consisting of two parallel crocodiles, surrounded by small fish, some tiny humans, and, I think, several other creatures less easily identified...

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor...

A large oil on canvas, 36" by 24" (44" by 32" framed), the subject a number of circus clowns, skillfully painted, signed at lower right by noted American clown artist ROBERT OWEN (1930-). Owen was born in Polk County, Missouri. For many years he has been recognized as a master at painting clowns. Reproduction prints have been made from many paintings. This example is in excellent condition. Note also the interesting framing.

Oil on board, likely Canadian painting of a curling scene on a large ice rink with a large number of spectators and players, painted very competently in a very charming folk-art style, signed at lower right "S. S. Heath" and dated there 1973. The work reminds a bit of the whimsical folky Canadian paintings of Allen Sapp or William Kurelek. Suprisingly, I see absolutely no information or auction record for any artist of this name. The work measures 16" by 20" and 20" by 24" as framed...

A beautifully executed original watercolor painting of Sacre Coeur church and surrounding street in Montmartre district of Paris, titled at lower right "Paris Place St. Pierre" and signed at lower left by artist "G. Meraut". There does not seem to be information on this artist but the talent is obvious. Certainly he or she was familiar with Maurice Utrillo and his famous renderings of this special part of Paris...

Oil on canvas painting of a young ballerina, 50" by 30" (60" by 40" as framed), signed at lower left by noted American painter SAUL SCHARY (1904-1978). This is a large and impressive work that reminds one perhaps of the painting styles of Raphael Soyer, Robert Brackman, or Robert Phillipp. The young dancer is shown in her tights against a plain background that does not distract the viewer from her lovely figure and stance...

Oil on fine weave canvas, 9" by 12" plus narrow wood frame, the subject various pitchers and other objects, painted in the typical style of the artist, and signed at lower right by French-American painter ANDRE GISSON (GITTELSON). The cool stillness of the scene takes from the still life works of the great modern master Giorgio Morandi...

This is a relatively earlier (1976 or before) work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996). Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled with tourists when they returned from holidays. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or possibly oil or acrylic on paper...

This is Maki's print 71-2, which tells us it was the second print that he created in 1971.

An excellent example of the watercolor work by the noted New Orleans artist NESTOR FRUGE (1916-2011), 14 1/2" by 10 3/4" (20 1/2" by 16 3/4" framed), featuring the famous and often-painted Brulatour Courtyard in New Orleans. Fruge painted mostly watercolors and was a familiar and beloved part of the Jackson Square tourist scene in New Orleans for decades. He painted mainly French Quarter scenes but also on occasion works such as bayou swamp landscape...

Oil on canvas painting of a desert landscape, 18" by 24" (27" by 34" framed), signed at lower right by the listed California painter AILEEN POWERS STEPHENS (1889-1982). The artist also dedicated it to her daughter Helen, in July 1978, on the occasion of the latter's birthday, in an inscription on the reverse. Stephens was born in Kansas into an artistic family. She was related to the important 19th century American sculptor Hiram Powers...