At first glance appearing to be a print, this is in fact a painstakingly executed watercolor drawing, likely French I am thinking, measuring 16" by 20 1/2" (23 3/4" by 28" framed). The subject is of formal 18th century (earlier?) figures lounging on a classical Versailles-like terrace. They are surrounded by a balustrade, fountain, distant trees, and, in the immediate foreground, a border of oversized flowers...

Watercolor on paper, unsigned, 9" by 5 1/2", (12 5/8" by 8 5/8" as framed), the subject a mansion's impressive doorway with Corinthian columns, hanging lantern, detailed cornices, balustraded balcony, and green shutters, with lush flowering plantings surrounding the entry. Unfortunately, this is unsigned. There are some framing notes on the reverse in old hand, including "Mrs. Buckingham", but there are no clues as to artist. The drawing was purchased in New England...

Nineteenth Century Oil Painting of a Manhattan New York View From Staten Island Naïve Artist 23x35” unsigned

Watercolor on paper, 9 1/2" by 13 3/4" (16 1/2" by 20 1/2" as framed), the subject a 19th century shipwreck engulfed by waves on what appears to be an Atlantic ocean beach, some tiny sails visible on the distant horizon. The artist painted in New England and specifically on Nantucket so this could well be coastal New England. The watercolor is signed at lower left by the listed Ohio and Pennsylvania artist RUFUS WAY SMITH (1840-1900)...

This is a charming antique watercolor, signed at lower right "Vl. Titelbach", and dated there 1884, the subject a celebratory procession of country folk complete with ox-drawn wagons, horse, drums, pistol being fired in the air and other quaint details. The work is on old browned paper, and it measures 14" by 21" inside the mat. There is no glass (I discarded it---was cracked when this was found, in southern Maine). Presently it is housed only in a simple modern metal frame...

An English early to mid nineteenth century watercolor, featuring a house or cottage with cross-hatched windows, an arch at left with two small figures nearby, and tree at right. The work is apparently unsigned. The hand is a little stiff and primitive, but the work is antique and charming. Someone spent a considerable sum on the pleasing newish gold frame and hand-drawn "French mat" with lines and glittery goldish foil border...

Robert Bruce Wallis (English, 1794-1878) Signed: R. B. Wallis (Lower, Right) " In West Cornwall ", c. 1870s Oil on Canvas 12 1/4" x 18 1/4" Housed in a 2 3/4" Ornamented Frame Overall Size: 17 1/8" x 23 1/8" Some losses to frame. In otherwise very good condition.

Antique Japanese full six panel painted screen depicting a flock of cranes resting a gold leaf backdrop. Bordered with silk and simple black lacquer wood frame. Touches a red pigment adorns each of the cranes crown, black wing tips feathers fade to white. Some are seen resting as are grooming and enjoying the social rest. Across the six panels are 100 Japanese cranes.

In Japan the crane is viewed as a national treasure...

Watercolor and pastel mixed media work on paper, 23 3/4" by 17 1/2" (28" by 21 1/4" framed), the subject a mother and her child in a northern European traditional interior (probably Dutch, judging from the wooden shoes and other details), the work signed at lower left "P. Doering" (PAUL DOERING 1864-1947)...

Comic scenes of Wartime camp life were part of every major Civil War artist portfolio. Measuring 30 x 25“ circa 1864 For a time, Price studied portrait painting with William Reading, an artist in Louisville, Kentucky, and later with Oliver Frazer in Lexington, Kentucky. In 1849, Price left Kentucky for New York City where he enrolled in the School of Design and studied for five months...

Nineteenth century American or European drawing of pink roses, their leaves and prickly stems, unsigned, in an oval shape, 9 3/4" by 7 3/4" (12 3/4" by 10 1/2" as nicely framed). The attention to detail by the artist is exceptional. We could prick our fingertip on the fine thorns. This could be considered a folk art or Victorian piece. It is very fresh and clean, considering the age of the work. Allow for reflections in a few images...

This is a nicely executed watercolor of a cathedral on the banks of a river, identified by an old pencil inscription on the reverse as "At Mantes on the Seine". Measuring 9 1/2" by 13 1/2" inside the mat opening and 15 1/2" by 20" as framed behind Plexiglas, the work appears to be unsigned. In the style of the times, the drawing was glued to a thin board, long ago...

A early nineteenth century renaissance revival painting depicting the allegory of justice. Oil on canvas measuring 24x30 inches framed in a rococo gilded frame

One of a number of fine Bermuda watercolors in my shop, this is a work featuring white-roofed houses on the water, several small boats visible at left, and yucca at right. The work measures 6 1/4" by 13 3/4" and 16" by 23 1/2" including old gilded oak frame and gold mat typical of the period. The artist signed at lower left "A. T. Smith" and wrote "Bermuda '95" at lower right. I do not see information on an artist by this name. Nineteenth century Bermuda views are scarce and desirable. A ra...

Oil on Canvas, 10" x 12" unframed, circa 1870 This Dutch born artist was an important member of the Hague School of Art. He was not only an artist but a collector. He was trained at the Amsterdam Academy by Johanas Egenberger and Louis Royer and inspired by Jozef Israels. Artz moved to Paris from 1866-1874, where he set up his own studio at the suggestion of the great artist Courbet. He maintained close contacts with his colleagues Jacob Maris as well as the art dealer Goupil and company. D.A...

“Cardinal and Company” Watercolor on paper view size 19 ½” x 13 1/2” Daini was born in as well as died in Rome. He attended the Academy of Fine Arts of Rome and exhibited throughout Europe. He is a well listed artist. He was equally skilled in the art of both watercolor and oil painting but preferred the medium of watercolor. He was a genre painter with skills on par with the best of his time such as Reggianini and Landini. This piece shows Daini at his finest with his exquisite rende...

Watercolor of Egyptian Mosque by an English artist dated March 1863, large watercolor of amazing quality

Eliphalet M. Brown, Jr., 1816 - 1886 was the Artist and official photographer of Commander Perry’s expedition to Asian and was commissioned to do this work circa 1860. This work is an original oil on canvas, measuring 36” by 48”, in its original gold leaf frame. It is an historic work of American History