A finely painting oil on canvas landscape of a windmill in moonlit landscape, a structure at left with a glowing window, the clouds luminous with the eerie light, and possibly some grazing animals at right, the work apparently UNSIGNED. The detailed meticulous handling suggests an early 19th century date---or possibly even earlier; the work has an Old Master feeling. Measurements are 18" by 24" (21 1/2" by 28" in traditional style old walnut frame with gold fillet)...

Nicely painted on organic wafer, this miniature portrait is of a handsome gentleman set against a bluish-gray background. Housed in a low karat gilded cast foliate pendant case with an empty glazed aperture verso. The miniature is in a specially made leather case that opens and props open to allow the miniature to be displayed or removed.

The condition of the miniature and case are excellent, with no issues to speak of...

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

An American Federal period portrait miniature of a lady circa 1800. This well painted antique miniature painting on ivory measures 2-5/8" x 2-1/8" is under a glass cover. The portrait features a woman with draped headdress and white dress. She is extremely well painted, and the case is leather over wood with a brass clasp. The cases were sometimes replaced over the years, so we can't that it is original to the portrait, although it may be...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

"William Hogarth" "The Beggar's Opera" and "A Just View of the British Stage" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A finely done miniature portrait painting on naturalk organic material, depicting an handsome gentleman wearing a black coat, white shirt and collar, with a stickpin.

The painting is in superb condition, with no problems or restoration. It is housed in its original case of cast foliate brass with the reverse having a glazed aperture. The case and glass are also in excellent condition, though the reverse has several unimportant dents.

A fine pair of strongly painted miniature portraits done on natural wafer. Based on the technique and the area in which the sitters lived (Cincinnati), a strong attribution to Richard Verbrick can be made.

The woman is finely attired in a black puffy sleeved dress with lace at the collar and a wide black belt. Her jewelry includes a brooch at her neckline and earrings, with a tortoiseshell comb in her hair...

"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry...

Meet Captain William Hathaway, of Brooklyn NY, who passed away in 1834, according to the original section of his obituary, which was found inside the case of the miniature. Please note the gold anchor centered on his ruffled shirt.

The painting is finely done, with no condition issues. Any apparent flaws are due to my poor photographic skills. The in-person brightness is about midway between the first two photos...

Unsigned Watercolor. "Lugger beating to Windsward. Fresh Breeze". c 1800. 4 x". Frame Size 17 x 20".

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780...

A nicely painted miniature painting of a blue-eyed gentleman wearing a black tie, coat and black silk vest. The artist has chosen a nice blue background, complementing the sitter's eyes.

The condition of the painting the case are excellent. The spots on the painting are bits of dust, and the lighter color black along the inner edges of the coat are intentionally painted that way. The case size is 2 3/4" by 2 3/8".

A nicely done watercolor in natural material portrait of a young woman. Complementing the blue background, the sitter is presented with blue eye shadow and a blue ribbon and bow in her hair. The glazed reverse of the gold filled case is covered with a nice display of woven hair plaits.

Condition is excellent, with a case size of 1 7/8" by 1 5/8".

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803...

"William Hogarth" The Indian Emperor, or, the Conquest of Mexico Painted by William Hogarth, engraved by Robert Dodd. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates...

MR. AND MRS. WILLIAM C. PENNY,….EACH PORTRAIT, IN OIL, MEASURING 30” x 25” Samuel Waldo Lovett was born on April 6, 1783 in Windham, Connecticut, the son of Esther (née Stevens) and Zacheus Waldo.[3] At the age of sixteen, he moved to Hartford to begin his formal art training under the tutelage of Joseph Steward, a prominent local artist. Four years later, he set up shop as a portraitist in Hartford, later relocating to Litchfield, Connecticut. While in Hartford, he had made the acqu...