"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Ludovic Lepic, French, 1839-1889, "Bords de Riviere Ombreux avec Deux Moulins et Cloche a Droite," Etching, image size 4 x 10/4 inches, 1870, plate signed u.r. "Lepic" and pencil signed l.l. "Lepic", from "Croquis Hollandais et Autres" plate 14. A view of fisherman along the banks of the Ombreux River with two watermills and a church in the background.

"Winter Landscape with Grazing Cows" by Ernest Fiene. 1939. Framed Print. 18 x 17".

Original oil painting on panel by Graham Gercken (Australia, born 1960). This work is signed lower left and also verso. It is also titled "Road to Oberon-Australia" verso. In excellent condition.

EXCEPTIONAL 19TH C. MINIATURE WATERCOLOR AND OIL PORTRAIT OF A GENTLEMAN: Oval 3" x 2 1/2", no visible signature, encased in period wooden frame with convex glass, small wear to the right corner of painting, frame 4 7/8" x 4 1/4".

Robert Sargent Austin 1895-1973 English This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.

An Old Master woodcut illustration of Theuerdank defeating another knight, one of 118 cuts illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy...

Oil on wood panel painting of a Dutch city scene, painted in the 19th century style of artists such as Cornelius Springer, the work 16" by 20" (24" by 28" as nicely framed), signed at lower left "Shone". The work is contemporary though the artist was obviously familiar with the meticulous style of the earlier artists. Painting and frame are in excellent condition.

A classic painting of the California desert and mountains, oil on Masonite, 12" by 15" (15" by 18" in vintage old frame possibly carved by artist), signed lower left by noted California impressionist JOSEPH FREY (1892-1977). This is likely a view looking west towards the towering 11,000 foot high Mt. San Jacinto massif which looms over Palm Springs. The artist has interestingly painted in a "liner" border in a cream color; this is part of the painting and not a linen liner...

Original lithograph by Raphael Soyer (American, 1899-1987), titled "Woman Shading her Eyes". Pencil signed by the artist and numbered 38/50. This work was created for Brandeis University's National Woman's Committee, Gotham Chapter (New York) in 1967. It is #121 in "Raphael Soyer Fifty Years of Printmaking" (Sylvan Cole).

A colorful lithograph by the famous Spanish artist JOAN MIRO (1893-1983), pencil numbered at lower left 77/375 in European-looking writing with horizontal cross of the "7"s. On the backing is an old label of Jamin Editions of Van Nuys, California, who may have issued this print. Dimensions inside the mat are 25 1/2" by 19 1/2" (32 1/2" by 26 3/4" in brushed aluminum metal frame). The image was created for the 1970 Sala Pelaires exhibition, Palma de Mallorca...

Obra De Hans Suliman Grudzinski pencil signed lithograph titled .Sheet size: 21" x 31" pin holes at corners and handling creases, the image area is very good and framing would cover any flaws. Provenance: Estate of Peggy & David Rockefeller having stamp/label

Impressionist seascape oil painting on canvasboard, 12" by 16" (16 1/2" by 20 1/2" framed) signed at lower right by Colorado artist ALFRED JAMES WANDS (1904-1998). On the reverse in pencil is written "Artist---Alfred Wands/2065 Ivanhoe St./Denver 7 Colo./Breaking Sea/$50.00". The work likely dates to the 1950's. Wands was born and raised in Cleveland, Ohio. He attended the Cleveland Art Institute, then went to Europe for studies in Brussels and Munich...

oil on Masonite contemporary style quayside scene, 9 1/2" by 14" (24 cm. by 36 cm.) with 1 3/4" frame and liner, signed at lower right "L. Neuquelman"...

This is an example of the large chromolithograph of the Grand Canyon, made after the famous painting by Thomas Moran, for the Santa Fe Railroad. The work measures 23 2/3" by 35" and the pleasing wood frame is 2 3/8" on a side. This example of this well-known print is offered in as-is condition, with most notably an approximately 1" across hole at lower left, and a number of areas of missing paper, showing in the images as white areas...

Original black and white photograph, circa 1930 to 1950, 13" by 10 1/4" inside the mat (20 1/2" by 16 1/2" as framed), bearing on the reverse of the photo the rubber stamp of mid century California photographer WILL CONNELL (1898-1961). The subject is a complex industrial machine, with lots of cables and wires, steel and wheels, and even some sparks coming from somewhere...

Large watercolor painting in impressionist manner, the subject an old boat, the "Virginia", stored in drydock by a coast. The work, 14" by 22 1/2" inside the innermost mat (25" by 34" framed) is signed at lower right with a signature that greatly resembles that of noted American illustrator artist JON WHITCOMB (1906-1988). Whitcomb is known for his commercial art for publication, featuring glamorous young women...

This is a really pretty watercolor on heavy watercolor paper by an obvious talent, 14" by 20" (22 1/2" by 28 1/4" as framed), the subject picturesque boats tied up along the banks of an idyllic stretch of river, a boathouse at left and a few figures completing the impressionist composition. The work's varieties of impressionistic blues are quite lovely, and there is simply excellent handling of color and light. The only fault, really, is that the artist did not sign the piece...