Edith Penman, American, 1860-1929, etching with remarque, "On the Shoreline", image size: 4 7/8 x 7 3/4 inches, pencil signed

Oil on canvas painting of autumnal trees in an extensive landscape, signed lower right by artist SAIMA SYVERSON (1891-1978). The work, 24" by 30" (29" by 35" in circa 1950's attractive frame) is an impressive size, and the rich impasto brushwork adds to the appeal. Condition is excellent save for a 1" small narrow loss at extreme top left, and there is a small piece of the frame missing at bottom center...

Simka Simkhovitch, Russian-American, 1893-1949, Lithograph, "Late Afternoon", 1946, AAA, edition of 250, image size: 14X8 1/4 inches, pencil signed

Contemporary Australian aboriginal art "dot" painting, acrylic on a thin canvas, signed on the reverse by artist POLLY PUNTJUNTA, and stamped with the Original Aboriginal Art Company stamp, of Adelaide, South Australia. The work measures 15" by 26 1/2" (23" by 34" in a wood frame with scratches). The past framer elected to place the reverse wire so as to hang this vertically, though I do not believe there is any particular reason to have done so. The work might be more logically horizontal...

Arthur Heintzelman, American, 1891-1965, Etching, "Le Bibliophile", 1929, image size: 10X8 inches, edition of 60, Cat. Bpl 147, pencil signed

Max Slevogt, German, 1868-1932, drypoint etching, "Two Tigers", image size: 4 1/8 x 5 1/2 inches, 1913, edition of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

A very striking modern composition, the imagery incorporating a female figure, a bird, a boat, and a snake, all complemented by patches of blue, red and yellow, signed at lower right by noted Uruguayan-born artist YAMANDU CANOSA (born 1954). The work in mixed media (gouache, and sparkle mixed throughout), measures 18 3/4" by 24 1/2" (25" by 31" in attractive black frame with gray mat). Canosa was born in Montevideo, Uruguay and studied there as a youth...

Leo Meissner, American, 1895-1977, wood engraving, "Hannah," image size 10 x 8 inches, numbered "Trial Proof 10," signed in pencil.

This is a larger (22" by 30", 30" by 37" framed) attractive, mixed media drawing on quality heavy paper, a subtle modern work, the colors and tiny background squares reminding of the popular works of artist Robert Natkin. This work is signed in pencil by the artist at the lower right, and is dated there 1983. Despite my best efforts I am unable to read the signature, which looks something like "Christylu Walsh", but this is a wild guess...

Everyone seems to love Paris, a city which has inspired and continues to inspire much art. This pair of watercolors, one of the elegant and timeless Place Vendome, the other the famed "Le Dome" cafe of Montparnasse, are signed by artist "Hrobel". Each measures 16" by 24" (26" by 33 1/4" as framed). The pair is ready for the wall, with clean blue mats and tasteful cream frames. The colors are not faded and there is no foxing nor water staining...

Charles P. Renouard, French, 1845-1924, Etching, "Bathers", image size: 4 7/8X6 3/4", pencil signed

Watercolor and ink drawing of the Seine in Paris by Notre Dame, 7" by 8 3/4" (13" by 15" framed), signed at lower left in pencil "Leprin". This COULD be a work by well listed artist MARCEL LEPRIN (1891-1933). I hesitate to state unequivocally that it is, as the long hand signature differs from the commonly seen all-capital letters version. The artist was known to do very similar works of Paris, and many other parts of France, from Normandy to Marseilles...

Martin Hardie, American, 1875-1952, Etching, "Sunset", image size 8 3/8 x 9 7/8 inches, signed in pen

Chester B. Price, American, 1885-1962, Etching and Drypoint, "Architectural Study of a Church, image size 9 7/8 x 7 1/2 inches, pencil signed

What fun this print is—a swirl of kanji virtually unreadable but a delight to the eye. 79-9 was done in 1979 and measures 9.25in W x 10.75in H. The print is in excellent condition.

Joseph Simpson, British, 1879-1939, etching, "Betty," image size 12 x 9 7/8 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

An impressive watercolor landscape with Italian looking tree at left and extensive vista at right with small figures visible, unsigned on the front, but on the reverse is written in old pencil hand "Childe Harold's Pilgrimage" after JMW Turner by J Glen". This is therefore a 19th century work after a famous painting of Turner by that title, first exhibited in 1832...

**FOUR** identically framed early (1830) color aquatint engraving prints of classic English sporting art subject, the Grand Leicestershire Steeple Chase, 1829, printed by the noted R. Ackermann Jr. of Regent Street, London. The plates are from a series, though this is not a complete series; the group includes Plate 1, Plate 5, Plate 6, and Plate 7. They all measure 14" by 17 1/4" inside the framing (18 1/2" by 21 1/2" framed)...