Oil on canvas, 22" by 18 1/2", unframed, the subject a vase of colorful flowers painted in a highly impressionistic manner. The painting is signed at lower right center with the notoriously difficult to decipher signature of the artist HENRI d'ANTY (1910-1998). The age would appear to be circa late 1950's or early 1960's. D'Anty was born in France and painted scenes in Brittany, northern France, and along the banks of the Marne River...
Watercolor on paper, 17 1/2" by 23 1/4" inside the mat (22" by 28" in very complementary jet-black and silver framing), signed at lower right in pencil "Swanson" and dated there 2002. This handsome, elegant watercolor is by artist ROY E. SWANSON, obviously a skilled hand, though I cannot seem to actually find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America), but this is not that artist...
Description: This Indian miniature plaque measures 4 1/2"L x 3 1/4"W in very good condition with no chips or cracks or any sign of restoration.
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A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition...
Vintage Cyrus Seymour painting of a box of candy . Painted on heavy art board and has a thin plastic cover over the art, good condition possibly was for a candy company's ad work. Signed "Descartes " no date but c 1960s . Size 17.5" by 17.5"
A vintage oil on canvas painting of a river canyon of the west or Southwest, circa 1950's, good-sized at 24" by 32" (32" by 40" in the likely original old charming frame), signed at lower right by artist Charles Crowder. I do not see a "listed" artist name that would correspond. The work much resembles that of California impressionist landscape artist James Merriam (1880-1951). Condition is excellent.
Watercolor on paper, 13 1/2" by 19 1/2" inside the mat (20 1/2" by 26 1/2" as framed), signed at lower left "Roy E. Swanson" and titled in pencil on the backing board "Green Valley Church", along with the original $340.00 price. This watercolor is by a skilled hand, though I cannot seem to find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America) is listed, but this is not that artist...
Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen"...
Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos...
A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California...
Watercolor on paper, unframed, 13 3/4" by 21 3/4", the subject a New England coastal scene with rocks, distant sailboats, and a lighthouse on a headland, the work signed at lower left. This is a typical watercolor painting by the noted artist OTIS S. WEBER (1847-) of New England. Although he is listed, and works sell regularly at auction, not a lot seems to be known about Weber's life and career, but paintings dated as early as 1876 are known. He seems to have worked into the 20th century...
Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees...
Watercolor on heavy paper painting of horses among a stand of flaming yellow cottonwood trees in late autumn, 13 1/2" by 19 1/4" (25" by 31" as nicely framed in quality wood distressed style frame), signed in pencil at lower right by American artist PAMELA MASON (1916-2000). The scene was likely painted in the vicinity of Boulder, Colorado in the 1960's, according to the son of the artist, who created a beautiful and comprehensive legacy website featuring her work...
An interesting contemporary abstract painting on canvas, 25 1/4" by 25 1/4" as framed, signed illegibly at lower right corner, featuring blackish and reddish rectangles arranged in a manner suggesting the works of famed twentieth century American artist Mark Rothko. This stylish work will easily complement your modern or mid century interior. Condition is excellent. Probably dates to the 1980's or 1990's. Nice texturing and skilled blending techniques (edge blurring) is evident...
Indonesian drawing of three seated figures conversing at a marketplace, three white chickens offered up for sale, painted circa late 1950's or early 1960's I believe, apparently unsigned, 12" by 16 1/4" inside the mat, 17" by 21 1/4" as framed. There is an old Rotterdam, Netherlands framer's sticker on the reverse. The art somewhat reminds of the work of the important Dutch/Indonesian master artist Rudolf Bonnet (1895-1978) but I do not believe the work by him. The artist has used watercolor...
Elegant, smart, modern composition of geometric forms, painted on canvas in a limited range of subdued colors, signed at lower right with initials "jmc". The painting dates to the 1970's or 1980's, most likely. Measuring 24 1/2" by 18 3/4" in narrow black wood framing, its heritage can be traced directly to the Suprematist movement launched in 1915 by Russian artist Kasimir Malevich. The radical abstract movement emphasized geometric forms in space including lines, squares and circles, painte...
Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues. It could well be a work by Drew but its being unsigned...
An interesting pastel drawing on paper, circa 1940's, the subject a clear green glass vase of violet and blue flowers set on a round table top adjacent to a high-floor window in a big city, lacy curtains framing the scene at both sides. The envelope sitting on the table appears to have a signature on it, in the trompe l'oeil tradition of the artist signing his/her name on an envelope; but that signature despite my best efforts defies reading. The work measures 18 1/2" by 12 1/2" inside the pre...