This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away...
A study of fruits and vegetables, dated 1944
A leaf from a sketchbook dated Showa 15 (1944), unsigned, minor wear, toning on back
Overall size: 11 ½ x 16 ¼ in.
A folio with six vibrant Italian scenes. The prints measure 12" x 15; the oversized envelope is curled at the corners and shows light wear (the prints are fine). Marked Don Art Co., New York along with a serial number for each print. Printed in Holland.
Watercolor painting of a mountain landscape in autumn, signed at lower left with what appears as "F. Renaud". A brook or stream occupies the right center. This is a nicely painted work, 4 5/8" by 6 1/2" inside the mat, 8 3/4" by 10 3/4" simply framed. The watercolor probably dates to the 1960's or 1970's. Photos were taken with the present cloudy non-glare glass removed. I suggest discarding it permanently in favor of regular glass. Ready to hang on the wall as-is, though.
"William Hogarth" Sigismonda The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...
Poster of 1986, "EGE ART LINE TOUR", 27 1/2" by 19 3/4", unframed, hand signed in somewhat faded marker by the noted Danish modern artist, PER ARNOLDI (1941-). This offset poster is not in great condition, having been tightly rolled for a long time, and it is dusty and has some digs in the paper, and edge damage as shown (what appears as diagonal scratch at upper right is light reflecting in scratch on the Plexi)...
A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places...
A contemporary painting in semi-abstract style, the image apparently of a horse and his flowing mane, staring at the viewer. The work is unsigned. Acrylic on canvas, 16" by 20" (a regular size, easily framed). A twist on equine art.
A contemporary painting on canvas, unframed, 20" by 15 3/4", unframed, the theme seemingly an out-of-this-world painting of space and planets. Difficult to describe, but this sort of imagery is popular, similarsold along the Venice, California boardwalk and elsewhere by enterprising artists. Some of the white spatter seems to be sprayed on. Blue is the general color. Condition is excellent.
The French fashion and costume magazine "La Mode Illustree" operated from about 1859 through at least the 1920's, featuring the styles of the day. This is a fine engraving, circa 1875 or 1880, judging from the fashion depicted. It is hand colored. Size as framed is 13 1/2" by 9 1/2". The framing though narrow is an interesting design. The print has some overall light browning/aging as would be expected of paper of this age---but it is even and not at all obtrusive...
This is a print on metal process, the sheet measuring 34" by 28", and the subject being "The Burning Bush". The work was created to celebrate the 1996 opening of the Skirball Cultural Center and Museum in West Los Angeles. The Skirball is known for its focus on American and European Jewish culture. This work is numbered 629/900 on the reverse in marker and is signed at lower right in marker by the artist...
"William Hogarth" Four Heads from the Cartoons at Hampton Court. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...
Album leaf with sleeve illustration for kimono, produced ca. 1930
Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape
Overall size: 10 x 14 in.
[Note: Daniel Tretiak wrote this in 2012.]
This work is now 5 years old. I set forth the main aspects of the works of Haku Maki, the main themes of his work, the main aspects of his style, and the broad range of his works. I think I did not realize in 2007 the range and versatility of his work, its drama and subtlety. Since this book was published I have written 9 research notes and many descriptions of key works. Amazon and Ren Brown Collection distribute this book...
A 4-7/8" long and 2-1/4" high vintage Inuit Eskimo sopastone carving of a walrus c1950-60. This unsigned (or at least no signature still visible)carving is in fair original condition with no cracks, damage or repairs other than the loss of the two tusks, some chipping to the feet and some minor scrapes. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use...
Woodblock print by Earl M. Washington, page measures 11" x 8 3/8", woodblock image is 6 1/4" x 5", mat is 13 1/2" x 11".
Black ink on cream color paper, in white mats with glassine cover over image.
Signed E.M...
Woodblock print by E.M. Washington, paper size 9 3/8" x 6 3/8", image size 4" x 3 3/4", mat 13 1/2" x 11".
Black ink on tan paper, depicts a semi nude woman in what looks like bar or speakeasy setting, with gramophone and leering man in the background.
Signed by Washington, titled "Quadroon-Gramophone" and numbered 24 of 30. Dated 1924, but actually printed in the 1990's
Good condition, in acid free mats with glassine cover over image, paper affixed to back mat with small piece of tape. Sli...
Antique floral watercolor, the subject white wild roses, 11 1/2" by 7 1/2" (17 1/2" by 13 1/2" framed in light oak), signed at lower right "M. S. Robison". The paper is loose under the mat and has slipped, as photos of corner/edges show. Re-set in proper position and enjoy this well-executed piece.