Haku Maki was undoubtedly Japan’s most prolific print maker of the second half of the 20th century. Many of his works were serious works of kanji and also ceramics. These three are perhaps a bit frivolous. They are actually pretty: each one has seeming globs of color The blue one on the left has kanji in the blue stone; the central one has a wonderful black kanji for Mountain in the center; and the one on the right four globs, each of a different color. And one splash.

Original marble sculpture by Ruth Ingeborg Andris (Chicago, 1930-2014). 12" high including square wood base, 7" wide. Ruth Andris is known as a Chicago sculptor and artist. She studied at the AIC, at the Chicago Academy of Fine Art, and with sculptor Cosmo Campoli. Her works in stone and bronze were exhibited at the AIC, the Ceres Gallery in New York, the Peace Museum, the Benjamin Galleries, etc.

The untouched signature is shown in this close-up photo and the paint used in the signature is found through out the original abstract painting. It is in untouched condition. Refer to painting.

Franklin Watkins (1894-1972) American Artist. "MILL TOWN" Oil on Canvas. Signed Lower Right "FW". Dimensions; 36" x 28"; site 31" x 23".

Yuji Abe passed away in Tokyo on 15 May. Japan art leader Abe-san was 86 He was a dean of the modern a Japanese print world from his base at Yoseido Gallery in Ginza. He tutored many young and not so young gaijin to learn about Japanese modern prints He was a dashing suave figure in his 50s. He had been in ill health for a number of years I attach a recently restored 1961 Maki print he may have handled way back then. This print was done 50 years ago...

Daniel Tretiak's Research Note 12 took a look back at Haku Maki's works from 1965 to 1970.

Robert Brackman (Born Odessa, Russia 1898; Died Roank, CT 1980). “Still Life on White”. Oil on Canvas. Signed Lower Right and on Rear (with title). Dimensions; site 19.5"wide x 15.5"high, with gilt frame 27"wide x 22"high. Brackman studied at the National Academy of Design and was a long time teacher at the Art Students League of NY and elsewhere. His paintings are in many Museum Collections.

Dan Tretiak wrote about a print he didn't own and simply described it here: sad stuff.

In 1970 quite suddenly Haku Maki started producing truly large prints. They were dramatic and somewhat unexpected, all at least 24in x 24in and extended in size to 35in x 35in. His huge print of a woman is 36in x 72in. All of these were created in 1970. Then no Big ones until Big Mu done in 1973. Then no more huge ones. What happened to Maki? What happened to the supply of paper? This Poem 70-10 is pretty large--17.5in W x 24.5in H--but it was succeeded by others even larger.

This is an OIL PAINTING on Board by the Listed 20th Century Artist: HERMANN NEPOLSKY. Ca. 1950 the size is 23 3/4" X 31 1/2" board; 38 1/4" X 29 1/4" Framed. An unusual Scene on a Western Plain depicted by the Artist. This Artist's works have realized sales at Auction in the one thousand dollar range

The bottom margin states this is 39/777 but did Maki really do that many and if so where are they? This is a late-in-life Maki print. Where did this idea come from? A sunflower! I know van Gogh did quite a few famous paintings depicting many sunflowers, all realistic paintings. The Japanese printmaker Tadashi Nakayama did many different takes on Sunflowers. These were realistic depictions. Nakayama did fewer...

Some time ago one Connie Elrod offered me a set of the Maki zodiac in a format never seen before or since. These are not pulled from cement blocks. Rather they seem to be printed lithographs. One James Imai, a friend of Maki who lives in California, commissioned Maki to do a special zodiac set for the Lunar Year. Imai seems to have sent a card every year to friends. Imai sent them to his friend James Elrod seemingly one every year for 12 years...

“Il Golfo Di Napoli” Gouache on board, 10.5" x 7" framed, circa 1860 Mr. Guisti was a very popular and prolific street artist of the 19th century. He worked and lived mostly in Naples, Italy however his art can be found in galleries all over the world. This gem was discovered while searching for antiques in New York City.

5.75 x 8.5 in. ai in Japanese The white background is punctuated by a yellow sun and a red splash --true Maki style. Frame 5 shows Sanae’s careful translation and explanation of this print – and her intuition as to what Maki-san may have meant when he created this image 41 years ago. Copyright 2012 Sanae Nakajima Chambers and Daniel Tretiak

Haku Maki tried to work until he died; the last images were not pretty. They were printed first on very thin paper, which was then “wrapped” around heavy shikishi board. They are lithographs not done from wood blocks. From the late 1980s Maki had stopped doing embossed prints turning instead to collages and lithographed prints. These are among his last prints: Kyowa brand Shikishi board is made in Japan...

This is an original, not a copy. Painted in a USA studio one finds this signed original watercolor on ink drawing portrait painting of "Carol and Victoria" based on a photo by Jim.
Title: Mama's Day. Subject: A gray, sassy kitten looking up at her mistress who is dressed in a bright red top. She is seated against a kiwi color pillow and covered with same color coverlet. The lady is purposely painted right up to upper edge for emphasis...

teaching example board wrapped in thin paper last 2 images seller claims this is from Oakland Museum seller claims it is signed by Maki the writing and the date are NOT Maki style Maki did the print but did he sign it? did he sign this "painting" friend doubts Oakland Museum and Maki would not have meshed

Haku Maki did a wide range of works: prints of many sizes, book plates, greeting cards, and postcards. Here are four postcards that he did in 1999. They are lithographs, each signed and with a Maki seal. They also appeared as prints at the same time. Haku Maki or his family produced them in the last year or so of his life.