Dan Tretiak wrote about a print he didn't own and simply described it here: sad stuff.

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

In 1990 Haku Maki produced as many as 6 different images of famed Mt Fuji(Fuji-san). Here are three, each one printed from a different block.

This note, another of the many Daniel Tretiak wrote in 2015,looks at newly emerged early works of Haku Maki.

In 1971 Haku Maki produced two large prints, one Sun and one Moon. Sun shows a dramatic sun with a red dash all surrounded by a gold field-- Poem 71-100. Poem 72-101 is Moon with a similar design. There is a dark spot in the center. Each print was produced in editions of 156. This pair was offered privately and on eBay by a very insightful seller from Tennessee. After these presumably successful runs Maki did a smaller pair, each with the same title and same design...

Q R T U V W X Y (*) Z Poem T is a distant Predecessor of image 10 Most if not all the prints in this series were sold through Red Lantern Gallery in Kyoto. missing J K L M N O - other than G and S. U is clearly a predecessor of Poem 59-55

The third part of Note 10 looks at the prints Maki probably did in the 1969 to 1975 period but that, at the time of Dan Tretiak's writing this, had not yet come to light.

This is a surprisingly good kanji It was done in 1972,slightly beyond Haku Maki's core period for such small kanji. It is the character for Mu or Nothing It is a very abstract depiction of the character, more so than most of Maki’s rendering of Nothing, which he did many times. This image is sharp and concise and it has drive. It has the Maki style and balance:a seal and the bottom margin. The seal at the right is balanced off by the splash at the left

This note discusses newly emerged prints (it was written in July 2014). Daniel Tretiak wrote: Please enjoy. I own A C W and Flower Song 5.

This Guest Research Note 1 is much ado about Nothing. The Maki print in question is 73-50A (Nothing). The essay is by David Bieling.

Daniel Tretiak, after publishing his book The Life and Works of Haku Maki in 2007, found that he had more to say about prints as they came into his life. And so he wrote Research Notes and published them on this site.

Please read the research note in frame 12 of the photos. There apparently was some misnumbering--there is no Note 13.

In The Life and Works of Haku Maki I refer fairly briefly to his Big Reds and other large prints of the late 1960s and early 1970s. In this Research Note I present a more thorough compendium of this type of image and commentary. If any readers know of an image which should be in this Note, please let me know. For now please enjoy these. Poem 70-63 (Me) was acquired in 2010. Poem 71-90 ed of 108 Dance 69-2 NOTE: This is the first part of a two-part note. The second part is Note 7 B.

Work 73-56 L (fish). This is the second of Maki’s three huge prints that I have owned. This is Work 73-56 L (fish). Several aspects of this image are intriguing. My archive of Maki prints reveals that Maki produced over 100 different images in 1973. I have been able to account for many of them: 1 to 50 and 99 to 110. I had never known what went in the middle. Now I know at least one was work 73-56, the third huge print that Maki did. It is 3 x 6 feet...

Work 73-12A is a firm and strong dragon not fierce not wimpy. The central kanji is offset by a small yellow Maki sun at the top left and a red splash on the right. They counterbalance each other and give color and verve to the whole print.

This is a pre-1900, fine original oil by J.F. Herring. Overall with frame it measures 42” by 30”. The painting itself is 36” by 24”. It is fully signed J.F. Herring.

This note is the fifth in Daniel Tretiak's series of research notes.

From our European Collection, a large and very finely painted 19th century oil on canvas, English School, depicting Mary Queen of Scots bidding farewell to her followers on her way to the gallows in 1587.

Courtesy of Wikipedia: Mary, Queen of Scots (7 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 to 24 July 1567 and Queen consort of France from 10 July 1559 to 5 December 1560.

Mary, the only surviving ...