Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house...

Charles Mielatz, American, 1864-1919, Etching, "Whalers in the Harbor", image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Ingatz Marcel Gaugengigl, American, 1855-1932, Etching, "Bellisima", image size: 7x7, pencil signed

This is an oil on canvas, 20" by 30", signed at lower right "J.B. Radway", who was a 19th century California listed artist, (JESSE B. RADWAY, 1826-c. 1905), but the subject is given on the stretcher as "on the North Cheyenne, Col.". According to the Hughes listing, Radway was born in New York in 1826, and was a resident of Silver Lake, Kansas in 1880, Topeka, Kansas in 1884-85, Alameda, California in 1887, and Vineland, New Jersey in 1900. He is believed to have died in New Jersey in about 1905...

"Lord Cornwallis” attributed to Sir Joshua Reynolds. Sitter supposed to be Lord Cornwallis at the time of the French and Indian wars. Oil on Canvas. 30" x 24". Frame Size 38" x 32" Sir Joshua Reynolds PRA FRS FRSA (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century.[1] He promoted the "Grand Style" in painting which depended on idealization of the imperfect...

A circa 1840s American Portrait in oil. Unsigned measuring 30x25”

This is a CHINESE SERPENTINE JADE QUAN YIN from a VIRGINIA, U.S.A. ESTATE. 6" Tall without and 7" Tall with the Pierced WOOD STAND. Beautifully CARVED FIGURINE the hardness has been checked and this is Serpentine Jade. Ca. 1950 in EXCELLENT Condition

An English print titled Claret Hall 19th century, along with college of Christ 18th century lithograph Each measuring 5 x 6” framed and matted beautifully. From the JH collection

Oil on canvas laid on masonite, 14" by 11" and 3 1/2" wide frame, signed at lower right "C. DE VRIES". This is a pleasing work showing a young woman of central or alpine regions of Europe, holding in her hand a typical felt hat of the area, a window at rear letting in natural light that beautifully illuminates the subject. I have researched this name and find one listing that appears to correspond to the signature, one Belgian artist CAMILLE DE VRIES (1854-after 1924)...

Japanese Artist Tsukioka Kogyo (1866-1919 “Klyotsune” Colored woodblock 15x11”

ANDREW JOHN HENRY WAY 1826-1888; AMERICAN STILL LIFE OF GRAPES AND WINE; OIL ON CANVAS Signed :lower right; AJHW AJHW was born and died in the Washington DC area. He was primarily a still life painter although he did paint many portraits. He is especially known for his representation of GRAPES, especially of those grown in the US. He won many awards including the award for "Excellence in Still Life" at the Philadelphia Centennial. Dimensions; 13.25" x 8.75"; framed; 11.5" x 16".

Gian Simonetti (Italian, 19th Century)

Fishermen in the Venetian Lagoon at Daybreak

Oil-on-canvas, signed lower left

Painting: 16” x 20”
Frame: 22” x 26”

There is little biographical information on Simonetti, and it has been suggested that it is a pseudonym for Gian Gianni who was one of the last of the view painters of Italy. Gianni worked mostly in watercolor and produced views of Naples and Venice for people who were making the Grand Tour...

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world...

Sketch of a Skye Terrier

by Edward F.D. Pritchard (British 1809-1905)

Ink on paper, signed. Paper Size: 3.5" x 5.5" (Unframed)

Pritchard was a marine, landscape and architectural painter living in Bristol and London, who exhibited at the Royal Academy, the British Institution, the Society of British Artists, Suffolk Street and elsewhere...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...

John Austin Sands Monks, American, 1850-1917, "Herd Returning Home". This is an atmospheric original etching of a herd of sheep by American artist John Austin Sands Monks. Image size 11 x 16 1/2 inches, c. 1880s, shepherd's crook remarque in the lower right corner, pencil signed. A rich impression with beautiful plate tone and ample margins on Japan paper.

Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

A circa 1900 oil on canvas painting of roses against a simple dark background, 12 1/2" by 18", and 20" by 24 1/2" in likely original bright gold frame. There does not appear to be a signature. Roses were a popular subject of painters during that period, with many young ladies especially encouraged to take up painting. The American painter George Cochran Lambdin often used dark or black backgrounds for his floral still life works...

PORTRAIT OF GEORGE WASHINGTON ATTRIBUTED TO THE CHAS. WILSON PEALE FAMILY, EARLY NINETEENTH CENTURY OIL ON CANVAS, measuring 72” x 50” in a fine period frame. Possibly the frame from the Stewart workshops...

Nineteenth Century Nassau Bahamas “Straw Market” Oil 10x14” A watercolorist, who specialized in coastal scenes, George Henry Clements grew up on his family's plantation near Opelousas, Louisiana, and worked as a clerk for the New Orleans Cotton Exchange before turning to painting in 1880. He began his formal art training at the Union Art League in New York City. By 1881 he was in Paris. He spent a year at the Academie Julian and another at the Academie Colarossi. Clements also painted...

President George Washington in Full Masonic Regalia Oil 29.5x23.5” by artist Robert Gordon Hardie 1854-1904. Letter from curator of the Masonic Lodge,and other provenance. Background Hardie, Robert Gordon was born on March 29, 1854 in Brattleboro, Vermont, United States. Education Studied drawing in schools of Cooper Institute, Academy of Design and Art Students’ League, New New York Studied at École des Beaux Arts, Paris, Major Robert Gordon and Frances (Hyde) H. Captain, chief o...

FAT BANISHED ALWAYS STAY THIN HEALTH poster circa 1880 Measuring 16x12 inch in a fine black lacquered frame

A well framed color engraving by J.B.Massé illustrating one of the four quadrants” du salon de la guerre” 16x14” remarkable condition

unsigned Scottish artist 19th century Men on Horseback oil 24x30” Framed in a beautiful gold frame measuring 30x36”

19th Century American School 1800-1899 American Artists This is an original oil on tin painting of a young woman. It is apparently unsigned and so we are calling this 19th century American School. The painting measures 8X7 inches, it came to us in a period gilt frame which measures 12 1/2X11 1/2 inches. Expertly painted, this is a fine example of 19th century American portraiture.

** PAIR** American 19th century oil on board landscape paintings in Hudson River style, each signed at lower right by listed artist FRANKLIN JAY LEWIS (1838-1910). The feathery trees, color scheme and general handling are in the tradition of the Hudson River School of the eastern states, but these scenes may in fact have been painted in California. The artist was born in Wells, Vermont, and crossed the continent at great effort in 1868, arriving in San Jose, California to begin a new life. Le...

Pair of original antique botanical Fern lithographs prints circa 1867. Edward J. Lowe’s Ferns: British and Exotic. this print was published in London by Groombridge & Sons in 1867. This work was one of the earliest works to concentrate solely on the subject of the fern. Lowe used his botanical expertise and money to produce this work. He hired A. F. Lydon as the artist for the work and Benjamin Fawcett created the lithograph plates. Presented archival matted and framed. overall size 12.5" x ...

Alethea Hill Platt (American, 1861-1932)

Devonshire Cottage by Moonlight

Oil-on-canvas, signed lower left

Painting: 25” x 30”
Frame: 29” x 33 ¾”

Platt was active in New York State and Connecticut. She is known for her landscapes, portraits and interiors. She studied at the Art Students’ League (NYC) and Delecluse Academy, Paris. Platt also studied with Ben Foster and Henry B. Snell. She exhibited at the Pennsylvania Academy of Fine Art (1900-19...

William Richardson Tyler (American 1825-1896)

Misty Morning at Windsor Castle

Oil-on-canvas, signed lower left

Painting Size: 18.5”” x 29.5”
Frame Size: 31” x 42”

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Tyler is known to have lived and worked in Troy, NY during the 1850‘s and 60‘s where, aside from Abel Buell Moore, he was Troy’s best known artist. ...

Mother & Child. English painting. Antebellum Charleston Family attributed to Thomas Sully. 19th century. Oil on Canvas. 36 x 29. Frame Size 44 x 37".

Very antique drawing of a building, maybe a hotel/drinking establishment combination, large for its time and place, dominating a street scene filled with a number of tiny yet interesting figures, including a drummer at right; two horses; and even a dog. This work, apparently unsigned, measures 9 1/4" by 13 3/8". The artist used a soft paper and some kind of gouache or tempera, which allowed him to show fine detail, as well as a light pastel touch in the sky. The sign over the door of the est...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple. It is acceptable as is to the casu...

A very fine wooded landscape scene with figures, nineteenth century French, oil on panel, measuring 9” x 14.5” The three Le Nain brothers were painters in 17th-century France: Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677). They produced genre works, portraits and portrait miniatures. Lives and work The brothers were born in or near Laon, in Picardy, in northern France. Mathieu was born in 1607; Antoine and Louis were originally believe...

American School (Circa 1895)

Red-haired Girl in Profile

Oil on canvas, unsigned

Painting Size: 16” x 14”
Frame Size: 22 ” x 20”

This charming portrait displays the influence of the “Gibson Girl” fashion sense with her softly piled hair and high collared blouse, made popular by the artist Charles Dana Gibson in the 1890’s.

Ink drawing on heavy card, with a bit of black watercolor in the darker areas, the subject an adorable pug wearing a collar with "William Rifle" on it, and at lower right is written in longhand "Robert Glover Age 7 years"; and at lower left corner within the hand drawn border is the date, "94". I am not sure which one of these names be that of the artist, or if a name is actually that of the pug. The measurements within the border are 13 1/2" by 9 1/2", and the entire card measures 19 1/2" by ...

“Stopping The Runaway Cartiage” early 19th century aquatint measuring 12x14”,artwork is beautifully framed 3.5x5.5 inch