(Consignment). An important American oil painting of the Hand Sisters of Virginia by American artist Blanchard. The children dressed in late 18th century clothing measuring 38x48”,oil

A superb 19th Century Terracotta HEAD OF FAUN signed by famed artist CLAUDE MICHEL CLODION, (1793-1814), France. Size: 14.5 x 10.5 x 7 cm.

A strong English portrait miniature on natural wafer that will cause you to see spots before your eyes. However, they are on a high-necked dress worn by this woman whose attire also features a cap or wide headband. The reverse of the 2 1/2" by 2 1/8" gilt metal case has interwoven plaits of hair. Excellent condition.

"Joyful Wedding", Unsigned, Oil on Canvas, 19th Century, 33 x 48", Frame Size 43 x 58"

A fine miniature portrait by Jeremiah Meyer, painted in watercolor on organic wafer. The sitter, an attractive woman with long brown hair, is simply presented in a teal gown, with no jewelry or other distractions from her natural beauty.

The painting has no cracks, chips, bowing, or restoration. The brass case is in fine condition with an unimportant dent in the back. The overall size is 1 7/8" by 1 5/8"...

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West...

Antique Late 18th-century - early 19th-century Polish Holy Icon of Black Madonna of Czestochowa Queen of Poland (also called Our Lady of Częstochowa). Oil painting finely hand painted on a metal panel (possibly iron). Housed in the 19th century Ebonized and Gilt Wood Frame...

A c1795 continental miniature of a gent who looks somewhat disgruntled, possibly with the waistcoat with blue polka dots and the black jacket with pearl buttons that his wife picked out for him. The reverse of the painting has a "B" embroidered on pink silk fabric. Both the front and back have beveled glass. The diameter of the gilt metal case is 2".

A finely painted watercolor portrait of a good looking gentleman wearing a black jacket and a white shirt, stock and collar. The talented artist specifically painted the entire piece in shades of white, black, and gray. Note the way he used white highlighting on the left collar and shoulder of the sitter to give a sense of depth to the piece.

The back of this work deserves special mention as it is composed of a backing of metal guilloche...

Antoni Waterloo 1609-1690 Dutch This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection...

Jacob Matham, European, 1571-1631, Engraving after Goltzius, "Saint Mary Magdalen Penitent", First state, image size: 10 1/8 x 7 3/8 inches, Fogg Museum provenance, J W Randall collection #1953

Wenceslaus Hollar Hanns Holbein Portrait c 1647 Self-portrait of Hans Holbein as 45-years old in 1543. This copy was engraved by Hollar in 1647. Fair condition mounted corners on left side may have restoration . good image a bit over 5.5" and a bit under 4.5"

A classically beautiful unframed red chalk on old paper drawing of a woman dressed as a nun, possibly a saint, surrounded by winged and putti-like figures, Christ on the cross at left background, circa 1700 Roman School. The Old Master drawing is beautifully worked. Formerly attributed to Guercino, now "Roman School". The old paper is laid on a thin card...

PAIR of copper engravings by the early Flemish artist JOHANNES STRADANUS (also known as Johannes van der Straet), born 1523, died 1605. Each measures 8" by 10 1/2" (16" by 18" in identical silvery contemporary frames). One image is titled "Staphae, Sive Stapedes", the other "Ser Sive Sericus Vermis". These works date to about the year 1590 or 1591. They are numbered 8 and 9, part of Nova Reperta, a series of 20 images that illustrated important discoveries of the Renaissance...

Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as Wenzel Hollar; and to Czech speakers as Václav Hollar Czech: [ˈvaːtslav ˈɦolar]. He is particularly noted for his engravings and etchings...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182...

Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...

A fine seventeenth century marble sculpture of the Greek Goddess Diana, finely carved with provenance from the estate of Daniel Chester French 1850-1931. The piece bought directly from the estate of the sculptor from his home in Washington,DC. The sculpture was on his working desk and something he bought in Europe. The home and its contents where bought by the Hefflin family then, purchased by our gallery. Grand Tour in the 19th century was a sojourn by artist and collectors that studi...

Print, engraving, Jacob Jordaens (1593–1678) (after Sir Anthony Van Dyck) by Pieter De Jode II (Antwerp 1606 - England c.1674) printed c 1630-1645 Half-length portrait of man with left hand across chest. He is wearing a ruff, with short beard and moustache and leaning against a building/pillar.Size 10" by 7.25" water marked and old collection notations on back. Inscribed 'IACOBUS IORDAENS./ PICTOR ANTVERPIAE, HUMANARUM FIGURARUM, IN MAIORIBUS./ Ant van Dyck pinxit. Pet de Iode Sculp. Cum p...

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

Nicolas Mignard, French, 1606-1668, "Athena Advises Odysseus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 11 3/4 x 13 5/8 inches, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Engraving, by the noted AEGIDIUS SADELER (1570-1629), possibly titled "Cottage Partly Built on Piles", from set of six landscapes, after a painting by the noted Flanders Golden Age artist, ROELANT SAVERY (1576-1639). Savery was an important Old Master of the Netherlands, and his original paintings sell for large sums at auction. Sadeler was a talented engraver, in demand by various artists who wished to have their original works translated into graphics. This print has been tightly trimmed to...

A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works. One ...

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. Both images are scenes from Exodus; one side is titled 'Moses and the Isr...

An Old Master woodcut, likely one of 118 images illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy. Apparently Maximilian, also known as the Holy Roman Emperor (1459-1519), wanted to achieve a measure of immortality. Wanting to gl...

Gerard Audran, European, 1640-1703, "The Triumph of David". This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun. The middle plate contains a par...

Double-page with woodcuts from Hartmann Schedel's Nuremberg Chronicle.
The principal woodcut refers to the 5th Council of Constantinople, held 879/880 AD. It depicts the pope and a large group of clergy under the blessing of the Holy Spirit, who is shown as a dove.
Departing from 874 AD, the Latin text develops the context of the 5th Council of Constantinople, an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen incursions into Ita...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside. Signed in the plate on the lower left outside the image, “D ...

Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm. Excellent design, beautiful c...

c 1614 Engravings Portraits Prince of Orange and his wife Elenora. Dutch origin, one signed Ant. Sanderus (Ant. Sanderus Gandensis). Fine condition. Each approximately 5 x 7.5".

Nicolas Mignard, French, 1606-1668, "Perseus Slaying Medusa". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

A large engraving of a mythological scene of Venus after her bath getting ready for a date with Adonis. The print was made by Etienne Baudet the French engraver who also worked in Rome. It is dated 1672. The print is after one of a series of 4 paintings by Francesco Albani that were commissioned by the Duke of Mantua in 1621. The painting that is the source of this print is now in the Louvre. Sight size 23 ¼ by 27 inches (59 by 68 cm), overall 28 ¼ by 32 ¼ inches (72 by 82 cm). The painter an...

A group of three engravings probably by Johannas and Raphael Sadeler of Christian anchorites or hermits. The prints are after Maartin De Vos. These images were widely circulated in the early 17th century and printed and re-engraved by engravers other than the Sadelers. Interestingly of the three in this group two have no title, though they are trimmed right to the image and perhaps the title was removed. All three are laid down on early laid paper card, with the colorful surrounds painted adjace...

This is a very large portrait of a dark headed lady in her finest clothes. It appears to be mid 1700's and more info to be added later.

Woodcut with the martyrdom of Apollinaris outside the city walls of Ravenna.
Taken from a book with legends of the saints in Latin. Apollinaris was considered the founder and bishop of the Christian community of Ravenna. According to the legend, Apollinaris was apprehended at the gates of the city and brutally beaten to death.
Believers venerate Apollinaris a helper against epilepsy.
The text shows different font sizes as well as red text sections and initials. The top of t...

The image shown here is a color added study of an unfinished masterpiece. The flemish painting is in untouched unfinished condition. This painting is in original untouched condition and has not been relined. Due to the Old Master quality, this painting was never overpainted or changed in any way. No resin finish has been applied to this painting. This Old Master Painting tells a Flemish Love Story to Memorialize the love and belief in salvation for his wife. It shows Angel Michael pointing to ...