A hand colored aquatint titled at the bottom, “A VIEW OUSCOTTAH, FROM AN EADGAH.” Underneath the title is, “Sold & Published June 4. 1804, Edw.d Orme, His Majesty’s Printseller, 59. New Bond Street, London.” In the lower left, “lieu.t James Hunter Delin.” and in the lower right, “Harraden Aquatinta.” This plate, numbered 26 in the upper right corner, is from “Picturesque Scenery in the Kingdom of Mysore,” by James Hunter...

A charming and unusual Continental portrait miniature, painted in watercolors on natural wafer. Except for a very small number of miniaturists, and occasional examples by other miniaturists, the full profile format is quite rare. In this example the sitter is wearing a blue dress, gold earring, and a pearl necklace...

A finely painted portrait of a beautiful young woman, done in watercolor on natural wafer. The sitter, identified on the reverse as "Wife of Dr. Kent" is attired in a simple white gown, with no jewelry or other embellishments shown, and is presented against a multicolored background.

The painting is in excellent condition, with no flaws to speak of. The later case shows some wear, and has a cardboard or leather backing. Overall size is 2 5/8" by 2 1/8".

A fine miniature portrait, attributed to J.V. Sturgeon, of a gent posed in front of a green curtain with blue skies visible through the window. This type of setting is uncommon in American minis, but has been done by Sturgeon in some of his works.

The miniature is set in the original gilded copper pendant with a glazed aperture on the reverse containing plaited dark hair. Excellent condition with no issues to speak of...

A pair of watercolor on natural wafer paintings of a nice looking couple, set against a clouded blue background, a motif often used by the artist. Each miniature is signed, in the lower right, with the conjoined initials HB, for Henry Jacob Burch. The paintings are set in period ebonized wood frames.

Condition of the paintings and frames is excellent...

This rare and fine pair of portrait miniatures were painted by John Porter in organic wafers. Each is signed "J.S. Porter 1824 Pinxt". The sitters are a well off husband and wife.

The condition of the miniatures is excellent, with no issues to speak of. Each is under glass, with card backing, gilt metal matting, and gilt foil edging. They are presented in a A.P. Critchlow & Co. case which still retains its original label and is also in excellent condition...

A c1835 delightful and rare miniature by Pamelia Hill, depicting an attractive young woman with hazel eyes and reddish hair gathered in a snood. She is wearing drop earrings and a brooch just below the lace edging of her pleated, deep blue dress. And, of course, the aforementioned snood. Snood, snood, snood...that word always makes me smile...

A charming portrait miniature, done in watercolors on natural wafer, of a young woman in a low-cut blue dress with sleeves decorated with pearl buttons, and a sheer white fichu fastened with a black pin. Her black hair is covered by an elaborate white lace bonnet and she is wearing large gold earrings and a gold chain tucked into her sash. Presented in an ebonized frame.

The miniature is signed "R.C. Woolnough" and dated July 1816 on the backing paper...

A fine portrait miniature painted by William Lewis. The sitter is an attractive gentleman in a black coat, white vest, stock, and shirt, the latter highlighted with a stick pin containing three rubies. It should be noted that the technique and facial structure of this painting is at a higher level than Lewis' works display (see Note 2 below).

Excellent condition with no issues. Sight size is 2 3/8" by 1 7/8", and the later frame is 2 5/8" by 2 1/4".

BIOPGRAPHICAL NOTES: 1...

A fine John Wesley Jarvis portrait miniature of a woman wearing a white mob cap and a modest white dress with lace collar and bow, the sitter presented against a stippled blue background. Housed in a period replacement red leather travel case with a somewhat illegible and later label on the back stating "Miniature of...Caldwell (Rachel Bishop?)...of...Pauses Webb."

The painting, with no bowing, cracks, or fading, is in very good condition. The sight size is 2 3/4" by 2 3/8"...

A Philadelphia artist, Warren immigrated from his native England to the U.S. in 1807 with his older brother, William, who became manager of Philadelphia’s Chestnut Street Theater. In Philadelphia, Henry Warren studied with Thomas Sully, a famous portrait painter. Besides painting drop curtains, Henry Warren designed and created sets, costumes and furniture for that theater...

A strong naïve miniature portrait, rendered in oil and watercolor on organic wafer, which is a very unusual combination. The sitter is a fine looking gentleman attired in a white shirt and collar, with a black jacket, vest and tie. He is seated in a formal armchair, holding a green covered book, in front of a red drapery with a red tasseled tieback. A wooded scene with a blue sky is in the background.

The size of the work is large and quite unusual for an American piece on natural material, h...

A strong watercolor on organic wafer portrait of a British staff officer. With his mutton-chop whiskers, he is dressed in the well-known red jacket, and sports gold epaulettes. The painting is housed in a wonderful gilt bronze brooch with a guilloche silver back, which displays a nicely tied curl of hair under a glazed aperture.

Sight size is 1 1/2" by 1 1/4", with an overall size of 1 3/4" by 1 1/2". The condition of the painting and the case is excellent, with no issues at all. The white fle...

A well done miniature portrait painting on natural organic material, with the sitter being Bishop William White. This piece was done based on the original work painted in enamel on copper by William Birch in 1830. This example kept very true to the original.

The painting is in excellent condition, as is its original velvet travel case, although the photo is not of the highest quality. Sight size is 1 3/8" by 1 1/8".

NOTE: William White (1748-1836) was the first bishop of the Protestant Episc...

A nicely done watercolor, on natural organic material, miniature painting by William Massey Stroud Doyle, signed and dated "1814" center left. The sitter is wearing a black coat, red-striped yellow vest, and white shirt. E. Grosvenor Paine provenance.

The painting is is excellent condition, with no chips, cracks, bowing, or other problems. The black lacquered frame does have crackling. The sight size is 2 5/8" by 2 1/8", and the framed size is 4 1/2" by 3 7/8".

NOTE: Doyle (1769 - 1828) was...

A watercolor on natural wafer, painted by John Cox Dillman Engleheart. The sitter is a handsome gentleman dressed in a black jacket, white shirt, and gray tie. The glazing on the fron of the case has an eglomise border, with the glazed reverse of the case having opalescent glass on top of which is hairwork fastened with a pearl band and gold threads.

The condition of the painting is excellent, as is that of the case. The hairwork on the reverse has some disturbances. Sight size is 2" by 1 5/8...

An Early 19th Century Dutch Still Life with Floweers. Oil on Board, in Original Gilt Frame. Unsigned. Dimensions; 16.5" x 19.5"; site 10" x 14". Circa 1820. In excellent condition.

A very finely drawn miniature of an extremely handsome man, done en grisaille on organic material by H.M.S. Stuart.

The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".

Presented in a rectangular ebonized frame, both the painting and ...

An interesting pair of miniature portraits, painted on organic wafer. Framed in a slightly different manner, there is no question these were done by the same artist at the same time.

Fairchild is an obscure artist, with very few, if any, signed works. This attribution is based on the similarity in technique to an example in a book by Bolton, and information that the pair came from a couple living in CT who are purportedly descendants of the artist.

No condition issues to speak of, with...

A spectacular Nathaniel Rogers painting done in watercolor on organic wafer. I very rarely, if ever, describe or refer to an item as "the best", or the "finest example ever". However, there is no question that this painting represents Rogers at the peak of his ability, which indeed is quite high. Further, the vast majority of his paintings are only bust length, and do not depict the hands of the sitter, not any additional objects. Here we have the subject sitting with an arm draped over a chair,...

This is a mid 19th century very fine portrait of Benjamin West. The oil on canvas measures 24" x 19 3/4". On the back of the canvas it is written "Francios Agman Boudard", "Cecile Dulac Bastier", and Juliette Bastier Saide, and Louis Thomas. It has (3) dates on it being 1861, 1894, and 1926. The quality of this Portrait is exceptional and in excellent condition. West was known as the Father of American Art. The detail of this portrait and the expression of his eyes confirm his successful career....

A nice naïve portrait of a woman, painted in watercolors on organic wafer. The sitter is simply presented in a black dress with lace edging at the bodice. An interesting twist is the fragment of a business card in the back of the case. It says "Painter ***wich City CT" (Norwich City). The artist attribution has been made based on a signed example provided by Brad Crisler, shown in photos 3 and 4, and is unmistakable based on technique and the location of Norwich City.

The condition of the pai...

A nicely painted miniature portrait on organic wafer. The sitter is a young gentleman with blue eyes, attired in a white shirt, black tie, jacket and vest. The background is a pleasing shaded blue. Set in a gilt metal case with an unglazed aperture on the reverse.

The cased size of the painting is 2 1/2" by 2". The painting is in excellent condition, with no cracks, bowing, or restoration. The glass on the front has a scratch.

Biographical Note: William Lewis was born in Salem MA in 178...

A fine portrait on natural material of a gentleman in an early 19th century officer's uniform. Within the locket is the remnant of the backing paper of the miniature, which was incorrectly and poorly removed. A portion of the name "Miller" can be seen. Prior to this removal, a previous owner had written down on a piece of paper what had been on the backing paper. This is shown in the third photo and gives a portion of the sitter's name as John L. Sc?h???, the name of the artist (Miller) and the ...

A very nicely executed pair of portraits of a man and a woman, done in watercolor on card or paper. The woman is identified on the reverse as Elizabeth Gill Elford, painted by J. Mitchell Cox in 1835. The sitter's name and the artist's signature are on card that was cut out and applied to the newer backing, but were part of the original backing to the painting. The man is identified as Benjamin Elford , and signed twice on the back as painted by J. Mitchell Cox in 1835.

Beth is wearing a...

An uncommon example of an early Abraham Parsell portrait miniature, done in watercolor on organic wafer. The sitter is a strong featured gentleman arrayed in the height of fashion for the period: a black jacket, white collar, cravat, ruffled shirt, and vest. The painting is in a cast foliate case which has on the reverse a glazed aperture with a cast foliate rim and containing a lock of hair.

The condition of the case is excellent, as is that of the painting, which has no chips, cracks, bowing...

This charming miniature, done in watercolor on natural wafer, shows a little girl who obviously just spent time working diligently picking enough berries to fill her basket. Judging by her slight smile, she either had fun doing that, or is anticipating enjoying the (literal) fruits of her labors.

Note how the artist, as naive as was his style, took care to magnify the use of certain features by highlighting them in various areas, such as using the blue background and the blue bow to go w...

A simple but charming Benjamin Trott watercolor of an attractive blue-eyed young woman with a ribbon in her hair and dressed in a white empire gown. There are no condition issues. The sight size is 2 1/2" by 1 7/8", and the later frame is 4 7/8" by 3 78".

BIOGRAPHICAL NOTES:
1. From "The Smithsonian Art Museum": Benjamin Trott (c1770 - 1843), thought to have been born in Boston, ranks with Edward Greene Malbone and Charles Fraser as one of America's best miniaturists. During a long career t...

A very nicely painted miniature portrait done in watercolor on natural organic material. Signed "D.F. Ames NY" along the lower right. The sitter is a nice looking young gentleman in a blue coat with gilt buttons, a black stock tie, off-white vest and ruffled shirt. Based on the hair style and clothing the painting was done at the beginning of the period when Ames was known to work.

The miniature is without any cracks, chips, bowing, or restoration. It is of goodly size, housed in a 3" by 2 1/...

A beautifully executed miniature folk art watercolor on paper portrait by J. H. Gillespie, housed in a metal locket with a black card backing.

Condition is excellent with no paint loss, tears, folds, foxing, or restoration. The piece is 2 3/4 inches by 2 3/8 inches.

NOTE: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period. He painted miniature portraits and silhouettes very carefully, and with great attention to ...

A finely painted portrait miniature, on natural wafer, of a bespectacled officer of the 7th Bengal Native Infantry of the Honourable East India Company. Done in vibrant colors and wonderful; detail, the work can be strongly attributed to Raja Jivan Ram. Works from this period in this style by Indian artists are quite uncommon and highly collected. More specifically, very few works by Ram are in private hands.

The painting here is in overall excellent condition, with no chips, cracks, or bowing...

A fine watercolor on natural wafer, done by Simon Jacques Rochard. The sitter, a rather sexy looking young woman with blue eyes is wearing a decollete black dress with a bow at the bodice, a white underslip, gold necklaces, and a black lace veil in her reddish-brown ringletted hair. This work is an excellent example typifying the "Romantic" genre popular at the time it was painted.

The condition is excellent, with no flaws to speak of, as is the condition of the later gold case. The sight size...

One of the finest miniature paintings done by William Massey Stroud Doyle, showing a young man in a black jacket, white shirt and tie with a stickpin. The finely limned gentleman is shown against a white cloud-filled blue sky. Signed "Doyle 1822" at the lower right.

Not only is the painting itself beautiful, but the original case is also very fine, containing a lock of hair in the glazed rear aperture. Condition of the mini is excellent, with no cracks, chips, or restoration. The case is also...

A wonderful portrait miniature, painted on organic wafer, by Andre Larue, known as Mansion. The sitter is a beautiful young woman wearing an off the shoulder dress with lace trim and bows and holding a black shawl as she leans against a red pillow on red sofa. Displayed in a later, but very nice, wood frame with a bronze liner.

The condition of this stunning piece is superb, with no cracks, paint loss, bowing, or restoration. The sight size is 4 5/8" by 3 5/8", while the framed size is 6 7/8" ...

A fine miniature portrait, attributed to J.V. Sturgeon, showing a woman in a black dress with a sunset behind her. Presented in its original gilt foliate case with empty glazed aperture. Excellent condition with no issues to speak of. The sight size is 2 1/2" by 2", with an overall size of 2 5/8" by 2 1/8".

BIOGRAPHICAL NOTE: Sturgeon, active 1825-1835, is by no means a well-known artist in spite of having exhibited at the American Academy of Fine Arts in N.Y. He is also known to have work...

A fine miniature of a handsome gent with strawberry blond hair, painted by Henry Jacob Burch. Adding to the desirability of this example is the Burch trade card that was fitted to the back of the painting, rarely seen in his works.

Excellent condition, with an overall size of 2 3/4" by 2 1/4".

BIOGRAPHICAL NOTE: Henry Jacob Burch was born in London in 1763. He entered the Royal Academy Schools at the age of 16, and exhibited at the Royal Academy from 1787 to 1834. Examples of his wor...