A nicely executed large watercolor painting of a vase with lilies and cattails, on a table top with candlestick prop, the entire sheet 27" by 22 1/2" (31" by 27" framed), signed under the mat by listed American artist LONA MILLER KEPLINGER (1876-1956). The work has an Arts and Crafts feeling. Colors are rich and not sun faded. The artist was born in Indiana and is most closely associated with Maryland, where the 1930 census information shows her living in Bethesda...

A colorful original work, NOT A PRINT, the subject a complete delicious fantasy, of mermaids and fish, , signed at lower left margin in pencil by noted California contemporary artist SALLY HUSS (1940-). The work, 19" by 28 3/4" as framed, is typical of the artist's output----always colorful in the extreme, and whimsical, the subjects landscape, florals, or fantasy. On the reverse, the artist has inscribed "Merry Christmas To Bridget and Katie", and then also signed her name again...

An oil on canvas painting promoting a South Asian or Indian movie, titled "Sangeeta". The work measures 35 1/2" by 25 1/4" in a simple black frame. It is a bit loose on the stretcher but otherwise is in good condition. Major star's name is Nigar Shyam, and there is writing in Arabic which I would imagine place this in the northern or western part of the country.

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition...

Original impressionist pastel drawing of a French (I believe) street, (10 1/2" by 13 1/2" (17 1/2" by 20 1/2" framed), with outdoor tables under umbrellas, a fountain, cars, and cropped trees, signed with initials at lower right and dated there '86. This looks like a Mediterranean or southern scene, the shutters and little windows suggesting that to me. The word "Libre" is visible at right so that suggests France and not Italy. The artist knew how to handle a piece of chalk...

This is the familiar classic black and white poster, titled "Aspens, Northern New Mexico, 1958", 37" by 25 1/2" in typically seen black metal strip frame, copyrighted 1981 by the Trustees of the Ansel Adams Publishing Rights trust, HAND SIGNED in marker below the text, by the famous American photographer ANSEL ADAMS (1902-1984). Adams and other photographers in the Rockies found aspen trees to be excellent subjects, with their white bark...

Watercolor and gouache on paper laid on thin card painting of a typical street scene in an Austrian city, 12 1/2" by 8 1/2" (17" by 13" in circa 1920's black frame), signed at extreme lower left corner and dated there 1917. I have spent considerable time trying to determine what the signature says....I tried Seiler and other similar combinations but so far seem to be unable to link this to a listed artist, though the quality is undeniable...

Painting on coarse burlap of an angel girl-child, 24" by 18" (32" by 26" in the original Mexican wood frame), in the highly recognizable style of noted Mexican artist JOSE MARIA DE SERVIN (1917-1983). The artist, who was actually born in Michigan, was taken at the age of two months to Guadalajara, where he was to become well known as a painter, sculptor, and muralist...

This is a very finely executed watercolor on paper of a young woman in the clothing of the old country. I've opened this up and see that the work is on paper laid on a board, and it is not signed. The measurements inside the gold mat are 9 1/4" by 7 1/4" (17" by 13" in ornate old frame). I am sure, given the quality of the work (note the care lavished on the eyes and face, in particular), that the artist would be someone recognized and listed...

A very sweet oil on canvas painting of several young ice skaters in Holland in winter, the scene completed by a classic windmill in the left distance and snowy roofs at right. The work is signed at lower right in red "M. Leuty" or "Lenty". I do not see an obvious listed artist that would correspond. Measurements are 22" by 16", and 26" by 20" framed. Despite the European subject matter, the artist could be American; materials used suggest that possibility...

A landscape painting with feathery trees silhouetted against a luminous sky, a female figure walking at right with brown cow on the path which borders a creek, signed illegibly at lower right and dated there 1852. Someone invested some money in preserving the work, as it has been relined in recent times. The original stretcher was retained. The work is now stable. It is not perfectly flat however, there being some roll to the canvas especially at bottom...

An Indian Goddess sitting on an elephant in solid brass measuring 4.5” tall circa 1900

Three small watercolor paintings of classic scenes of Japan, two signed by artist "Kyo" or similar, each measuring 6 1/4" by 2 7/8". The three are mounted together and framed as one (measuring 13" by 20 1/2"). One painting is of a peaceful village scene; one of a small platform with lanterns; and one of a torii gate...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

A PAIR of oil on canvas paintings, one featuring a large sprig of small white flowers and leaves, the other larger one a vessel on a table filled with and surrounded by violets. Both are signed at lower right in red "L. F. Haftzger", and the larger one has "1899" written on the reverse side of the canvas. Measurements are 12" by 17" (18" by 22 1/4" in dark stained oak frame), the other 8" by 15 1/2" (12 3/4" by 20 1/2" framed). I do not see a listing for an artist of this name. Both paintings...

Circa 1880 American Victorian Eastlake style wood frame with gold fillet, the entire frame 15 3/4" by 17 3/4", the rabbet 10" by 12". The wood used is walnut, I believe. There are a few flaws, as shown, but the frame is sound overall and awaits your favorite 19th century print or drawing. Presently the frame houses a black and white photo of a popular gelateria of mid 20th century Rome, near the Piazza Navona. The previous owner was evidently so fond of the place that he or she included an ...

Watercolor on paper of Royal Street (Rue Royale), a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 22 1/4 by 18 1/4" as framed, signed somewhat obscurely at lower right (and harder to see by virtue of the non-glare glass) by the listed New Orleans artist TOM LANE (1916-1991). On the mat below is "Rue Royale" and "New Orleans '77". Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the fami...

A striking small size abstract painting, mixed media (I think gouache and some oil or acrylic), 10" by 20", signed at lower right and again on reverse backing "GEO. JUNG". I thought at first that this might be a "pen name" for George Chann, a well-known and important Chinese-American artist who created similar-looking works, but now from further research I believe this to be by a California contemporary artist, there being at least one work online similarly signed. The piece will make for a mo...

A woodblock print with vivid PRINTED blue, red, green and yellow colors (NOT hand coloring), the subject a street scene in a German town, with extensive pencil writing in the bottom margin and what appears to be the date 1909. I showed images of this old style Germanic handwriting to Galerie Bassenge in Berlin and they were also unable to determine an artist name, but the writing is "Linolschnitt Orig. Handdruck...Alt Bielefeld…Bachstrasse...1909" (linocut, hand printed, Alt Bielefeld, etc.)....

I thought this at first a print, the detail is so life-like and convincing, but closer examination revealed that it is indeed an original drawn work on paper, measuring 9 1/2" by 7" (15" by 13" framed). The artist must have had tremendous patience, or lots of time on his or her hands, to have created each leaf and flower. The work probably dates to the 19th century. As would be expected in art of this age, there are a few discolored areas at lower left and lower right, but they just add to th...

Watercolor on paper, 13 1/2" by 9 1/2" (and simple frame 1 3/8" wide), unsigned, the subject a hushed redwood forest obviously in Northern California, the sunlight dappling the forest floor, and a slight hint of man's intrusion in the form of a split wood fence or gate. The colors, handling, and subject matter suggest the hand of important early California watercolorist LORENZO P. LATIMER (1857-1941), but Latimer had many students who painted in his style, (including his son), so we cannot be a...

A scarce oil on canvas PAINTING (not the usual prints seen), signed at lower left by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed, and oil paintings as well. This work measures 8 3/4" by 10 1/2" (14 1/2" by 16" in appropriate mid century frame). Condition is excellent. Probably dates to late 1950's or early 1960's. See a n...

Oil, or gouache mix on paper laid on board painting of "Les Bouquinistes" (booksellers) by the Seine in Paris in the autumn, Notre Dame filling the background, 14 1/2" by 11 1/4" as framed, circa 1950's. The work is signed at lower right with name that looks like "E. Bigot". There is a listed Eugene Bigot but I do not think this the same artist. This is a pleasant work featuring a much-loved and familiar scene. The painting is a bit soiled but you can enjoy it as-is. It is awkwardly mounte...

Painting on coarse burlap of an angel girl-child, 24" by 18" (32" by 26" in the original Mexican wood frame), in the highly recognizable style of noted Mexican artist JOSE MARIA DE SERVIN (1917-1983). The artist, who was actually born in Michigan, was taken at the age of two months to Guadalajara, where he was to become well known as a painter, sculptor, and muralist. Early in life he was a member of Young Painters of Jalisco, and went on to assist the great Orozco on a mural at the Legislativ...

Old Russian painting of a night winter landscape with figures, oil on canvas, 12 1/2" by 18" as framed, signed with Cyrillic letters "P O" or "L O" at lower right. To date I have been unable to match the letters to any particular artist (nor could the Christie's Russian art specialist, when she saw it). The painting is extremely soiled and the canvas very uneven (could be described as sunken in, and the ripples "hardened" over time). Cleaned up and restored to a flat surface, this would be qu...

A rare etching of one of New York area's bridges, depicted in an interesting phase of its construction, pencil signed by American etcher artist RALPH PEARSON (1883-1958). The work measures 10 3/4" by 15 1/4" inside the mat and 17 1/2" by 21" as framed. The artist titled it at lower left "#69 Hell Gate Bridge" and inscribed it in pencil at lower margin "To Harold Swartz--Artist". (Harold Swartz appears to refer to the Los Angeles/New Mexico sculptor, born 1887, died 1948). The print is signed...

"William Hogarth" The March to Finchley The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inche...

"William Hogarth" King Henry the Eighth, & Anna Bullen The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. ...

"William Hogarth" Pit Ticket: The Cockpit The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inc...

By the hand of well listed California artist ARNOLD BRAY (1892-1972), a small unframed oil on canvasboard (16" by 12") titled on reverse in pencil "Show Girl", signed and dated at lower right 1948. Bray was born in Odessa, Russia and came to San Francisco with his family at age 10. He studied at the California School of Fine Arts and later taught there. Bray assisted San Francisco artist Lucien Labaudt when the latter artist was commissioned by the WPA in 1936 to create a mural for the Willi...

Watercolor on paper landscape typical of California, dirt tracks wandering through a sunny dry mountainous landscape, signed at lower left by listed California artist JOSEPH P. FREY (1892-1977). The work, measuring 6 3/4" by 9 3/4" inside the gold mat, and 14 3/4" by 17 3/4" in its old framing (no glass), probably is an earlier work of the artist, judging from the signature style. The work is affixed to a board at top edge; a tiny edge tear extends from backing slightly into the image area to r...

Watercolor on paper painting of a street scene in Bermuda, signed at lower left corner by American artist Jack Crowe, and dated there 1950. This is an impressionist view likely of Hamilton, the principal town. The work measures 10" by 13 3/4" (18" by 22" in what is essentially an inner frame, protective only---you should plan on reframing). Crowe does not appear to be a listed artist. A companion piece, of a covered bridge in New England, identically framed, was signed "JB Crowe", and fragme...

Large format Japanese limited edition woodblock print depicting a path through traditional buildings titled in kanji at the lower left "Kashiwabara" (station 60) from the series "Kisokaido" by Katsuyuki Nishijima (b. 1945). Pencil-signed and with the artist's red seal at the lower right margin. Numbered 1/500 at the lower right margin corner. "Kisokaido" is printed in kanji at the center of the bottom margin. Paper size 14 3/4" x 20 3/4" (image: 12 3/8" x 18 3/8"). Probably dates from the 1980...

A circa 1930 colorful, beautiful, accomplished woodblock print of a Christmas cactus, by Austrian-born artist HUGO NOSKE (1886-1960). Noske was born in Vienna and was a very talented artist, perhaps best known today for the technically accomplished, wonderful woodblock prints of floral subjects, often specifically cacti or Christmas cacti, on tissue-like Japan paper. This is one of those prints. Measurements are 12" by 13 1/8". The highly delicate paper is NOT laid down, just taped at upper...

Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and h...

Mixed media on panel painting of two horses tethered to a small tree in a desert landscape, unsigned, 10 1/4" by 13 3/4" (18 1/2" by 21 3/4" in black complementary frame). The painting, according to its previous owner, came from a large group of mostly signed works (in Oro Grande, CA where both artists painted) of the noted, well listed California and western artist JIMMY SWINNERTON (1875-1974). It was also suggested that the painting could be by his painting buddy and friend in the area, BILL...