Gouache painting of a gingerbread, Victorian house in Georgetown, Colorado, 12 1/2" by 10", 20 3/4" by 16 1/4" framed. The painting is signed at lower left "M H Brown" and dated there 57 or 59, and the word "Georgetown" identifies the setting. A modern framer's sticker on the backing from Georgetown, Colorado confirms the locale. Georgetown is an historic town filled with examples of Victorian architecture from the boom days of the 19th century in that part of the country...

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings...

Naive, or slightly primitive, almost folk art painting of clapboard 19th century style buildings next to an inlet of the sea, signed at lower right by artist Martha Crosmer. I see a listing for an artist by that name, born 1909, deceased 1995, last known address in Monrovia in Southern California, with earlier roots to Montana, but this painting does not resemble the desert plein air works that artist apparently painted...

Original woodcut circa 1930's, the subject a man working machinery in an urban setting with high rise buildings, stamped at lower right margin with the estate stamp of American artist IRVING GEORGE LEHMAN (1900-1983). The work is unframed and currently housed in a mat, and is taped at extreme top edge in two places, to that mat. There is a roughly rectangular pressed-in area of the paper at lower left and some wrinkling of the extremely delicate thin paper at bottom...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182...

CUTE JIZO

Lovely little old wood carving Jizo Bosatsu arranged with a contemporary pottery zushi (miniature shrine)...

A nice watercolor portrait of a young man, probably in his mid-teens, signed, “Elinor M. Barnard/1933.” The young man with brown hair and eyes wearing an open necked white shirt leans into the picture plane with a sense of youthful eagerness. Elinor Barnard (1872-1942) was born and studied in the UK, but worked mostly in the USA, principally New York City. She has a relaxed and economical style. Sight size 16 3/8 by 12 ¼ inches. Overall with frame, 23 ¾ by 19 3/8 inches...

IKAYAKI AND TAIYAKI

Contemporary pottery pieces of 'Ikayaki' (Grilled squid) and 'Taiyaki' (Sea bream-shaped cake) made from old 'Kashigata' (Auspicious wooden molds for making traditional Japanese confectionery). Squid: 14 x 9cm (5.51 x 3.54in), Sea bream: 8.5 x 8cm (3.34 x 3.14in)...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour...

Double-page with woodcuts from Hartmann Schedel's Nuremberg Chronicle.
The principal woodcut refers to the 5th Council of Constantinople, held 879/880 AD...

A Japanese woodblock three-part print showing a festival by a river or lake with boats, people in the water, a review stand (?) and numerous people, some with banners. The signature is for Hiroshige III and the censor’s seals for 1855. The paper is laid...

Superb quality antique late 19th century finely hand painted, Indian miniature painting depicting the Taj Mahal, Mausoleum of Mughal emperor, Shah Jahan and his wife, Mumtaz Mahal. Set under the glass in an oval silver frame mounted in a beautifully carved solid ebony wood frame carved with floral decoration standing on two ornate feet with an easel at the back to stand. The painting itself features the classic symmetrical view of the marble structure set behind its reflecting pool. While the fo...

Height: 5.5 cm (2.2 in)
Width: 4.3 cm (1.7 in)
Depth: 0.7 cm (0.3 in)
Weight: 38 g (1.36 oz)

Chinese green jade pendant; well carved dragon to the front face; accompanied by six white jade beads; bordered reverse face; good condition

LITTLE GODDESS

Lovely little old pottery Benzaiten ('Saraswati', Goddess of music, eloquence, also wealth and water) with a contemporary pottery zushi (miniature shrine). Total: 9 x 7.5 x 3 cm (3.54 x 2.95 x 1.18in).


selected and arranged by Jinta




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Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka. At their Lord’s death the samurai became ronin and swore revenge on Kira Yoshinaka which they carried out a year later and then many of t...

Early plaster of Paris group of Saint Anne and her daughter Mary. Saint Anne is seen teaching Mary how to read the Holy Scripture. When dating the little sculpture, the hairstyle of Saint Anne and the narrow waist of Mary’s dress points at a time around 1830 or the reign of Charles X in France. Pedestal and sculpture are separable, the pedestal with traces of an address, Middleton Street in London – probably the address of the original retailer. Plaster of Paris was a gypsum or chalk mixture...

Oil on canvas painting of a picturesque old water mill located on a stream in high alpine mountains, 22" by 30" (29 1/2" by 38" framed), not signed on the front side but the reverse side shows post-1885 stretcher keys, and pencil writing which identifies the scene as "The Valley of Jen(bach)? Switzerland", and the artist as "Louise Goodman 1914". The artist does not appear to be listed. The scene might possibly have been painted after an original by another artist of the 19th century. Conditi...

Over the course of his print-making life, Haku Maki often depicted the kanji for Man, Woman, and Child. This is a “man” from 1979; it measures 9.5in W x 10.75in H and numbers 42 of a total edition of 204.

HANJI PAPER BAGS

Three contemporary Korean art pieces as shoppers made of cotton (handle part) and 'Hanji' (Traditional Korean handmade papers), made by the one of leading Hanji artisans, Park Sung-man. Black one is dyed by charcoal. White: approx. 50 x 26.5cm (19.68 x 10.43in), 35 x 22cm (13.77 x 8.66in). Black: approx. 38 x 19cm (14.96 x 7.48in)


selected by kikue




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A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

Width:4.7 cm (1.9 in)
Height: 1.6 cm (0.6 in)
Depth: 2.5 cm (1.0 in)
Weight: 43 g (1.51 oz)

Good Chinese white jade pendant; carved Foo Dog; documentation available; good condition

Original impressionist pastel drawing of a French (I believe) street, (10 1/2" by 13 1/2" (17 1/2" by 20 1/2" framed), with outdoor tables under umbrellas, a fountain, cars, and cropped trees, signed with initials at lower right and dated there '86. This looks like a Mediterranean or southern scene, the shutters and little windows suggesting that to me. The word "Libre" is visible at right so that suggests France and not Italy. The artist knew how to handle a piece of chalk. There is a wealt...

A detailed watercolor painting on paper, 8" by 10" (13" by 15" in interesting old faux-grain painted wood frame with gold liner), unsigned, with old handwritten title remaining affixed to backing: "Dublin Royal Hospital". The early, nineteenth century work is in excellent condition and the frame alone is unusual and interesting. Note the tiny figures, horses, and wheeled cart. The obelisk appears to be the Duke of Wellington monument, the cornerstone of which was laid in 1817; the monument w...

An oil on canvas painting promoting a South Asian or Indian movie, titled "Sangeeta". The work measures 35 1/2" by 25 1/4" in a simple black frame. It is a bit loose on the stretcher but otherwise is in good condition. Major star's name is Nigar Shyam, and there is writing in Arabic which I would imagine place this in the northern or western part of the country.

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition. Note the tiny figures holding a net at lower left, and the many boat...

Vintage (circa 1910 or 1920---possibly earlier---) old watercolor landscape of a log bridge over a small creek in a woodland, nicely framed, signed at lower left by listed upstate New York artist ELBRIDGE J. FENN (1857-1934). Fenn seems to have executed landscapes in oil and watercolor, in the area around the old Skaneateles art colony near the Finger Lakes, west of Syracuse. There is not a lot of biographical information to be gleaned from the net, but he was obviously talented. This work me...

A rare etching of one of New York area's bridges, depicted in an interesting phase of its construction, pencil signed by American etcher artist RALPH PEARSON (1883-1958). The work measures 10 3/4" by 15 1/4" inside the mat and 17 1/2" by 21" as framed. The artist titled it at lower left "#69 Hell Gate Bridge" and inscribed it in pencil at lower margin "To Harold Swartz--Artist". (Harold Swartz appears to refer to the Los Angeles/New Mexico sculptor, born 1887, died 1948). The print is signed...

A pleasant watercolor painting of a working windmill in an extensive landscape, the sheet 9 3/4" by 13 1/4", currently loose under a mat, no frame, signed at lower left by listed English artist ALFRED WILLIAM RICH (1856-1921). Other than normal age toning of the paper, there are several spots of foxing, a missing extreme upper right corner, which is easily hidden by the mat, and reverse browning from residue of varnish or old adhesive. The watercolor is firmly in the tradition of English water...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...

One of a number of Whistler lithographs I am offering: "Portrait of the Artist's Brother", (sometimes known as "The Doctor"), 1894, sheet approximately measuring 12" by 8 1/2", currently mounted in a kind of sandwich, though not laid down, unframed. Numbered in pencil 127/150 at lower left. ALL PHOTOS TAKEN THROUGH PLASTIC WINDOW so allow for reflections appearing as unexplained dark areas such as at lower right. Previous research by past owner states this to be edition of 150 for "De Luxe Page...

A nicely executed large watercolor painting of a vase with lilies and cattails, on a table top with candlestick prop, the entire sheet 27" by 22 1/2" (31" by 27" framed), signed under the mat by listed American artist LONA MILLER KEPLINGER (1876-1956). The work has an Arts and Crafts feeling. Colors are rich and not sun faded. The artist was born in Indiana and is most closely associated with Maryland, where the 1930 census information shows her living in Bethesda. She was an instructor at t...

This is a work which reflects the skills of not one, but two, highly talented European artists. A large original oil painting of 1894 by famed French painter HENRI TOULOUSE-LAUTREC (1864-1901) was titled "Au Salon de la Rue des Moulins"; it showed a brothel scene in Paris with the Madame and her eager charges. Long after that artist's death, in fact decades later, it was decided to employ the talented Egyptian-French artist and lithographer LAURENT MARCEL SALINAS (1913-2010) to create a limite...

Poem 70-19 is one of the fairly small group of deep blue prints that Maki made. This one is 5.75 in W x 8.5in H and created in 1970. It is in good condition, with some toning due to its once having been framed.

A color print of the year 1932, issued by Frost and Reed of Bristol and London, titled "Going Out at Epsom", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists. Oils have exceeded three million dollars at auctions of sporting a...