Oil on board painting of four wild horses in a corral under an immense western American sky, 17 1/2" by 21 1/2" framed, signed at lower right by American artist GRACE LORING BASSETT. There is some mention of the artist on the internet, most specifically as an illustrator in 1915 of a "Black Beauty" type book called "Don: His Recollections", a work about a horse, intended for children...

An impressionist oil on canvasboard painting of coastal cliffs, rocks and waves, likely California, signed at lower left in red by listed American painter DAVID SPURLIN JR. (1923-2009). The 11" by 14" work (18 1/2" by 21 1/2" in distressed style wood frame) features strong wave and action, and the five shorebirds at lower right, and their reflections in the wet sand are all beautifully handled...

Contrasty, dramatic charcoal drawing of a figure who appears to be civil rights icon Martin Luther King, 23 1/2" by 17 3/4" inside the mat, 31" by 25" simply framed in wood behind thin Plexi, signed at lower left and dated there 1987 by American artist JESSICA ROCKWELL. Rockwell, a relative of Norman Rockwell, is a talented portraitist currently working out of Clearwater, Florida. The artist lived at one time in Southern California and that is likely why this rather early work was found here...

Colorful watercolor on paper of a ceramic figure with copper pot and summer fruit, measuring 6 1/2" by 5 7/8" (13" by 12 3/4" as framed, no glass), likely the work of noted American artist FREDERIC GRANT (1886-1959). The work is apparently unsigned, but, on the original framing paper appears in a modern hand "BY FREDERICK GRANT"; originally there was also an old framer's sticker from Chicago but it has apparently dropped off since I purchased this...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892. Shortly after 1900, Glyndon lived in Alameda, California. He was known for genre, landscapes, and portrait paintings...

A late 19th century etching of a young woman, measuring 5 3/4" by 4" inside the mat, the laid paper sheet 10" by 7 1/4", and 19 1/4" by 15 1/2" nicely framed, with a monogram in the plate at right center and an illegible pencil signature at lower right that appears to begin with "J". As the work somewhat resembles some portrait etchings by the famous artist Whistler, and the monogram almost appears as an early Whistlerian "butterfly" before it evolved, I thought the work possibly by Whistler...

This is a nicely executed watercolor of a cathedral on the banks of a river, identified by an old pencil inscription on the reverse as "At Mantes on the Seine". Measuring 9 1/2" by 13 1/2" inside the mat opening and 15 1/2" by 20" as framed behind Plexiglas, the work appears to be unsigned. In the style of the times, the drawing was glued to a thin board, long ago...

A most unusual and interesting DOUBLE-SIDED pencil drawing on wove paper, one side featuring an indian in headdress snatching a child off the shore, a tiny fenced white settlement visible in the upper left corner; the other side features a white man in frontier clothing holding his rifle as a native brave swings his tomahawk. Both sides are signed "E Thompson artist". I am not aware of a known artist by this name so this will rest squarely in the folk art or historical categories...

This is a hand colored lithograph of the species Ramphomicron ruficeps, (the Red-capped Thorn-Bill hummingbird), drawn by the famous 19th century English naturalist, ornithologist and natural history illustrator JOHN GOULD. The species is found in the lowland jungles of Bolivia...

Original antique watercolor floral botanical painting of a yellow flowering plant 19th century c.1850. This lovely original watercolor is from a mid 19th century botanical watercolor album. Although unsigned it was clearly done by a highly skilled artist. The paper is Whatman watermarked and dated. . Presented matted with archival materials and framed.

Pastel and charcoal on gray paper, 17 1/2" by 11 1/2" (20" by 14" in wood frame), signed at lower right with conjoined initials "VG", which corresponds to the name of the artist Vinnie Gjere. I was able to figure out the authorship due to there being a companion piece on my site, also a still life and purchased at the same time as this one; that piece is not signed on the front but on the reverse in pencil is "Vinnie Gjere"...

Oil on canvasboard, 14" by 10" (19 1/4" by 15 1/4" as framed), signed at lower right in red "K. L. Weatherly" and dated there 1940. One of two works by this same artist I acquired at the same time, (the other one also in my shop), this is an impressionistic view of a southern American regional landscape, a swamp or lake with bald cypress and Spanish moss hanging from the trees. Such a scene would normally be encountered in a place like the Louisiana bayous...

A nicely executed Italian antique pencil and watercolor drawing of classical temple ruins (Doric capitals) with figures, 11 1/2" by 9", in an interesting 19th century frame measuring 15 1/2" by 13". The work appears unsigned, though there is a "G.F." in a rectangle at lower right......likely a collector stamp. On the reverse is written in Italian "rosso matlorio/pass e conire" or similar; also in ink below that, a dedication in Italian: "Alla cara Fra...

Oil on canvas laid on board painting of a windswept cypress type tree by the coast dunes, 8 1/2" by 4 1/4" (14 1/2" by 10 1/2" attractively framed)...

Original finely detailed gouache and watercolor on board painting (no glass) of two warring ships, the 38-gun frigate HMS Macedonian of the Royal Navy, and the 44-gun better protected USS United States, as they appeared in the epic battle of October 25, 1812. The Macedonian surrendered to the Americans, making her the second warship to surrender to the US during that war. The painting, signed at lower right by artist Gordon Bracher and dated 1965, might be after a Thomas Birch painting. Compa...

Qajar Miniature Watercolor of a Couple in a Palace. The watercolor is painted in oval and seems at one time had a fitted matt. The painting is in good condition . The painting has gold leaf and silver leaf paint on the horizontal terrace railing and bowl. Size of oval is 5" by 3.5" page 9.25" almost 6.75"

A 1978-dated, oil on board painting of a Mid-Century looking building, apparently under construction, in an urban setting, signed at lower right "JAN BAZANOWSKI". The work, 17" by 23" inside the double mat and 24" by 30" in gold metal frame (no glass) is in excellent condition. Frame has some scratches and mat is soiled and could be replaced. The painting is simply very interesting, and unusual; would work well in a Mid-Century setting. A single color cream mat would be an improvement, as th...

An accomplished drawing in pastel, 16" by 31 1/2" (22" by 38" in present framing), signed on the reverse by local Los Angeles artist Julie Belnick (1957-), and dated there 1989. The strange, surrealistic, stark modernist scene is of two brooms leaning against several walls dividing an otherwise empty space. A silvery gray tone dominates, with some subtle yellow mixed in, resulting in an elegant and mysterious work. Belnick is a Southern California artist with an exhibition history. A write u...

Classical Carved stone Goddess figure Archeologist estate Piece . Nice small stone carving in a unknown stone alabaster or something similar, when handling it it sounds like your handling glass. I cant figure out the culture nearly Greek in style. Selling as is . 1.25 by 1.25 by 7.50"

Oil on canvas painting titled at lower left "Morn. nr. Frinsbury Kent", signed at lower right "Alf. Bennett 87" (and titled again and signed again by the artist on the reverse canvas), 20" by 30" (27" by 36" as framed). The scene feature a filled hay barge at left with two figures aboard, two houses in the middle distance, and tall ships in the far distance. Frinsbury is in southeastern England, east south east of London, not far from the mouth of the River Thames. The artist appears to be on...

Circular watercolor painting of grapes, tendrils and leaves on the vine, 26" diameter as framed in circular frame. The painting likely dates to the early part of the 20th century. I do not see a signature. Condition of the watercolor is excellent, though the frame has significant cracks at bottom as shown. Hang this near your wine storage cave.

Watercolor on paper of a street in the French Quarter of New Orleans, I think Pirates Alley, 19" by 13" inside the mat and 28 1/2" by 22 1/2" as framed, signed discretely at lower left near the fence by the listed New Orleans artist TOM LANE (1916-1991). Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the familiar and much-loved scenes frequented by tourists. This would appear to be an especially fine, and very early (I would gue...

This is a CHINESE SERPENTINE JADE QUAN YIN from a VIRGINIA, U.S.A. ESTATE. 6" Tall without and 7" Tall with the Pierced WOOD STAND. Beautifully CARVED FIGURINE the hardness has been checked and this is Serpentine Jade. Ca. 1950 in EXCELLENT Condition

Brooks Pettus (1918-2003) was a noted western American artist who passed away in Kennewick, Washington, leaving behind a large body of work in watercolor and oil that only recently appeared on the market. Pettus earned his Bachelor of Fine Arts at the University of New Mexico, and spent time in Albuquerque and Taos in the early 1940's. New Mexico's artistically inspiring landscape stimulated Pettus' aesthetic sense as it has for countless others. Even though he became a professional engineer, mo...

By the noted Indiana artist WILLIAM A. EYDEN (1893-1982), an unusually good work in watercolor and gouache, featuring the beech trees associated with the Indiana landscape. The partially denuded forest is shown in late autumn, waiting for winter's arrival. Some leaves still cling to the trees in a chill wind we can nearly feel. The painting measures 17 3/4" by 23 1/2" (24" by 29 1/2" as framed). This seems to be an earlier work , maybe 1920's or 1930's, judging from its "tightness", the fram...

Antique circa 1890's oil on canvas painting of a thatch roof dwelling in a forest scene, 24"by 16", (30" by 22 1/2" in mid century frame), unsigned. This work was acquired at the same time and place as two others that are likely by the same American unknown artist---none signed. The brushwork is clearly by a talented and likely "listed" hand, but the lack of a signature frustrates efforts to identify that hand. Condition is excellent; frame though has crumbling of the left edge, due to age. ...

Study of ten original photographic collages by the late MARCI ZELMANOFF, b.1942 in Philadelphia. These collages were set up for the camera only, so were assembled and photographed. This set contains 10 collages from her estate and can also be purchased separately for $100 each. PHOTO #1 is a partial assemblage of several of the pieces. They each measure approx. 8" by 11" but the first collage measures 5 1/2" by 10"(photo #2). And, the 4th collage measures 7" by 10"(photo#5). Also, the 6th collag...

A watercolor and white gouache painting on paperboard, 10" by 14", unframed, titled on reverse in pencil in old hand "On a Lonely Shore by Carl Oscar Borg". Nearby, another title is crossed out; seems to have read "On a Lonely Hill....". The artist is CARL OSCAR BORG (1879-1947), noted for his California and Southwest works. Borg was born in Sweden into modest circumstances. He showed early talent copying from books and painting houses, but went to London at 20 and was exposed to art current...

A finely drawn pastel of a classic Native American woman subject, who stares directly at the viewer with her handsome prominent cheekbones which are set off by black pig tails, 12 1/4" x 8 3/4" (17 1/2" by 13 1/2" framed), by England-born California artist LEONARD BORMAN (1894-1995). Borman studied art at the Art Institute of Chicago and under Joseph Pennell and George Bellows. He arrived in Sierra Madre, CA, adjacent to Pasadena, in 1920 and was active in the Los Angeles area into the 1950s, p...

20th Century American School 1900-1999 American Artists This is an original watercolor and gouache painting, artist unknown, most likely American circa 1930. The image of what appears to be a writer or Poet giving a talk in a park setting. The image measures 8 1/4X5 1/4 inches. Nicely framed with archival materials. This work, done on a blue toned paper is in very nice condition, clean and bright.

This is an OIL ON CANVAS by the PAINTER: T. BAILEY. This is a Romantic or Idealized Landscape from a Virginia, U.S.A. Estate. Found without a frame the size is 16" X 20". Circa 1925- 1950 in Excellent Condition

A circa mid 1960's oil on canvas painting of a dark-haired young woman, 10 1/2" by 8 3/4" (18" by 16" in a gold frame that appears to me to be hand carved and leafed). The artist signed at upper left with what looks like "Roth". There is a Montmartre kitsch look but I cannot be sure of a Paris origin. Condition is good though I note the alligatoring of the paint, especially in the young lady's hair (this is a kind of splitting pattern in the paint, not truly cracking, caused by a rapid paint d...

18th c Mrs Ogee Engraving "Pub Aug. 1 1775 by MDarly, Strand"a woman with a bonnet wig and ogee-shaped profile, in an oval. 1 August 1775. Rare print nice condition matted 14" by 18" A copy of this print is in the British Museum

A painting on canvas, 10" by 14" (11" by 15" in simple modern frame), featuring a New England homestead, likely Connecticut, complete with split rail fence and stone wall, signed at lower right and dated there 1892 by Wisconsin-born artist GEORGE SELDEN ROORBACH (1860-1930). The artist was in the Northeast in the 1890's, living with his young bride in the vicinity of Mystic, Connecticut, and also instructing in art in New York City. He exhibited at the National Academy of Design in 1891. At ...

An interesting and inventive sculpture of a performing elephant balancing upon a ball whilst supporting an acrobat with his trunk. The sculpture is solid bronze and cast in the lost wax technique, cire perdue. This method is able to faithfully reproduce all of the quirky textures that the artist has chosen. The sculpture is mounted on a white marble base and is, as far as I can see, unsigned.

Approximately 33cm high. Fine original condition. The weight is 3478 gm.

Please...

A rare, historical, early pastel on heavy paper laid to card drawing of a young Zuni indian girl in Arizona, unsigned, circa late 19th century, including the original gold mat, decorated with images of tipis and spears. The work measures 18" by 12" (entire mat) and 12 3/4" by 6 1/4" inside the mat. Sadly, the old antique work has been damaged. There is a darkened diagonal stain that extends from upper right down across the front of the face and into the hair. There is also a mildewy and mold...