Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

An unusually fine watercolor and ink drawing of palms adjacent to what appear to be Mediterranean-architecture buildings in a landscape, signed at lower right with what appears to be "Ed. Gilmond" and dated there 1926. The artist is actually Belgium-born Edgar Gilmont (1887-1949). The drawing measures 20" by 15 1/2" inside the mat...

Original impressionist pastel drawing of a French (I believe) street, (10 1/2" by 13 1/2" (17 1/2" by 20 1/2" framed), with outdoor tables under umbrellas, a fountain, cars, and cropped trees, signed with initials at lower right and dated there '86. This looks like a Mediterranean or southern scene, the shutters and little windows suggesting that to me. The word "Libre" is visible at right so that suggests France and not Italy. The artist knew how to handle a piece of chalk...

Etching of a Florida river landscape, titled at lower left margin "Peace on the Anclote", (actually misspelled on the reverse side official label as "Amelote"), and pencil signed at lower right and dated '37 by listed artist WALTER RONALD LOCKE (1883-1949). The Anclote river is just north of the Tarpon Springs area on Florida's Gulf coast. Locke was born near Boston and passed away in the Tampa Bay area of Florida...

Charcoal drawing of two nude women bathing, 6 1/4" by 8 7/8" inside the mat, 13 1/2" by 15 1/2" framed, signed a lower right center "Mayrshofer Max". This is a work by the German artist MAX MAYRSHOFER (1875-1950), likely created around the time of World War I. Mayrshofer, the son of a baker, was born in Munich and it is with that Bavarian city that he is closely associated...

Painting on panel of a young Egyptian youth, 15 3/4" by 12" and not especially complementary, modern day framing, signed at lower right, with reverse original label from Schwartz Freres, of Cairo and Alexandria. The painting is signed at lower right corner, the name appearing as "Thor......". To date I have been unable to decipher the full signature. The work certainly dates to the early years of the century, judging from the label...

Oil on canvas painting of fruit, painted in a most attractive unusual style, the artist intentionally blanching the image through an intricate technique, 20" by 24" (26" by 30" as framed), signed at lower right "DORIS BLATE" and dated there 1956. Amazingly, considering the quality of the art, I am unable to find to date any information on the artist; an internet search does though find a Doris Blate (1907-1994) who lived in Queens, New York; possibly the artist considering the unusual name...

Oil on canvas painting of a tabby cat, 7" by 5" (12" by 10" framed), circa 1970 to 1980 judging from the framing, signed lower right "Jody". The artist was certainly talented; the likeness of the cat to reality is well above average. Condition is excellent. Needs to be nailed more tightly into frame.

Modernist still life of wine bottle, coffee pot, pan, flagon and other objects on a table top, arranged artistically and painted with a cubist feeling, unsigned, framed in strip framing, no glass, circa mid 20th century. If you admire Cezanne but can't quite afford one of his masterpieces, this might just be for you. The artist is unidentified but likely created this in the middle years of the century...

Finely executed pastel on paper drawing of bridges spanning a major river, presumably the Rhein in Germany, 11 1/2" by 15 1/2" (15 1/2" by 19 1/2" as framed), signed at lower left by listed German artist RUDOLF MULLER-GERHARDT (1873-1962) (and sometimes spelled as GERHARD). Though listed the artist is apparently not well known...

Watercolor on paper, 12" by 17", unframed (white mat only, in protective sleeve), executed in a modernist style reminiscent of famous Swiss artist Paul Klee, the scene including three figures and several Old World style stone towers and other suggested architecture depicted in an almost cubist manner, signed at lower right and dated there "62" by the listed Swiss artist ROMOLO ESPOSITO (1913-1991). This work is hard to describe but easy to appreciate...

PAIR of ink and watercolor/gouache drawings of pink and white dogwood blossoms (commonly seen in the spring in Connecticut), each 10" by 8" inside the mat, 14 1/2" by 13 1/4" as framed, signed at lower right by the noted Darien, Connecticut craftswoman artist DOROTHEA WARREN O'HARA (1873-1972). O'Hara was born in Missouri but settled in the New York area, where she was educated at the Chase School...

BARTON STONE HAYS (1826-1914) was born in Ohio, and he came to be associated with the Midwest throughout his life, becoming a leading portrait painter in Indianapolis, and finally, coming to be known for his still life works, based out of Minneapolis, after 1882. Early in his life he was a Daguerreotypist, diorama painter and portrait painter, and there are some rare and sought-after genre paintings, some even of African-American subject matter...

Oil on canvas painting of a fetching young red-headed girl with a doll, 24" by 18" (34" by 27 1/2" in old attractive frame), signed at lower left "P. Harwood", not dated but circa early 20th century. This is a really beautifully executed work, reminding of some of the vigorous portraits by masters like Robert Henri; but, efforts to identify the artist have not borne fruit. Since the work was purchased in the Berkshires of Massachusetts, I at first thought of Boston School artists, or perhaps...

A vintage (mid century) illustration of a pink orchid blossom, the background airbrush and the flower hand painted, 14 1/2" by 14 1/2" inside the attractive double mat, the piece 22 1/2" by 22 1/2" as framed in silvery complementary framing, signed at lower right by artist "Childs". The name being a common one, I searched but did not immediately tie this to a listed, known artist. Nevertheless he/she was talented. The work is in excellent fresh condition, and the framing has only a small bit ...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black. At lower l...

This is an atmospheric fine little watercolor on paper painting of mountains and water such as might be found in the idyllic Lakes District of the northwestern part of England, or the famed Scottish Highlands, unsigned, late 19th century most likely, measuring 4 1/2" by 6 1/2" (14 1/2" by 17 1/2" in the present framing). The work is in very fine condition. I think that the present mounting situation (just protection) could stand some improvement, as the painting is on a card, a mat not overlap...

Pastel drawing of architecture and figures, 18" by 14 3/4", 23" by 19 1/2" as framed, signed at lower right "Frederick Millson". The architecture could be Spanish, as would be found in Southern California, or possibly more exotic, such as Islamic North Africa. This is an accomplished drawing in fine condition by an elusive artist about which there seems to be little to know. This and two other works by him came out of a San Fernando Valley estate (the others listed here). The family said tha...

Impressionist painting signed at lower right with conjoined initials "MP", unframed, 24" by 18", the subject three female black dancers, two wearing festive hats. There is considerable energy in the scene and the stylized figures are by a trained hand. The painting likely dates to the 1960's or possibly 1950's. There are some light abrasions at lower left, a flaked area near the extreme lower edge there and another small edge loss at top, and light overall soiling.

Large lithograph on paper, the title "Sur Les Douze Coups de Midi" ("The Twelve Strokes of Midnight"), 21 3/8" by 29 1/2" (30" by 37 1/2" as framed), signed at lower right by the well-known Belgian modern artist PIERRE ALECHINSKY (1927-), and numbered at lower left 3/100. This is a modern image of odd shapes and constructions open to interpretation by the viewer. The artist is a major figure in late 20th century art's CoBra movement. The oil paintings sell for significant amounts of money at maj...

Something of a mystery, this is a very interesting soft pencil drawing of a young woman, 13 1/4" by 9 1/4" (19" by 15" framed), signed indecipherably at lower right and dated there 1931. Try as I might, I have absolutely come to a dead end when it comes to figuring out this signature. Adjacent to that signature an inscription reads "Baroness Leonnie Perraja". The drawing clearly exhibits modernist influences, including a sort of cubist handling of the hair curls, and a flattening of elements ...

Oil on canvas landscape of a forested, peaked mountain rising into scudding clouds, unframed, signed at lower right and dated 1876 by the noted well listed American artist from Massachusetts, D. JEROME ELWELL (1847-1912). This work measures 14" by 24 1/2". Elwell was intent upon his art at an early age, when he was spotted on the Gloucester waterfront sketching the marine scene, by one Samuel E. Sawyer, a wealthy Gloucester ship owner and patron of famed artist Fitz Hugh Lane. Apparently Sawy...

Watercolor on paper landscape painting of sheep at the edge of a forest, a small home in the distance across some ponds and lakes, signed at lower right corner by a talented Dutch immigrant to the United States, ADOLPH (also spelled ADOLF) VAN SPANJE (1868-1948). The artist is not widely listed at this time in art directories and online sites, but there is information about him on the net. He immigrated to the United States in 1893 to join a brother already in Kalamazoo, Michigan, and pursued ...

This remarkable and rare work, 25 3/4" by 34" (30 1/2" by 39" in contemporary blue framing behind glass), is titled at lower right "Marseille Le Vieux Port" and is signed there "W. Howard". At first glance one thinks this a print of a Raoul Dufy painting, perhaps an exhibition poster, but upon closer inspection it is seen to be in fact an original watercolor by an obviously highly talented artist. The artist is WING HOWARD (1921-1998), associated with Pennsylvania. He painted in a variety of s...

This is a very finely executed watercolor on paper of a young woman in the clothing of the old country. I've opened this up and see that the work is on paper laid on a board, and it is not signed. The measurements inside the gold mat are 9 1/4" by 7 1/4" (17" by 13" in ornate old frame). I am sure, given the quality of the work (note the care lavished on the eyes and face, in particular), that the artist would be someone recognized and listed. There is an old circa 1930 Hobbs & Sutphen (Chic...

A rarely seen print, featuring the familiar, landmark high bridge over the Arroyo Seco in Pasadena, California, by the well-known California plein air impressionist artist BENJAMIN CHAMBERS BROWN (1865-1942). The lithograph is in rich brown ink on watermarked paper (an "A" with eagle). The sheet measures roughly 13" by 16" (margins irregularly cut, though more than ample) and the printed image 9 3/4" by 13". The print is not pencil signed. It seems to be quite rare, as I have located only on...

**(One of several pencil signed prints by the artist in my shop)**Photolithograph print published by Frost and Reed, 1929, from the original painting by Sir Alfred Munnings, 25 1/2" by 23 1/2" framed, boldly PENCIL SIGNED at lower right margin by the highly important sporting art master, and quite famous English painter of all equestrian subjects, SIR ALFRED J. MUNNINGS (1878-1959). The handsome subject is a most formally and traditionally dressed horseman, sitting atop his apparently Royal moun...

Oil on canvas laid on masonite still life painting of pink grapes and a vase, 25" by 30" (31 1/2" by 36 1/2" as framed), signed at lower right by artist G. ANSON WHITE. Strangely, I can find only minimal references to an artist by this name, despite the amazingly skillful and sensitive rendering of the clusters of grapes. In such cases I am often left to wonder if perhaps the artist was actually someone well known who chose to sign the work with a pen name for one reason or another. There doe...

Lithograph on paper print of 1897/98, titled "Kraniche" in German, commonly known as "Cranes" or "Swans" in English, the sheet with margins 10 1/4" by 14", unframed, signed in pencil at lower left margin. This is a fine early color lithograph by the noted German artist WALTER LEISTIKOW (1865-1908). Leistikow's talent was nourished at an early age, He studied at the Royal Academy in Berlin, and by 1890 was himself an art professor at the Berlin Art and Craft School. Leistikow was a founding m...

Lithograph of a bull in what appears to be a stark Southwestern landscape, 12" by 13 3/4" as framed, pencil signed at lower right margin by listed WPA era American artist CHARLES EARLE MILLER (1907-) and with notation "Ed. 30" at center margin. The image is a very powerful one, similar to the work of Peter Hurd, in some ways. Miller was a painter, etcher and lithographer. I see a number of works online dated in the late 1930's and early 1940's, but after that the trail is difficult to follow....

Oil on canvas landscape of a red-painted fishing shack or summer cottage on an idyllic lake, other cottages in the distance, 15" by 18 1/2" (20" by 22 1/2" as framed), signed at lower right "K. Andor". I thought this scene perhaps Swedish, but the name Andor is Hungarian. There are several listings for an Andor with first name beginning with "K", such as Karoly, Kern, Kantor; I am not certain if this painting might have been created by any of those so it is listed as just an attractive and dec...

Oil on canvas painting of a tabletop with flowers in vase and assorted decorative objects, 20" by 24" (26" by 20 1/2" framed), signed at lower left by artist HAZEL PETRA FETTERLEY BOEHME (1900-1941). On the reverse of the canvas the artist has written the title "Mid-Victorian", the date (May 1932), her name, Los Angeles, Cal., and original price of $75 or possibly $175 (appears she went over the numbers----maybe in difficult Depression times she had second thoughts on pricing). This is a fine ...

Large (20" by 24", 28 1/2" by 32 1/2" framed) watercolor on paper painting of a agriculture-related structure and machinery in a mountainous landscape, a figure at left, signed at lower right and inscribed there "Mexico 1940". The artist is WILLIAM T. McDERMITT (1884-1961), an Illinois-born artist most closely associated with California. According to the Hughes biography, McDermitt studied at Pratt and the Art Students League in New York, and in Europe. He taught in the 1920's at Washington S...

Oil on thin board painting of a canal with figures, boats and adjacent sun-drenched buildings, possibly Venice, unsigned, measuring 6 7/8" by 11 1/2" (13 1/2" by 18" in attractive old frame). Whether Venice, Italy, or another Mediterranean locale, this is nicely executed by a trained hand. It could well be by a listed artist but without a signature it will be difficult to place the hand. The work is slipping around loose under the gold mat and it needs to be framed with acid-free materials. ...

Drawing of a nude woman lying on her side, 10 1/4" by 15" inside the mat, 16 1/2" by 20" in frameless protective framing, signed at lower right "Sean Mayten" or similar, and dated there 1-13-86. The artist does not appear to be listed, at least under that name or variants of it. He seems to have used perhaps grayish-tan silverpoint or other unusual medium to draw this on a pebbled paper. An artistic work with sensitive shading and line. There are some spidery shadows on the drawing near the ...