A large oil on canvas abstract painting featuring dynamic spiky imagery, measuring 38 1/2" by 28 1/2" in its original thin strip frame. The work is signed and dated 1969. The artist was born in 1938 and graduated from National Taiwan Normal University, and later on studied in the U.S. Besides from creating art, Yang has established galleries in the U.S. and Taiwan, as well as participating in international art exhibitions...

Beautifully executed in black and gray with minimal color, understated still life of an old style tin coffee pot, cooking pot, and white cup, 8" by 10 1/2" inside the mat, 15 1/2" by 17 1/2" as framed. There is possibly a monogram in lower right corner but I cannot attach it to any particular artist...

Vintage watercolor painting of the famous miniature drawbridge in the far western part of the island (Somerset Parish), actually signed twice at lower right "Worcester" or (less likely) "Norcester", and dated "42". I am so far unable to connect this to a known, listed artist working in the islands. The work measures 12" by 16" as framed. Note the typical, quaint old whitewashed stone Bermuda house at left and the white roofs and shutters...

When I first saw this I thought it might be an image of Obama, in the style of Shepard Fairey, who created the now-famous "Hope" image. Upon closer examination I saw that it was obviously older, circa 1960's, judging from the label on the frame, which gives the artist as a Jim Moran of Visalia, California. The subject remains to me a mystery, but I wonder if it might be a famous 1960's African-American activist---or then again it might not be a black subject at all...

Unusually fresh and well preserved watercolor on paper painting of a pond in a wooded area, spring wildflowers in the foreground, 13 3/4" by 19 1/2" inside the mat, 23 1/2" by 29" as framed, signed at lower right and dated there 1908 by the noted New England artist and teacher HENRY WEBSTER RICE (1853-1934). Rice was born in Maine, the son of a carriage maker. A pupil of Ross Sterling Turner, he went on to become a much beloved watercolorist and instructor...

Fine old master style sepia ink drawing on paper, with some pencil underneath, 10" by 15 1/2" inside the mat, 15 1/2" by 20 1/2" in modern day frame, signed at lower right "Furstenburg", the locale identified at bottom center apparently by the artist as "View of the Rhine from Bacharach Aug 17". This could well refer to the year 1817 as the work has sufficient age. On the reverse is written in pencil "Germany $3.75"...

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer...

Sepia ink on paper drawing, 5 3/4" by 3 3/4" inside a red mat opening, 11" by 8 1/2" as framed, signed at lower left and dated there 1864, by listed English woman artist SARAH LOUISA KILPACK (1840-1909). This is a sweet, beautiful little drawing by an artist who seems to have created mostly coastal landscapes in oil, especially along the English Channel or around the Channel Islands of Guernsey and Jersey. This would be an early work created when she would have been in only her mid 20's...

Oil on board painting of trees in a landscape, 11" by 9" in narrow original frame, signed at lower right by listed artist "A. KLUG". The painting is executed in a very impressionist hand, and is quite lovely, but is also very dirty. A professional cleaning would really be well worthwhile investment. The frame being old is showing its age, with losses as seen. The artist is listed in Davenport's dictionary of artists but there does not seem to be much information available on him or her.

Richly impressionistic painting on canvas of a small pond surrounded by autumn foliage, 9" by 12" (16" by 19" framed), signed at lower right by contemporary California-based artist RON McKEE (1931-) and dedicated on the stretcher and dated there 1987. McKee is a popular impressionist, his body of work including landscape, coastals, floral gardens and European Mediterranean ports. This work is fresh and clean and absolutely wall-ready in its gold framing...

Modern painting of a hilltop town of Europe, perhaps in Italy or Greece, 30" by 24" (35" by 28 3/4" in silvery frame), signed at lower right indecipherably. The painting of an historic town is executed in a modernistic manner, almost cubist in spots. The painting might date to the 1980's. There's a three inch horizontal tear at lower left that can be repaired. The frame has a little wear.

Oil on canvas painting of an elegantly dressed lady on a terrace or balcony, a Parisian-style table and chairs with champagne bottle at left, 36" by 18, unsigned and unframed. This Matisse-inspired work was likely painted circa 1970's by a talented amateur artist. The violets, blues and white make for a harmonious color balance and the light is suffused rather than intense and sharp...

Unusual painted plaster sculpture titled on reverse label "Domestic Scene #1/Khajuraho, India", 16" by 9" as framed, circa 1960, signed in ink on the reverse and bearing nearby a rubber stamp of the artist's name. The artist, Jack A...

Watercolor on paper laid on board painting of roses and hollyhocks in an intimate garden enclosed by a wall or structure, 16 1/4" by 13" and 1 1/4" wide frame, unsigned, executed late 19th or early 20th century. The artist's mastery of watercolor is clear, but unfortunately he or she failed to sign the work, which resembles paintings by members of the Stannard family of watercolorists (Henry John Sylvester 1870-1951, Lilian 1877-1944, Theresa 1898-1947)...

Unsigned oil on canvas, circa 1970's or 1980's, unframed, 28" by 22", the subject a ceremonial dance mask and head wear such as might be seen in use in the course of special events on one of the reservations in Arizona or New Mexico...

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting. Farington painted in oil and wa...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat. There is a small foxing mark at right but otherwise the ...

Acrylic on canvas painting in black, red and blue on white background, 28" by 39 1/2" as framed, signed in the lower left corner "J. Brooks". I am offering this as a bold, modern decorative painting, and NOT as a genuine work of the important American artist James D. Brooks (1906-1992). Condition is excellent and save for some wear on the cream-colored frame, this is ready for display.

Impressionist oil painting of stands of white birch trees by a small lake or large pond, painted on the smooth side of Masonite panel, 9 3/4" by 13 1/2" (12 1/2" by 16" as simply framed), apparently unsigned. The scene suggests a northern latitude, perhaps high elevations in the United States, or Canada or northern Europe, but there is little to go on geography-wise. The artist was skilled and created a peaceful little painting in subdued colors. The condition is somewhat compromised, with fi...

Oil on canvas painting of a desert southwestern landscape complete with saguaro cactus, unframed, 16" by 20", signed at lower right "Robert Perkins". I do not see a listing by this name so offer the painting on its decorative values. It is in fair condition, with soiling, stretcher bar show-through/uneven canvas, and two very small punctures at sky on right in a cloud at a few inches above the signature. If you like the painting you could hang it as-is, or you could invest money to fix it up.

Nineteenth century American or European drawing of pink roses, their leaves and prickly stems, unsigned, in an oval shape, 9 3/4" by 7 3/4" (12 3/4" by 10 1/2" as nicely framed). The attention to detail by the artist is exceptional. We could prick our fingertip on the fine thorns. This could be considered a folk art or Victorian piece. It is very fresh and clean, considering the age of the work. Allow for reflections in a few images. What might appear to be foxing is in fact the shadow of ...

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights. The a...

Oil on canvas painting of small figures walking a dirt track in autumn along the shore of a lake, 19 3/4" by 24" (28" by 32" framed), signed at lower right with what appears as "Fan UDKO". I believe the work is likely by a listed artist but I cannot come up with any listing from the name, at least as I am reading it. Perhaps more research might identify the artist. The painting is competently executed. A new frame would be desirable as this old one shows wear and staining of the linen, and i...

**PAIR** of oil paintings on canvas either laid down or laid against board or panel, the horizontal image of a young man wearing a hat in a landscape 9" by 17", the vertical scene of a tawny hillside with thicket beyond and black birds in a partly cloudy sky 13" by 10", neither signed but on the reverse of the latter is 20th century writing: "Section from "Rabbit Warren" by Wm. Morris Hunt/Remnant from The Rabbit Warren by Wm Morris Hunt"; on the reverse of the horizontal composition is "from 'R...

Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that). Despite the condition this is an in...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop), this is a fine image in soft pencil on paper, the drawing itself 14 1/2" by 15 1/2", in a simple frame without mat, signed at lower right by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Hughes exhibited widely (even at the Paris Salons)...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure. He was born near Oakland, California not all that ...

An impressive panoramic alpine landscape painting of jagged mountain peaks at sunset, or dawn (actually titled "Sunrise over the Alps", the alpenglow effect captured beautifully, 27" by 39" (36" by 48" framed), signed at lower right by the artist, Waldner, and bearing placard with the above title and again the artist name. The work probably dates to about 1960. It is in excellent vintage condition. Linen liner is waterstained and can be replaced but painting and frame do not exhibit any moist...

Attractive contemporary era painting of seven ducks in flight over a marshy estuary on a cloudy afternoon, 24" by 36", unframed, signed at lower right illegibly. I am trying to decipher the signature but so far nothing fits. The size and a stamp on the reverse establishing the copyright rights of the artist suggest that the painting is American. I am sure the artist is listed. Unfortunately due to careless previous owners, there is a significant torn area at lower right in the rippling water...

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

Watercolor on paper painting of a traditional Chinese junk near the shore of a reedy body of water, 15" by 11 1/2" (20 1/2" by 16 1/2" in simple blond wood look framing), signed at lower left in pencil with what appears to be the name "Tang". The transparent washes and deft handling make for a pleasing and calming image that is a fine alternative to a print. The work is affixed or pressed against the backing by the glass---there is not a proper mount.

Late 19th century painting of the Roman Colosseum, an historical arch and surrounding gardens and park, signed at lower left "Conti". The piece, which measures 6 1/2" by 4 1/4" inside the mat, and 13 3/4" by 11 3/4" as framed in polished, shiny reddish-brown wood, displays exceptionally fine detail despite its small size. The colors are sharp and fresh and the paper not oxidized. This might be a work by the listed Italian painter Tito Conti (1842-1924) but I could not stand by that so I will ...

Watercolor/gouache on board painting, 19 1/4" by 12 3/4", the subject the interior of a Jewish place of worship, signed at lower left by the well listed Jewish artist MAX BAND (1900-1974). Band was born in Lithuania and spent much of his earlier life in Paris, after study at the Berlin Academy. His works often feature Judaic themes, though subject matter can range from florals to European urban vistas to genre and portraits. In 1940, presumably as war clouds threatened in Europe, Band moved t...

This is an image of a young African-American boy grinning while leaning against a building, the image mounted on a board signed by the photographer, Arthur S. Little. After googling the name I find that around the late 'teens and early twenties, there was a photographer in Los Angeles and Ventura by that name, though he does not seem to have had a high profile. I do not believe that this is an original photograph. The item is in good condition. The image itself measures 9 1/4" by 7", and the...

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition. Note the tiny figures holding a net at lower left, and the many boat...

Watercolor on paper painting, 9 1/2" by 17 1/2" inside the mat, 16" by 28" as framed, titled at lower right "AT DITTISHAM R. DART", signed at left by the nineteenth century English painter who is known apparently only by the signature "F. Walters". The artist painted in many parts of England. This scene is near Dartmouth in southwestern England not far from Plymouth. I would judge the age of the picture as circa 1870. The scene is a peaceful one of a hamlet of thatched roof houses by the riv...