Drawing in blue ink and watercolor, 14" by 11", in an inexpensive temporary protective frame, unsigned, a second drawing of a female head on the reverse. Judging from the appearance, hairstyle, this probably dates to before World War II. The anonymous artist created an interesting study with skilled use of shadow and line. Allow for a few reflections in the image, appearing as a dark shadow in a few images...

This is a circa mid 20th century still life lithograph of a pineapple, pomegranate and other fruit, signed in brown ink at lower right and numbered 41/90 at lower left by noted School of Paris artist ROGER CHAPELAIN-MIDY (1904-1992). The artist's works bring into the five figures at auction in the US and Europe, and the still life is his specialty. This print measures 12 5/8" by 9 3/4" (20 5/8" by 17 3/4" as framed)...

Nineteenth century lithograph print issued by Sarony Major & Knapp, lithographers, 449 Broadway, New York, after a painting by Stanley. The print measures 6" by 9" inside the mat and 10 3/4" by 14" in gold frame.

Color woodblock on paper, 13 1/4" by 9 1/4" (21" by 17" as framed), pencil signed by the artist at lower right, numbered 143/200 at lower left and titled there "Prayer". Amen's works are most commonly prints, as he was considered a master print maker in woodblock, etching, lithography and silk screen, but he also executed oils and acrylics, in the course of a long career...

A mixed media collage by Riva Leviten. It features painted paper, part of a headline "Beautiful heav..." etc. Signed 88 Leviten in the lower right corner. The pink plastic frame measures 9.5" x 11" , the picture 5" x 6.5". Her other work, "Cake Dreams", is also on this site.

A watercolor painting titled on reverse "Bow Lake Alberta", 1978, 7 1/2" by 10" (13 1/2" by 15 3/4" framed), signed at lower right "Neilson". Excellent condition,

A vintage early 20th century photography of a dirt road bordered by thick vegetation, with hand coloring applied to the trees and elsewhere, signed and blind stamped at lower right by the noted pioneering Oregon coastal photographer, FRANK WOODFIELD (1879-1955). The piece measures 9" by 11" in its circa 1920's frame. A little internet research reveals that this is by an Astoria, Oregon-born entrepreneur who was introduced to photography in 1910 by one Elmer Alan Coe...

Oil on board, (ONE OF TWO BY THE ARTIST IN MY SHOP), 4" by 7 1/2" inside the mat (7 1/2" by 11 1/4" as framed) signed at lower left in green "Six" and dated there "32", the subject the iconic saguaro cactus of the southwestern American desert at sunset. Because that species of cactus grows naturally only in Arizona, we can assume that this is indeed an Arizona scene...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period...

Oil on masonite panel painting of the desert, 12" by 9", signed in capital letters at lower left by listed southwestern artist BILL SHADDIX (1931-). The presence of the iconic saguaro cactus places the scene as east of the Colorado River, therefore in Arizona. Shaddix was born in Oklahoma during the Dust Bowl, and emigrated to California by the early 1940's with his family. A deputy sheriff in Orange County by 1956, he began to paint, and eventually turned full time to his fine art...

NOT A PRINT---Circa 1970 watercolor painting of Notre Dame and the Seine River in central Paris, titled at bottom margin in pencil "Paris--La Seine au Pont Saint Michel", signed at lower left by listed French artist Pierre Eugene Cambier (1914-2000). The work measures 9" by 12 1/2" (16" by 20" framed). Cambier first exhibited at the Salon des Independants in 1948 and in the second half of the century was a noted watercolorist in Paris. This is a typical example of his work...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

By the noted illustrator artist RICHARD STINE (1941-) this is a print, "Mad woman trying to bury delicate feelings once and for all", hand signed in blue ball point at lower left. This does not seem to be a limited edition but it is hand signed. Stine is a familiar name due to his uniquely humorous and whimsical images, which though cartoonish delve into philosophy, and, an online description writes, "love, art, freedom, isolation, desire, conflict, dreams, creativity"...

A primitive, circa 1880's oil on gray board landscape painting in the Hudson River style, with trees, water, and tiny figures completing the view. Measurements are 18 3/4" by 24 1/2", unframed. There is no signature. The board is slightly warped from old moisture exposure, which caused paint instability/flaking/losses at top couple of inches, as shown, and cracking at lower right. There are also a few light abrasions as shown.

An interesting, folky, oil on canvas painting of a house with stone chimney set in a lush open valley, apparently set in Salinas Valley in California, signed by artist Sharon Moree Giambrocco Ebina, who wrote a long story on the back of the canvas. In that story she explains how the painting is inspired by the movie made from the John Steinbeck book "East of Eden". She also touches on the Japanese inspiration she feels, her signature incorporating the Japanese character for "valley"...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6" by 8 1/4", presently in an old tired mat but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From Top of the Mark" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking north towards Alcatraz and Marin County beyond, from the top of Nob Hill, on which the Mark Hopkins Hotel so famously sits...

Photograph titled in the negative at lower left "Douglas and Juneau Alaska view from Mt. Jumbo", signed again in the negative at bottom center by "E...

Unframed watercolor painting of a tawny Australian landscape, signed at lower right by artist PETER BOUSFIELD and titled there "Murrumbidgee River nr Canberra", measuring 10" by 12". Bousfield is a recognized artist who studied at the Australian Watercolor Institute and Royal Art Society of New South Wales. He studied with Will Ashton. Most active between 1901 and 1937, he was obviously a traveler, his subject matter ranging from Australia through much of New Zealand, and also in places more ...

A pencil drawing of an elegant interior scene with chairs and credenza, center mural and flanking high panels, 15" by 11 1/2" framed in black metal and matted, signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Arts Co Founder Panavision Co.". This early work would date to the artist's teens. Moore, commonly known in later life as Richard Moore, went on to become a co-founder of the Panavision wi...

Impressionist small contemporary painting of a knoll in sunlight and shadow, 8" by 10", unframed, unsigned. This is a quickly executed work, almost a sketch in oil, by an anonymous but skilled artist. It is in excellent condition. The regular size would facilitate buying a suitable frame at a modest price.

Oil on Masonite painting of a high desert of the Southwest, 8" by 9 3/4", unframed, signed in red with initials at lower left. Probably dates to the 1960's or 1970's. Put an eight by ten inch frame on it and you will have a very nice little landscape for your wall.

Impressionistic oil on board painting of an early 20th century American house, probably in the Midwest as this was framed in Missouri, 11 1/2" by 15 1/2" (14" by 18" framed). The scene is one of tranquility and prosperity. The house would have probably dated to about 1920, but the painting is contemporary. The signature appears as possibly "Ursula Lee". This is ready for the wall.

Watercolor painting of autumnal tree in a landscape, 21" by 14", unframed, signed at lower left Virginia Dicken and on reverse is written "Autumn Gold". I do not see information on an artist by that name but she was obviously familiar with watercolor technique, including wet-on-wet technique visible at upper right. Presently the work is taped at edges to a mat (can and should be removed). Condition is excellent; just frame it.

Miniature sized etching (2 1/2" by 3 1/4", and 7 1/2" by 8" framed), titled in margin at lower left in pencil "Cape Cod Shoreline", and pencil signed at lower right by Massachusetts listed artist MARGARET ELDER PHILBRICK (1914-1999). This is a mid-century work, I would guess, by a woman artist who was known for still life and landscape works, primarily in the etching medium. She was a member of the Society of American Etchers, and the Brooklyn Society of Etchers. She won the John Taylor Arms ...

Oil on masonite painting of grapes, apples and pitcher/plate on a table top, 16" by 20" (20" by 24" in oak frame), signed at lower right and again on reverse in pencil by California artist Marion Ellison (1898-1997). Ellison was a Midwesterner who moved to Southern California, becoming involved there in the art scene. Her family has put a lot of effort into a family history, which is viewable online, and that unusually detailed history is the source of the following information: Marion was bo...

Circa 1940 watercolor landscape painting, 11 1/4" by 15 1/4", 19" by 22 1/2" framed (no glass), signed at lower left by artist Edith Ovaitt. Edith appears to have been a talented amateur artist. An internet search reveals a woman by that name born in 1893 or 1898, living in Flint, Michigan at the time of the 1930 census. That Edith Ovaitt died in 1969. Ovaitt is apparently a fairly common name in that area. The watercolor's blue dominating color is very soothing and the work is clean. Just...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching, 7 3/8" by 5 1/4" inside the mat, 15" by 11 3/4" as simply framed, by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Carmel cypress trees" and pencil signed at lower right by the artist. The imagery features stately, classic Monterey Cypress trees on the famous foggy coastline. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area foll...

Watercolor on paper painting of a large sailboat off a lighthouse at the coast, some industrial looking electrical towers completing the scene, 9 3/4" by 13 1/2" inside the mat, 16 1/2" by 21" framed, signed "DNadson" or similar at lower right. This is well painted by a skilled but unidentified artist. Found in Los Angeles. Condition is excellent.

An original gouache on illustration board drawing of a native American dancer performing the "eagle dance" of the Southwest, measuring 8" by 6 1/2" (12 1/2" by 11" in wood frame), signed at lower right by artist H. Kunkle and dated '79. Definitely an original gouache drawing, not a serigraph or reproduction of any kind. See close-up images. I have not been able to locate information on an artist by this name. The work is loose in the frame, needs to be nailed in again. Double mat is very cl...

Vintage oil on panel painting of the coastline at Santa Monica in Southern California, 7" by 9" framed, signed at lower right "K. Latour". Written on an old label on the reverse is "Scene looking right from Palisades at Santa Monica Calif./remember?". The painting likely dates to about the 1940's or early 1950's. Ready to hang on your small empty wall. The vintage frame has slight corner separation and wear at upper left.

This is a hand painted original work, the subject a newly married couple, he in Edwardian (??) formal coat and medals and monocle, she in traditional white with a corsage. The image was either intentionally cut out by the artist and pasted onto a board which was in turn pasted onto a light green silky surface, or someone has subsequently decided on this presentation. Currently the figures therefore stand out in something of a three dimensional manner from the background. I do not see any evi...

Oil on canvasboard painting of a woman with basket on head in tropical town street, 12" by 16", 17" by 21" framed, signed at lower right Paul Katzman. The FRAME is most interesting, with a geometric cross-hatching pattern that would complement a Southwest themed painting.

A lithograph titled in pencil in margin at lower left "Algerian Caravan", and pencil signed and numbered at lower right margin, by the noted western Michigan (Muskegon area) artist WILFRED "WALLY" BERG (1908-2002). Measurements are 15 1/2" by 19 1/2". The complex image features a caravan of camels and burros, led by their handlers, descending a steep mountain trail to a valley in Algeria, where the artist served during the Second World War. Berg was born in Muskegon, the second oldest of 11 ch...

Watercolor on paper of a rugged seacoast with rocks and surf (presumably California, but could be a number of other places including England), 10" by 13" inside the flimsy makeshift mat (18" by 22 1/2" as framed), signed at lower right "GAY", and bearing a bonus---a pretty study on the reverse side. I do not believe this to be by any of the noted artists who share that last name of "Gay". Nevertheless it is a nicely drawn work, in excellent condition. Allow for reflections. "Crease" near si...

A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

Pencil signed by the artist at lower right and numbered 418/975 at lower left, is this contemporary offset color print, 18 3/8" by 15" inside the mat, 22" by 18 1/2" framed, the subject a poetic one of mother and daughter reading an illustrated book while snuggled together in a bed with a colorful duvet. BARBARA A. WOOD the artist is from Ohio but also has spent considerable time in California, and, I believe, Georgia. Her colorful, highly popular work, whether in oil or a graphic work, often fe...

Watercolor on heavy paper of trees leaning over a lake, a swooping bird and small boat with primitive figures in the right lower portion, 12" by 21 1/2", signed at lower left "J. H. Dore" or "T. H. Dore". This is a late 19th century work with a primitive and folky touch. The green mat is too wide. Reframe this charming work with a smaller mat for optimum presentation.

A **PAIR** of etchings, 21" by 17" as identically framed, one a still life of flowers in a vase in an interior, the other of a mother holding her child, only the floral work pencil signed, rather illegibly, at lower right (signature beginning with the "Sz...." common in Hungarian), and titled in Hungarian at lower left (as a Hungarian-speaker tells me) "Still Life" or "Flower Still Life". On the reverse backing of one is written in English "from Budapest--July 1966". Both are generally clean t...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/4" by 7 3/4", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Fisherman's Wharf" and pencil signed at lower right by the artist. The image features the fishing boats tied up at the wharf, long before today's mass commercialized tourist scene made the area virtually unrecognizable. Roudebush was born in Portland, Oregon and moved to ...

In the tradition of Victorian rose paintings of the late 19th and early 20th century, here is an unframed work, canvas laid on board, 11 1/2" by 21 1/2", signed at lower right "IDMAY". The painting likely dates to the early years of the 20th century, a time when young girls were encouraged to take up the "ladylike" skill of flower painting. "IDMAY" might have been Ida Mae----one of these young ladies. Our artist was of average skill, but her handiwork has outlived her. Ideal for the Shabby C...

An etching featuring cattle driven through a wood in a storm, 3 1/2" by 5 1/2" inside the mat, 8 1/2" by 10 1/2" in interesting simple wood frame with hand cut design, the work by noted American artist PETER MORAN (1841-1914). The title is "Showery Weather", and the print was issued in the year 1889. Moran was the youngest of the well-known Moran brothers of American art (Thomas, and Edward). He was born in England and was in the United States by 1844. Through most of his life he worked in t...

A contemporary oil on canvasboard painting, 16" by 20", 19 1/2" by 23 1/2" as framed, the subject an intimate little harbor no doubt in coastal Maine, with a lobsterman's shack and traps stacked on the deck, and his trap-identifying floats hanging on the side of the structure. The talented amateur artist "Paula" signed at lower right and dated the work '98. The work has accumulated a little light soiling and two small abraded areas, as shown.

Oil on canvasboard painting of a young girl, in the style of Margaret Keane and the "Big Eyed School" of the period, 24" by 18", unframed. The work is signed, charmingly, at lower right "Grandpa Friedman" and is dated there "64". The board is curved---a bit concave, or convex, as you might put it---but otherwise the painting is in good condition. A nice addition to your mid century Retro collection.

Unsigned acrylic/oil portrait of a woman worker acquired from a Hong Kong auction. I am assuming this was painted while China and Russia were still friends so would date this pre 1960. Good example of Socialist Realism (girl meets tractor) kitsch, W: 35cm/13.8in and H: 45.cm/17.8in.

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide. The frames are not attractive and a...

Old horizontal format landscape, oil on board, featuring trees, a creek or lake, the only sign of man a picket fence near the group of trees at center, signed at lower left "Ferguson". The painting likely dates to about 1925 or 1930. Measurements are 14 1/2" by 25" (19" by 32 1/2" in frame that dates to about 1965). There is stable authentically old "alligatoring" of the paint (a crackling pattern related to how quickly the paint dried). A pleasant piece of vintage art for vacation home or co...

Watercolor painting of a stately ruin consisting of columns and a lintel, the setting a panoramic knoll by the azure sea, an island in the distance, signed in red in Greek. The small work measures 4" by 7" (8 1/4" by 12 1/4" in thin strip frame, not professionally matted). The work probably dates to about the 1960's and may be a tourist piece to remind someone of their Mediterranean vacation. Condition is excellent. The piece was photographed in late afternoon light that suggests a yellowish...

Large impressionist painting of violet mountains, pond and green meadow with white fence, 24" by 30" (31" by 37" framed), signed at lower left by artist HENRIETTA S. RUDDER, further titled "Mountains" on reverse where there is a label of the 1989 Artists Guild of the Norton Gallery Fifth Annual Exhibition (probably West Palm Beach, Florida), providing the artist's name, and the original price of $500. The painting is created primarily with palette knife, the paint richly and generously applied....

A colorful print "Share Chanukah with the Children of Israel", pencil signed at lower right margin and numbered 46/150 at lower left, by the eastern Europe-born, Jewish-American artist CHAIM GROSS (1904-1991). The work measures 22" square (23 1/4" square in metal frame with detail-dulling non-glare style glass). Gross was well known for his "direct carving" sculpture in wood and stone, and began experimenting with printmaking as far back as 1929. Born in present-day Ukraine to a large, cultur...

Old, vintage print, somewhat resembling a chromolithograph when viewed with a magnifier, 26" by 20 1/4" as framed, the subject lush red roses and fresh green leaves. I thought that this might have been an original work but determined that it is actually a print, though a very good one. If you are decorating in Shabby Chic style, or just like roses and still life works, you might add this to your collection. The condition of the print itself is very good, with just some very even light oxidati...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 7 1/2" by 5 1/4", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Chinatown" and pencil signed at lower right by the artist. The artist's view looks to the east, the famous old cable cars climbing the steep California Street hill, passing Chinatown's main street, Grant Avenue, while the buildings of the Financial District, and a tower of...

Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr. (1880-1963) wa...

Oil on canvasboard painting of red tulips in a bright yellow vase on a tabletop, two apricots or peaches at lower left, unsigned, in a gold frame in wall-ready condition. This is likely by the hand of a talented amateur painter, but it all "works", with bright attractive colors and a clean overall appearance. The entire work as framed measures 16 1/2" by 13 1/2". See a number of other floral works in my shop.

Likely painted for the southern tourist trade between about 1920 and 1950 or so, is this oil on a slice of palmetto wood, roughly oval shape, approximate dimensions 10" by 13", the slab 1" thick, signed at bottom left in the image "A. Donhauser". This locale could be anywhere from Texas through Georgia, given the Spanish Moss on the tree. The palmetto slab is unusual and adds interest. An unusual item. There is a small loss on the tree trunk.

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints. ...

A nicely worked watercolor of a church dominating over its obviously European village, 15 1/2" by 18 3/4" (21 1/2" by 25" framed), signed at lower right with what appears as "W Kuns" or "Whuns" or similar. The watercolor is clean, with some browning at the very edges from long contact with the mat. Probably executed circa the 1960's, possibly, in the Baltic states (possibly, Latvian) or another part of eastern Europe.

Colorful, interesting watercolor with a modernist, almost Expressionist feeling, unsigned, 16" by 12" (23" by 17" in present frame). There is a label on the backing from the Fenway Art Center in Boston, which was run by two listed artists, Richard and Giragos Der Garabedian, leading me to believe that this could have been work by one of them, even though the style/subject does not fit with their known works. However on the back of the sheet is written in pencil "LA Night Scene June 1985 With L...

Artistic, soft-focus photograph of two sailing vessels, titled in pencil at left margin "Gray Dawn", and signed at lower right margin by the noted Nova Scotia, Canada photographer WALLACE R. MacASKILL (1887-1956). This well-known image, in the Pictorialist tradition in which MacAskill was taught, dates to the year 1921. It is in soft-focus, an impressionist technique which values atmosphere over realistic accuracy. Note three white spots at upper left. MacAskill is considered Nova Scotia's be...

A small pencil sketch on irregularly shaped scratch paper, roughly 4 1/4" by 4" (5 1/2" square in its simple wood frame from which it was removed for photography). The subject is an empty vase casting a shadow while resting on a narrow tabletop. Of possibly great interest to any researcher of the artist's life and career, the work is clearly a sketch, perhaps for a finished painting or pastel. On the reverse side, and to a lesser extent at lower right on the front, are columns of numbers and ...

By the noted illustrator artist RICHARD STINE (1941-) this is a print, "I am an alien creature", hand signed in pencil at lower left near the printed signature. This does not seem to be a limited edition but it is hand signed. Stine is a familiar name due to his uniquely humorous and whimsical images, which though cartoonish delve into philosophy, and, an online description writes, "love, art, freedom, isolation, desire, conflict, dreams, creativity". He drew prolifically as a child in Southern ...