Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint...
A contemporary screenprint, the imagery forming the letters for "LOVE", pencil signed at lower right and numbered 98/100 examples at lower left, by noted British illustrator and commercial artist Helen Lang. The matted print is currently housed in a white laminated wood frame, measuring 24" by 20" in that frame. GLASS IS CRACKED AT LOWER RIGHT so print will be shipped without glass...
Watercolor painting on heavy textured paper by Marion Maas (1930-2023) in very abstract style, a large yellow sun, often seen in her art, and what may be hills, rivers and lakes, all very vivid in classic Fauvist style.
Measures 11" x 15", sight size is 8" x 12".
This image is almost entirely abstract, and depicts many of the stylistic components found in her art, from slight suggestions of landscape details to fanciful creations...
Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state...
"William Hogarth" The Pool of Bethesda Invented and Painted by William Hogarth
Engraved by Ravenet and Picot The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...
Watercolor and ink on paper, 7 1/4" by 9 1/4", (13 1/2" by 15 1/2" in gold color metal frame), the subject a blue-striped lighthouse and keeper's home adjacent, signed at base of that lighthouse by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him...
A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor...
The size of Sheet: 11 x 10 5/8
Image size: 9 x 8 1/2
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More II
The condition: Excellent. It never been framed
The year of Serigraph: 1990
Edition No.: 5/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed. I had this serigraph last 19 years stored away...
Traditional watercolor still life of roses, yellow daffodils and maybe some dogwood, arranged in a white vase against a sketchily defined background, 20" by 22 1/2" (27" by 30 3/4" framed), apparently unsigned, though a number "1432" appears at lower right corner under the mat (I do NOT think it says 1932). The paper was laid on a board long ago. I think this dates to the 1940's or so; the hand was trained. Condition is excellent and this is ready for the wall.
A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner...
Oil on canvas painting of a rocky windy coastline, likely in Ireland or Scotland I believe, signed at lower right "Peg McCarty". I do not see a listing for the artist. There is a canvas stamp on reverse, of Winsor & Newton, London, England. Measurements 14" by 18" (17 1/2" by 21 1/2" framed). Condition is excellent save for a few drips of foreign matter, brownish, along the ridgeline/horizon at left, and in sea at left center.
Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.
Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions...
The size of Sheet: 13 1/2"H x 13" W
Image size:. 8 3/8" H x 9" W
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More I
The condition: Excellent. It never been framed
The year of Serigraph: 1990
Edition No.: 6/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed...
A large lithograph print, the sheet 28 1/2" by 22 3/4", unframed, signed at center right with his monogram "JR" and star symbol, dated there 1950. This is a work of American illustrator artist JAMES REYNOLDS (1896-1996). The imagery of flowers and leaves reminds of the work of American twentieth century artist Charles Burchfield. Reynolds is often confused in art auction records and biographies with western American contemporary artist James Reynolds.
Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.
The size of Sheet: 16 5/8 x 12 1/4
Image size:. 11 1/2x 8 1/8
Artist: Jo Ann Mulroy
Medium: Serigraph on 100% Arche paper.
The Title: Diversion
The condition: Excellent, It never been framed
The year of Serigraph: 1990
Edition No.: 3/10
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed...
Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968...
Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803. De Boissieu was born in Lyon in eastern France and is closely associated with...
A vintage oil on board painting of an impossibly endowed southwestern desert scene, (possibly Arizona, since the saguaro grows natively only there) signed at lower right with initials "AHS". The painting, 14" by 18" (19" by 23" including linen covered surface around the painting) likely dates to the 1960's or early 1970's. The artist possessed a primitivist style, almost a naive style, placing into this idealized scene saguaro cacti, other, blooming cacti; ocotillo, agave, and all manner of ot...
Female nude figure executed in white chalk on black paper, 25" by 18 3/4", signed at lower right "Mondrus", unframed. The artist is associated with California, having been a familiar figure in the Los Angeles/Pasadena art scene for many years. He is still active as a teacher and juror of art competitions. Mondrus is Professor of Art Emeritus at Glendale Community College. His oeuvre includes oils, prints, drawings, and fresco. In 2003, an oil, "Overpass at Venice Boulevard", brought $14,000...
Oil on canvasboard, 12" by 16" (17" by 21" as framed), signed at lower right by artist CURT PAULSON. I do not see a listing but the artist had a skilled hand. The style reminds a bit of California desert painters William Darling or Fred Chisnall. There is impasto, vigorous brush stroke, and a grayish blue light over the scene. Apparently original whitish antiqued frame completes this ready for the wall package. Condition is excellent.
Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Bazaar newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when elect...
A painting on light blue illustration board, sizable at 24" by 36" including its thin strip frame, signed at lower right by artist B. G. Dorsey. The subject is a white classic New England home with green shutters, pictured in early autumn, the trees turning colors. A lone figure seems to knit at the side of the house, a rowboat is tied up at the convenient dock, and a sailing craft and the ocean beyond appear at left. The idealized scene is classic Americana. It appears to be after American ...
"William Hogarth" The Politician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see i...
Pencil signed color print, 1992, issued by Greenwich Workshop, numbered also in pencil 15856/48000, by the noted contemporary American western artist BEV DOOLITTLE (1947-). The print is titled "Eagle Heart" and shows a Native American Indian chief on a white horse in a carefully arranged late autumn landscape, the snow patches on the rocks, in shadow, shown as an electric blue color, the central subject standing out dramatically. Doolittle is said by some to be a "camouflage" artist, arranging...
Haitian art is rightly popular for its color and exotic subject matter. This little painting, 9 1/4" by 7 1/4', set into a larger quality frame/mat, 22" by 19 3/4", depicts a thatched roof hut, figures carrying items on their heads, and lush tropical mountains and vegetation. The artist signed his name "Serge Louis" and the date 1995. The painting is exceptionally clean and ready to hang on the wall.
Oil on canvas painting, signed at lower left "Charles T. Harris", late 20th century, the subject a red rock dramatic cliff of the Southwest, framed artistically by a large overhanging branch arching in from the right side. The work is very clean and ready to hang. This came from a local estate. The artist is talented but from what I can tell not listed. Size is 20" by 30" plus 2 1/2" wide on a side wood frame.
A circa 1910 small oil on canvas landscape of a forest pond, signed at lower right "O. Sch". This 3 1/2" by 5 1/2" work (9 1/2" by 11 1/2" framed) came from a local family of German heritage. Their art, some of which I acquired, came with the family from the old country. This work has some condition issues, as the canvas over the decades has buckled, with sharp horizontal roughly parallel "ridges" now apparent, as well as craquelure. The canvas was laid years ago on a panel and evidently it h...
One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) not many with any color, this is a fine image in soft pencil and a little color crayon on paper, the drawing itself 12" by 18 3/4", in an oak frame without mat, signed at lower left by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Hughes ...
Watercolor painting of an old-fashioned water/wishing well in a garden setting, early years of the century, signed lower right KO ASHIWARA. There is an askart listing for the name but an internet search has yielded little information; apparently he had some connection to New York so was an individual of Japanese ancestry working in America. The work is executed by an obviously talented artist. Measurements are 13 1/2" by 10" (20 1/2" by 16 1/2" in old black wood frame with gold beading (wear ...
An original watercolor drawing of a familiar California theme: surfers at the beach, with lifeguard tower, palms, and two parked classic late 1940's Woodies vehicles. The work is signed at lower left "Dry......" ("Drysbock", or similar?) and measures 4 1/2" by 6 1/2". It comes matted but with no frame and glass. Likely is a contemporary work. Looks like a print but guaranteed to be original work.
A nicely executed good-sized pastel drawing, 19" by 23" (24" by 28" framed), the subject a fast-looking high-end sailboat off a coastline, manned by a number of figures. I would estimate the age as circa 1960's or 1970's. Framed behind detail-dulling non-glare glass, which was common during those years. Frame shows wear, drawing is in excellent condition. Signature "Mather" is at lower left.
PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background. These are quite decorative and...
Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting. Condition of the painting is excellent, and I note very s...
Oil on canvasboard, 16" by 12" (19 1/2" by 15 1/2" as framed), the subject trees in flaming autumn colors along a quiet dirt forest road, signed at lower right "P.L. King", no date but likely circa late 1940's or 1950's. For a time I had thought it possible that this was a work of the noted American impressionist PAUL KING (1867-1947) but I no longer believe that to be the case, so I am offering it as simply an interesting impressionistic landscape. The painting is in a gold frame and could h...
Apparently unsigned watercolor on heavy paper painting of an arid landscape in the American Southwest, including a distant mountain, barbed wire fencing at a dirt crossroads, and fading evening clouds, 14" by 17 1/2" as framed in a faux burl frame. When I first saw the image I was reminded of some of the watercolor art of Peter Hurd---the memorable scenes he painted of New Mexico. There is no evidence that he painted this one, but perhaps the artist was inspired by Hurd's imagery. The waterco...
Oil on canvasboard painting of Paris Montmartre section, the dome of famous Sacre Coeur looming white in the distance above the rooftops, signed lower left "Michel" and dated there 1960. The work measures 24" by 18" (27" by 21" in simple white wood framing). The piece has beautiful depth and a balanced satisfying palette of colors. Condition is excellent.
Etching of children in a landscape, 8 1/4" by 10 3/4" inside the present mat (the full sheet 14 1/2" by 17"), not signed but printed information on mat provides artist name, a possible title "Hagyateki Anyaga" and possible edition ("5/50"). The artist is ISTVAN SZONYI (1894-1960). A student of Karoly Ferenczy at the Academy of Fine Arts in 1913, he had early exposure to the art colony at Nagybanya and its prominent and gifted figures, including greats such as Vilmos Aba Novak. Szonyi had his ...
Watercolor on paper by Marion Maas, (American 1930-2023) depicting a stylized view of buildings with night sky and blood red moon, with eye like features in the sky, all in vivid color in Fauvist style, stamped on verse with estate stamp.
Measures 12" x 15 3/4", sight size is 8" x 11 1/4".
On smooth heavy paper, the painting is both exuberant and intriguing, the intensity of color and shape create a dense and rich image. Unsigned, like much of her work, it is stamped on the back with the esta...
A nicely painted oil on panel, 10" by 9 1/2" (15 1/2" by 14 3/4" as framed), the subject a stone wall surrounding an estate, with an entry portal, the word "Robe" at lower right, and "MLM" at left as presumably the signature. On the reverse is an old label from a framer in Mulhouse (eastern France near the Swiss border and Basel), and pencil writing "M Mougot" (or, "Maugot", or "Mangot", as a possible full name of the artist). Regardless of authorship the work is satisfying in its simplicity, ...
An impressionistic andscape painting of a cottage by a pond in the spring, circa 1960's or 1970's, a flowering tree providing color as geese enter a pond. The unframed work measures 16" by 20" and is signed at lower right by artist KAROLY SINKA (1934-) The style is very reminiscent of Hungarian painter Laszlo Neogrady (1896-1962) and also of Hungarian painter Dande (1911-). The canvas is a bit sunken-in on the stretcher at upper left, there is some frame abrasion/residue at left (that would b...
"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'"
The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — ov...
Poignant early handmade drawing of pink and white flowers (lilies of the valley and?) painted in gouache within an oval set off by golden mat, the words "BIRTHDAY GREETINGS FROM YOUR LOVING DAUGHTER ALICE" around the central image. The oval measures 4 3/4" by 6 3/4" and the entire work as framed 11 3/4" by 14 1/4". This is a work from another time, when people were less likely or less able to go to a store to buy a gift. Such a gift is the best of all gifts and the most heartfelt. The little...
Oil on canvas laid on board paint of daffodils or jonquils in a painted ceramic vase, 16 1/2" by 13" framed, signed at lower right "N. Green". The painting I think if American and looks to date to circa 1940's or early 1950's at the latest. There is no apparent biography for an artist matching this name, but he or she was clearly talented. I opened the back to see if there might be more information but the red board to which the canvas is affixed is itself glued in the center to the backing c...
Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...
Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...
Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented. The painting has a few losses and shallow scrapes that could use i...
This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area. The burl wood framing is simple and attra...
Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810. Redoute was renowned in his own time for his skills, patronized by none other than Marie Antoinette and the ...
Original watercolor/gouache on paper by Hans Kleiss (1901-1973), depicting a smiling Berber man from Morocco. Circa 1940-1950. Image size: 26cm by 20cm. Signed l.l. Hans Kleiss was an Orientalist/ Africanist painter, illustrator, and caricaturist. He was the husband of Orientalist painter Yvonne Kleiss/Herzig. They both lived for long periods of time in North Africa (Morocco and Algeria). They settled together in Sidi Slimane (Morocco) in the early fifties before returning to France. On...
Oil on canvas landscape of country cottages and feathery trees on the banks of a small pond or marsh, 9" by 12" (13" by 21" in its modern frame), signed at lower right "S. Clark", the subject given on the framing label as "On the Arun--Sussex". This is a painting by SAMUEL JOSEPH CLARK (1841-1928), a noted 19th century painter of rural landscapes and genre. Sometimes he is listed as Samuel JAMES Clark--there appears to be some confusion in the auction record. This piece, found in Maine, has su...
An American contemporary theorem still life painting in the traditional 19th century familiar style, signed by artist Esther M. Attridge and dated on reverse framing paper 1973. The work measures 10 1/2" by 13 1/2" and about 12 1/2" by 15 1/2" in the gold framing. Some contemporary artists have made names for themselves by copying the old American folk art theorem style. Similar works by one latter-day artist named David Ellinger are highly sought after and are auctioned. A pleasing work fo...
A small unframed watercolor painting of an early adobe structure of Northern California, similar to the historical, rare structures that may be seen today around the plaza in Sonoma, 7" by 9 1/2", signed at lower right by listed artist JEAN G. WALFORD (1875-1938). Walford was born in England, but was in Berkeley by 1917. She ran an art gallery until her passing in 1938. The watercolor came from an old Bay Area collection.
Offered is a PAIR of unframed watercolor on heavy paper paintings, each in turn with a simpler work or study on the reverse side, each signed by Southern California listed artist KEN DECKER (1926-1994). Decker, according to printed information on the sleeve (these 11 1/4" by 15" works are not framed), was born in St. Louis, and after growing up in Southern California and military service in the Pacific, studied at the Portland School of Art in Oregon. Decker worked as an illustrator and then...
A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929. So, ...
An oil on panel painting of a red covered bridge in a mountain landscape, a village at left center, 13" by 19 1/2" (16" by 22" framed), signed at lower right by artist Ed Mifflin. I do not see a listing for this name. The scene likely shows Vermont or Maine; possibly there are covered bridges in hilly southern Ohio that might fit. In any event the circa 1960 work is very poetic. The black panel on which this is painted was not meant for art use, leading one to suspect that the artist was a t...
Old oil on canvas painting of light violet colored flowers in a yellow ceramic vessel, 13 1/2" by 17" (16 1/2" by 20" framed), signed at lower right corner with what appears as "M. Lagenbrucke" or similar, and dated adjacent 1924. I have looked for an artist by this name and to date have not found any information. He/she was talented and created an attractive work. In its nearly 100 years it has acquired considerable grime, and the surface is uneven and bearing hairline cracks in certain area...
In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.
An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age. Weave of the canvas and the technique all suggest th...