Oil on canvas portrait of a middle aged man seen in profile, not signed on the front, possibly signed on the reverse, 20" by 16", unframed. The man appears to be a clerk in his work clothes, circa 1910 to mid 1930 perhaps. On the reverse written faintly on the canvas is "WM. HODES FRANKLIN" or similar--. Below that is what appears to be "BRACKMAN"...

Watercolor en grisaille drawing of the ornate entry area of a 19th century American home, complete with trellis, shutters, clapboard and fine woodwork, unsigned, measuring 18" by 14" (20 1/2" by 16 7/8" framed in brown wood frame. There is also a pencil study of the doorway on the reverse (see last photo). Any number of artists could have created this. It reminds me of a home you'd see in a watercolor by Edward Lamson Henry. I'd date this to about 1910 through 1930...

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 85, depicting the species Meriones americanus, Barton (the jumping mouse), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

Pastel on gray paper affixed at edges to a linen-covered board, 21 3/4" by 25 1/2", unframed, signed at lower right in pencil "MARINO" and dated at lower left in European hand "1959". The image appears to be perhaps a highly abstracted horse or horse head, surrounded by abstracted imagery in electric blues, oranges, reds and greens...

Watercolor on paper painting of creamy roses, 17 3/4" by 14 1/2" as simply framed, signed at lower right "Vivian E. Tiedemann" and dated there 1907. This is a typical turn-of-the-century work by an amateur artist, though, a skilled amateur. Such watercolor paintings of roses were popular in the Victorian era and even into the early new century, artists continued to paint them in oil and watercolor. This example is in excellent condition...

Watercolor on heavy watercolor paper, 10 1/2" by 14 1/4" inside the mat, 19" by 22" as framed, not signed, the subject a coconut palm at left, with a schooner-type sailboat in the distance beyond a narrow spit of land, a white gull overhead. The work probably dates to the 1950's or early 1960's...

(**One of two works by the artist in my shop**). Unlike most commonly seen works by this artist, which are actually serigraph prints, this is an original oil on canvas painting, measuring 34" by 18" (unframed). The scene, which could be described as a floral fantasy, incorporating at least two human heads floating within the composition, is rather typical of the work of the artist, HERMANN DIETRICH (1916-2003). Dietrich's online profile has only in recent years become more developed...

In the style of Philippe Noyer, or possibly Charles Levier or Bernard Buffet, is this unsigned circa 1960's oil on canvas painting, 20" by 16" (28" by 24" framed), the subject a girl, lost in thought, seated on a chair in one of those intimate Parisian attic bedrooms with skylight, the walls covered with a decorative wallpaper, a vase, mirror, and toiletries on the dressing table completing the scene...

Pastel on paper drawing of late autumn trees in a wooded landscape around a pond or small lake, 21 1/4" by 26 1/4" (31" by 36 1/2" framed), signed at lower right in all capital letters "CLAUDE REME". I don't see a listing by this name so the work stands on its own decorative powers, which are significant. There is a lot of atmosphere in this quiet scene, and the piece is big enough to power a wall on its own. Condition is excellent...

Drawing, I believe in charcoal, 12 3/4" by 18 1/2" inside the matting, framed, but no glass, signed at lower left "M. Moss" and dated "March '93", the subject a large wooden house on a lake surrounded by mountains, small boats tied up in front. I think this is American but I suppose it could also be English; I'm undecided..........though, the framing suggests would make me lean towards American, as the reverse was backed by the typically American wood slats with knotholes...

This is a large lithograph, 32 1/2" by 22 3/4", unframed, the subject a reclining nude in a claustrophobic room hung with framed artworks, signed at lower right in pencil by the artist WILLIAM BRICE, and numbered at lower left 5/20 examples...

Decorative lithograph in colors, 13 1/4" by 19 3/4" (22" by 28" as framed), unsigned, with The Collector's Guild label affixed to the backing, 1973, (titled there as "Homecoming", but from what I can determine, "Monumental" is the title in common use). This is a decorative print in excellent condition, the paper white and fresh and colors unfaded. There was an unsigned edition of 10,000 on Arches, with a center fold, printed by Mourlot but this example does not have the fold, so I am not certa...

Dramatic linocut print, the sheet 26 1/4" by 17 7/8", unframed, numbered at lower left 3/6 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title. Burkhardt was born in Switzerland and arrived in America in 1924. He attended Cooper...

Oil on canvas, 16" by 20", unframed, signed at lower right in red "SOON" and with artist's device, signed there "86", the subject a thatched roof village fronting low mountains, clothes hanging to dry in the breeze. This appear to be most likely Korean art, perhaps by a Korean-American, considering the American size stretcher. The name is common in Korea but I don't believe the artist is well known. The work is highly impressionistic and with a frame this will look even better. Condition is ...

This little lithograph (4 3/4" by 6", 10 1/2" by 11" framed) is titled at bottom "Res. of Levi Davis, Jr., Esq.,/Secs. 28 and 29, Big Rock Tpl, Kane Co., Ill." It is a typical view of a prosperous new homestead in the nineteenth century. Estate owners commonly commissioned local artists to create an image of the proud homes and farms springing up in 19th century America, and this is one of those images, now firmly part of Americana. Horse-drawn carriages and buggies, gingerbread homes and nea...

Colorful drawing of fruit and a vase of flowers on a table, 20" by 24" framed, signed at lower right "Laurel Scherer". The drawing is beautifully executed by a sure hand, in what appears to be oil crayon or similar medium. I don't see a listing for an artist by this name so will offer this on its decorative merits. Condition is excellent. This colorful, vigorous drawing will look great in a dining area or large kitchen.

Old, vintage print, somewhat resembling a chromolithograph when viewed with a magnifier, 26" by 20 1/4" as framed, the subject lush red roses and fresh green leaves. I thought that this might have been an original work but determined that it is actually a print, though a very good one. If you are decorating in Shabby Chic style, or just like roses and still life works, you might add this to your collection. The condition of the print itself is very good, with just some very even light oxidati...

Gouache on thin card, 10 1/2" by 7 1/2" (19" by 15 1/4" framed), the drawing featuring modern, possibly biomorphic shapes, in a combination of magenta rose, navy blue, yellow and green (colors popular at that time period), signed in pencil at lower right "GILMORE". I can't tie this to any particular listed artist but the image and colors are pure mid century design. The cream frame is of the period. The mat lines are hand drawn. There are three spots of foreign matter on the glass only, and ...

Gouache and watercolor on paper painting of a tall ship on the ocean, two other vessels visible, 12 1/2" by 17 3/4" inside the mat, 18 1/2" by 23 1/2" framed, signed at lower right "F. P. Tyars/5-9-03/The Brig". A handwritten note of later 20th century date says "ON THE BACK/FROM E.R. HUGHES OR E.V. FLOYD/TO C.H. SULLIVANT ??/ON HIS APPROACHING MARRIAGE". There are some references to Tyars' work online, but little biographical information is available. I saw online a possible birth/death date...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B. Durand and Carolus-Duran, he exhibited at the National Academy of Design in New York as early as 1850,...

Watercolor on paper painting of a classic stone castle with figures outside its portals, 14" by 10 1/2" (26 1/2" by 23" as framed), apparently unsigned. This is a circa 1850 work which has survived in presentable condition. There is foxing in the sky principally, as shown, but no large stains. To be sure, there were a lot of anonymous skilled watercolor artists in the British Isles in the 19th century, though this might well have been created by an artist that would be "listed" today.

Watercolor with gouache highlights on paper painting 13 3/4" by 9 1/2" inside the mat, of a large and impressive castle on a hill, (possibly Windsor Castle near London), a pastoral landscape with figures in the foreground, signed in pencil at lower right "A WATT". There is a listing for an Arthur George Watt (1883-1935) but I doubt this be the same artist, as the techniques and style do not mesh and the dates are wrong; this drawing is earlier. The drawing is beautifully executed by a talented...

Small decorative oil on canvas of a scene in Thailand with small boats, a figure paddling one of them, two ducks, and a house on a shore, 6" by 9" (9 1/2" by 12 1/4"), signed at lower right "Sak" or "Yak". Probably tourist art, this is nicely framed and the mat is clean, making for a decorative and inexpensive Asian accent for the home.

Pastel on paper drawing of an attractive young blue-eyed, red-haired girl in white blouse with aqua bandana, apparently unsigned, 18 1/4" by 15" inside the mat, 25 1/2" by 22 1/4" in a modern gold frame with blue green mat and inner fillet. The drawing was purchased in Newport, Rhode Island, the seller telling me it came out of an estate there, where it was suggested to him that the artist was Rhode Island impressionist artist Helena Sturtevant (1872-1946), but it is unlikely that that could be...

Coastal seascape painting on pebbly surface old gray art board, likely the California coast but possibly Maine, circa early twentieth century, unsigned, measuring 7" by 17" (14 1/2" by 25" in its interesting blackish with reddish design frame). The work and framing is very presentable as-is, with just very slight wear to the frame. At the left edge one can see where the portion hidden by framing is fresher in color; therefore we can state that a cleaning would remove the somewhat yellowed varn...

Etching on paper, 11 3/4" by 13 1/2" as simply framed, the scene silhouetted ships in the harbor, the rising sun and new day ahead suggested by etched lines in the sky, pencil titled at margin "Dawn Portland Harbor" and signed at lower right and dated there 1915. The artist, Massachusetts-born PHILIP LITTLE (1857-1942) was a highly regarded impressionist American painter and etcher, an artist who had a truly American vision as he was not educated in Europe. After considering entering his fathe...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) not many in color, this is a fine image in crayon on paper, 11 1/4" by 15" in the oak frame without mat, signed at lower left by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Considering the subject matter of this drawing, I would think i...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop), this is a fine image in charcoal on paper, 13 3/4" by 16 1/2" as inexpensively framed without mat, signed at lower right by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Considering the subject matter of this drawing, I would think it li...

Monotype on paper (where the artist "draws" the image on a sheet of glass, after which the glass plate is very carefully pressed against paper in order to produce an image), 5 3/8" by 7 7/8" (the image), the unframed sheet 7 3/4" by 9 1/2", signed in pencil at lower right margin by listed American artist MARION GRAY TRAVER (1892-1964). This a landscape in perhaps early spring or late fall, with muted pastel colors making for a harmonious and pleasing image. Traver was born in Elmhurst, New Yor...

Original unframed etching on paper, 8 1/8" by 12 3/8" inside the mat (the sheet 10" by 14"), signed in the plate and dated there 42, and pencil signed in the nearby lower right margin by the noted American printmaker LUIGI LUCIONI (1900-1988). **ONE OF SEVERAL PRINTS BY THE ARTIST IN MY SHOP**, this is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery, barns and farms of that rural state. The title is "Two Silos", and this was issued for the A...

Large (36" by 36") unframed painting of a green chair in an office interior, unsigned, but by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. I learned this from relatives who were selling off some of her works (see two other pieces I acq...

Watercolor on heavy paper landscape with house on a moor at sunset, a distant hill at left and blooming white wildflowers in the foreground, measuring 8 3/4" by 11 1/4" inside the mat, 17" by 20" in a simple old wood frame, and signed with initials that look to me like "R.E.M."---but this is just a guess. The piece likely was created in the last years of the nineteenth or early years of the 20th century. The shape of the house suggests to me an English rather than American origin. Condition i...

Circa 18th century ink on paper European drawing, 11 1/4" by 16 1/2" inside the inner framing enclosure, 24 1/2" by 29 1/2" as framed, the subject a coastal village with small boat landing, the tiny figures going about their lives on shore and in the boats, and a classic old sailing ship just making it into the image at left, signed in the lower left corner "Jac. A__". The drawing is on laid paper that was laid down on a board. Without glass, and of obvious great age, it has been subject to th...

Watercolor painting of a lake and scenic mountains, 6" by 8 1/2" (10" by 12" in simple framing with no mat), apparently unsigned, circa mid 19th century, likely English. The gentleman from whom I purchased this makes regular trips to England and brings back drawings and paintings which he sells, so, that is why I am fairly confident that this is indeed English. The work needs a mat at least although frame could be retained. The drawing appears to be laid down on another piece of paper or very...

This is an unframed watercolor painting on heavy watercolor paper, the sheet 15 1/2" by 22, the subject an mansard-roofed old 19th century house in a winter landscape, signed at lower left by a Los Angeles area artist of note, Ann Murdoch (nee Sanguinetti). Murdoch is not strictly "listed" but, a living artist in her 70's, now residing in the Los Angeles area, she has a long history in fine art, stretching back to the Village Art Show in New York, the New Hope area of Pennsylvania, and Chicago. ...

Oil on canvas extensive landscape of trees, a body of water, hills and distant structures, 24" by 36" (31" by 43" in gold frame), signed at lower left "Emile Bovard". I suspect this to be a pen name for a talented artist as I see no listing for an Emile Bovard. The painting was likely executed in the 1970's or 1980's I would judge, from the materials and technique. The artist has created a good-sized and highly decorative work, with pleasing muted colors, the violets, lilacs, pinks, blues and...

Oil on canvas extensive mountain and trees landscape laid on board, 8" by 10" (10 1/2" by 12 1/2" framed), unsigned, circa late 1920's to mid 1930's. I am certain that this is by a listed artist but sadly there's just no hint as to who created this. The scene could be western, or eastern; hard to tell. It was found in Southern California. I would lean towards it being a western scene. The painting is very dirty; a cleaning would be really desirable, as it would really improve the presentati...

This was once a beautiful late 1950's period example of Italian abstract art, executed by the listed artist, from Venice, Italy, GIOVANNI GIULIANI (1893-1965). Unfortunately due to careless storage by one or many owners (it was exposed to moisture), combined with the artist's choice of materials, it is now a restorer's special, worthy of conservation. I have received a quote of $400 to have it relined so that it can safely travel. The basic concept of the artist remains; most of the damage is...

Oil on canvas extensive view of a town of red-roofed houses by the sea, a colorful garden and balustrade railing in the foreground, executed by an unknown artist, likely in the latter years of the 20th century. The artist painted a highly impressionistic work (27" by 31", 35 1/2" by 40" framed) in cheerful, light, sunny colors. The work is very decorative and is in perfect condition, so would be an item that you could hang on the wall immediately. Frame is in almost perfect condition as well....

Oil on canvasboard painting of red tulips in a bright yellow vase on a tabletop, two apricots or peaches at lower left, unsigned, in a gold frame in wall-ready condition. This is likely by the hand of a talented amateur painter, but it all "works", with bright attractive colors and a clean overall appearance. The entire work as framed measures 16 1/2" by 13 1/2". See a number of other floral works in my shop.

Oil on canvas contemporary landscape of a jagged high mountain peak, trees and a large boulder catching the atmospheric light in the foreground, unframed, 36" by 24", signed at lower right with a signature that resembles "Joseph Eugene" or "Joseph Evgeny". The artist has handled dawn or sunset light to great effect, as did many of the Hudson River artists. An alpenglow lights up the peak, and a sunbeam lights up the boulder. I'd think that the painting would have been executed in the 1980's th...

PAIR of watercolors, the larger of raspberries on the vine, painted with amazing attention to detail and realism, measuring 10 3/4" by 8" inside the mat; the smaller painting of three bright red cherries and a leaf, measuring 6" by 9" inside the mat, BOTH SIGNED AT LOWER RIGHT with initials "M. C. R.". Since acquiring these works together at a shop in California's Gold Country a few years back, I have attempted to figure out who might have created them. A logical choice would be American still...

Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810. Redoute was renowned in his own time for his skills, patronized by none other than Marie Antoinette and the ...

This is an original drawing in charcoal and watercolor, by the well listed French artist LUCIEN PHILIPPE MORETTI (1922-2000), the subject a young boy, 25 1/2" by 19 1/2", unframed. It is signed by the artist at lower right, dated 54, and the place where it was drawn is also present (the "Place du Tertre", in the heart of Montmartre's artist district). Moretti was schooled in art in the late 1940's and by the 1950's was haunting Montmartre, a keen observer of all the humanity flooding the area ...

Oil or acrylic on canvas, unframed, 10" by 14", unsigned, the work painted in a harmonious and quite modern mix of varying shades of purples and greens, topped with white drips, the result a pleasing work that would look great in a contemporary or mid century setting. You would not necessarily have to frame this before hanging it on the wall. Condition is excellent.

One could call this work a homage to Jackson Pollock and Sam Francis: colorful drips in red, blue, yellow and gray, on an inky black background, 20 1/4" by 24 1/2" as simply framed in silvery metal behind Plexiglas. There is no signature. A fine choice if you are looking for original abstract art for your mid century or modern interior.

This is a very contemporary work, unframed, on a wood or masonite panel, 8 3/4" by 12", signed (incised) at lower right corner "EW" and dated there "01". The scene is a city street, depicted in rather bright color, in an impressionist technique; what is quite unusual here is the added medium used, the surface obviously having been worked with wax (I believe this might be called "encaustic" when used in a painting). The mix of the waxy material and the paint creates a quite modern surface and a...

Oil on canvas, 12" by 15 3/4", unframed and unsigned, the subject a pensive figure, likely a male, seated on a breezy patio with French doors, curtains and a Paris-style small cafe table and chairs, a tea or coffee service on the table. The anonymous artist created a very appealing, contemporary little work, with impressive impressionist technique. The painting is in excellent condition with just a bit of stretcher bar show-through at top. A silvery frame would complement the painting; it wou...

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character. Whoever made this would be happy to know that his or her work is admired so far in the future! The frame is gold but post-dates th...

Pastel on paper drawing of a rocky coastline with sailing craft offshore, apparently unsigned, 9 1/4" by 23", (16 3/4" by 31" as framed), circa 1900. The style of the drawing is reminiscent of that of American artists like Alfred Thompson Bricher (1837-1908). The popular and common pastel art of William Chandler also comes to mind. The work needs a new mat and the old acidic wood backing is best replaced. Otherwise for its age this work is in excellent condition.

Vertical format colorful oil painting of a mounted cowboy making his way through a steep canyon in the Southwest or Rockies as the afternoon's last sun reddens a crag at right, a dramatic cloud beyond the "V" shaped notch topping an expansive and empty land beyond. The painting, measuring " by ", unframed, has some age but I doubt it would have been painted earlier than about the mid 1950's, judging from the stretcher and stapled canvas. It is signed at lower right "C C Montgomery" or "C G Mo...

Oil or acrylic on canvasboard abstract painting, larger sized, at 28" by 40" as framed, signed at lower left "KAYE". The art takes after any number of modern painters' work, but the arrows imagery at the bottom portion, suggests to me a bit of Uruguayan painter Joaquin Torres Garcia. The creator of this work (and two others by the same artist I have listed) was probably a talented amateur with an excellent sense of color and a knowledge of modern art. Condition is good. A more elaborate fra...

Serigraph (silkscreen) print after a painting by the giant of modern art, GEORGES BRAQUE (1882-1963), 18" by 27 1/2" (25" by 34 1/2" framed), signed in the print at lower left. Braque needs little introduction, as one of the famous names of modern art, who in the early years of the century developed, along with his friend Picasso, the Cubism movement, which changed the art world forever. Throughout his life he interacted with other famous artists including Friesz, Derain, Matisse, Laurencin, D...

Oil on plywood painting 24" by 29" (" by " framed), signed at lower right "F. Sullivan '53", signed again on the reverse "F. Sullivan" and titled there "High Park Toronto". The painting of trees and a pool of water is created with palette knife especially in lower portion. I had thought this might be an early work by the well-known Canadian woman artist Francoise Sullivan (1925-), but checking with a major Canadian auction house showed that she did not visit Toronto until later, and never pain...

Watercolor on paper painting of a boat in a harbor, 13" by 21" inside the mat, 20" by 28" as framed, signed at lower right and bearing the artist's name and Fremont, California address on the reverse. The artist is SALLY INOUYE (1927-2010). I do not see a standard "listing", but came up with the following information from google, taken from her obituary online: "Sally Misaye Inouye July 31, 1927 - June 18, 2010 Sally Misaye Inouye, 82, passed away peacefully on Friday, June 18, 2010 at Kaiser...

Oil on canvas painting, unsigned, contemporary, unframed, 24" by 36", executed in retro 1960's and 1970's colors: olive, powder blue, orange, white. If your interior is modern and skewing towards the "Pan Am" days, then this will surely please. It has a few light scuffs and soiling that might be removable with light soapy water--see photos.

Oil on canvas of a mysterious red cabbage on a string and an orange gourd on a tiled surface, windows beyond looking out onto a hilly landscape, 16" by 20" (23 1/2" by 27" signed "Hernandez" and dated 1995 at lower right. The painting should probably be reframed, as the cream liner is soiled. The painting has some yellowed varnish but otherwise is in good condition.

The watercolor is unsigned, 6" by 8 1/2", 10" by 13" as simply framed, the scene tall forest trees and distant mountains; there is either a stream or pathway in the foreground. I'd think it has some age, but probably not before about 1970. The artist was talented, and this will decorate a small wall nicely.

Oil on canvas painting of a picturesque old water mill located on a stream in high alpine mountains, 22" by 30" (29 1/2" by 38" framed), not signed on the front side but the reverse side shows post-1885 stretcher keys, and pencil writing which identifies the scene as "The Valley of Jen(bach)? Switzerland", and the artist as "Louise Goodman 1914". The artist does not appear to be listed. The scene might possibly have been painted after an original by another artist of the 19th century. Conditi...