Something of a mystery piece that has resided for some time in my inventory, a pastel on paper, 7 1/4" by 18 1/2" (13" by 22" in a simple protective frame), with old penciled title on reverse of thin card "Monomy Beach", and with modern inscription in red ballpoint: "I OWNED THIS WATERCOLOR BEFORE DAMAGED - IT WAS SIGNED LOWER RT. A. T. BRICHER (signed) Bob Venger 28 Feb '82". Nearby, written in blue ballpoint, is "BRICHER"...

An original 19th century hand-colored lithograph print, "Tallulah Falls--Georgia", by the noted Currier & Ives firm, unframed, the sheet 10" by 13 3/4". Tallulah Falls is a scenic location in far northeast Georgia's mountains, now a part of Tallulah Gorge State Park. This print retains its rich hand coloring. Most of the condition issues, commonly encountered with old Currier prints, are contained within the margins...

Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London...

Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that)...

A fine Art Nouveau marble Sculpture of a woman measuring 18” x 14” signed LENHOIR .

A Hand Colored Botanical Print Portraying Gladiolas. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 12), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601985 (1542B).

From our European Collection, a large and very finely painted 19th century oil on canvas, English School, depicting Mary Queen of Scots bidding farewell to her followers on her way to the gallows in 1587.

Courtesy of Wikipedia: Mary, Queen of Scots (7 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 to 24 July 1567 and Queen consort of France from 10 July 1559 to 5 December 1560.

Mary, the only surviving ...

Small oil landscape, 13 1/2" by 9 1/2" framed, signed at lower right corner with initials N.A.M., with canvas stencil on the reverse of Winsor & Newton, London. This is a scene of autumn or early spring perhaps, the tree without leaves. There is a small irrigation channel with sluice gate at center left. The work is a quiet and pleasant scene focusing on a peaceful time of the year. A gold frame would enhance the painting. Condition is good, the canvas not perfectly flat.

Beautiful Photogravure by J.L. GEROME, published by GOUPIL &Son prayer in the desert, 12x16, frame size 20x24

19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

An example of the circa 1870's Currier and Ives American lithograph "Summer in the Woods", 11 3/4" by 16" inside the mat, 17 1/4" by 21 1/4" as framed. The print is in good antique condition (not examined out of frame) with a faint damp stain at upper left margin and some foxing and slight discolorations at lower area...

Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.

Circa 1865 chromolithograph print "Birthplace of Whittier, The Poet", (Haverhill, Massachusetts), 16 1/2" by 25 1/2" (22 1/2" by 32" as framed), published by Louis Prang of Boston and bearing his blue canvas stamp on the reverse, the artist being THOMAS HILL (1829-1908), the noted English-born painter who went on to work in New England and then the American West including California...

An interesting and unique illustration of a comic scene lithograph from the nineteenth century measuring 6x8” more info coming soon

A finely matted and framed lithograph measuring 20x14 inches and dated 1784. Please see number 2432 for another work by the artist ..

Pair of original hand colored horse lithographs from "Professor Low's Illustrations of the Breeds of the Domestic Animals London, 1840" . Drawn by Mr. Nicholson, R.S.A. from a painting by Mr. Shiels, R.S.A. Drawn on stone & printed by Fairland. Published by Longman, Orme, Brown , Green & Longmans, Paternoster Row, London 1840. Presented framed and matted in quality vintage burl wood frames...

An example of the scarce "sur blanc" lithograph prints of famed French caricaturist and satirist artist HONORE DAUMIER (1808-1879), the 1851 print from the "Actualites" series, and Le Charivari. It is beautifully hand colored, with gum arabic highlights in the dark areas of the central figure's robe. Not examined out of the frame, it appears very clean and fresh (happy to examine out of frame upon request)...

An antique 19th-century Scottish oil painting on canvas, circa 1880 AD, attributed to the prominent, well-known Scottish artist Robert McGregor, R.S.A. (1848-1922).

This painting is a prime example of Robert McGregor's signature style and color scheme. His exceptional skills are displayed here, as he has captured the proportions of the children's bodies in various poses with remarkable accuracy...

Watercolor and ink drawing of a plump Victorian era gentleman in waistcoat, ("Mr Dick"), 7 3/4" by 5 3/4" inside the mat, 13" by 11" framed, signed at center left "Kyd". This is a work of the noted illustrator JOSEPH CLAYTON CLARKE, who went by the pseudonym "Kyd". Clarke became known for his drawings of Dickens characters (rarely did he illustrate scenes from the novels). His first drawings appeared in 1887 and through the 1890's many were published...

Edmond Francois Aman-Jean 1858-1936 French This is a fine pencil signed lithograph by French impressionist Edmond Francois Aman-Jean. This image measures 13 3/8X14 5/8 inches. Very fine condition, printed on a wove type paper. The subject is Mile Moreno who played in the Comedie Francaise show this image was created and printed in 1898

By the famous and prolific English 19th century dog artist EDWARD ARMFIELD (1817-1896), this is a classic painting of no less than three terriers chasing a rodent down a hole, and, apparently, finally cornering him there...

Sir Francis Seymour Haden 1818-1910, British, "A Lancashire River", etching, 1881, S-204, This river was a well-known, Salmon pool on the Ribble, image 11X15 13/16 inches, pencil signed

WASHINGTON’S FIRST INTERVIEW OF HIS WIFE LITHOGRAPH 1863 A work by artist John Wheaton Ehninger, American 1827-1889 published by George Hall DIMENSIONS Image (H x W): 17 3/16 in. × 21 7/8 in. (43.66 cm × 55.56 cm) Plate (H x W): 21 in. x 26 in. (53.34 cm x 66.04 cm) Overall (H x W): 27 7/8 in. × 26 3/4 in. (70.8 cm × 67.95 cm)

Jacques James Joseph Tissot 1836-1902 French This is a fine original etching by French artist James Tissot. The title is: Reverie, it was created and printed in 1880 in an edition of 100. The image measures 9X 4 7/16 inches. The image is plate signed and dated upper right corner of the image, printed on a medium weight laid type paper. A very rich impression, nicely framed. This image appears in the Wentworth catalog as image number 52.

**PAIR** of oil paintings on canvas either laid down or laid against board or panel, the horizontal image of a young man wearing a hat in a landscape 9" by 17", the vertical scene of a tawny hillside with thicket beyond and black birds in a partly cloudy sky 13" by 10", neither signed but on the reverse of the latter is 20th century writing: "Section from "Rabbit Warren" by Wm. Morris Hunt/Remnant from The Rabbit Warren by Wm Morris Hunt"; on the reverse of the horizontal composition is "from 'R...

This is an original hand-colored, mid 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century (circa 1849) quadrupeds mammals series in the small octavo size. It is not a late restrike/reprint. Inside the present mat, dimensions are 6 1/4" by 9 1/4" (13" by 15 1/2" as framed). The title is "Carolina Shrew" and this is Plate number 75 in the long series. I have not examined this out of the frame but condition appears...

Wonderful Victorian Oil on Canvas Portrait of a Little Girl in a White Dress. Original Oak Frame with Framers Label on Verso. Name of Child or Artist also on Verso. Circa 1890. Dimensions; 9.5" x 7.5"; framaed 14.5" x 12.5". Excellent condition.

An outstanding antique Mother of Pearl icon, 18th century Palestine. The icon has a warm golden tone and is finely hand-carved in high relief. It depicts a marriage ceremony between the Virgin Mary and Saint Joseph, with a richly attired high priest clasping the hands of Mary and Joseph. Joseph is depicted as placing the ring of betrothal on the finger of Our Lady. The icon comes with an elaborately hand-carved gilt wood Baroque style frame.

The carving is based on the well-known painting ...

John White (English, 1851-1933)

Woodland Fall Landscape

Oil on panel, signed in lower left corner, “JN White, R.I.”

Painting size: 6.75” x 10”
Frame size: 10.5” x 13.5”

Known for his rustic genre paintings and landscapes, White attended the Royal Scottish Academy. By 1877, he moved to Devon and exhibited regularly at the Royal Academy, the Society of British Artists, Suffolk Street and the New Watercolor Society.

On this landscape, Whit...

(Consignment). Milanese marble sculpture of a Bedouin Princess signed and dated 1881 by Carlos Vessina, White Carrera marble measuring 29.5 inches tall, 20 inch width, 8 inch deep

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights. The a...

From our European Collection, a wonderful signed and dated (1860) oil on canvas entitled "The Offering" by British genre painting master John Bagnold Burgess (1830-1897). Burgess was a well -accomplished painter of the mid-late 19th century, regarded as highly in his own time, as he is nowadays. He was nominated to membership of the Royal Academy in 1889, where he had over 70 paintings displayed from about 1850 all the way through to his death in 1897. His works have been displayed at over 40 m...

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along w...

Cassini, Giovanni-Marie, "Graffitto, c. 1780, hand-colored copper plate engraving, Crisp impressions with sharp features, full original color and margins as issued. All in excellent condition, rare. Dimensions are 24" x 19" with the frame. Please see #1512 for a similar lithograph

Set of three octagon shaped etchings by artist Robert Wallace, views of Europe circa 1940s including Switzerland, and England measuring each 6 inches diameter in octagon frames

A rare and wonderful carved Russian Jade Ming Dynasty Horse in the form of a Tang Dynasty Horse measuring 5.5 x 8.5“ dark green jade

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...

Oil on canvas, 18" by 30" (20" by 32 1/2" framed), the subject a very English one----a peaceful summery millpond or riverside scene of low, forested hills and their feathery trees, a small peaceful settlement, and a total of six figures, three out in a rowboat for an outing, and three tiny people gathered in the village of thatch roofed buildings, engaged in conversation, beneath a pretty sky. The work is signed at lower left "Allan"; this being a common name, many listed British artists might ...

James Heron Scottish Seascape with Rocky Coast. Scottish Painter; died 1919, birth year unknown. Signed Lower Left: "J Heron 1876" Dimensions; 17" x 29"; framed 23" x 35". Excellent condition.

Sculpture shown: The Wounded Companion by Charles Humphriss, bronze. 21” high x 9” x 7”. Bio: Charles Henry Humphriss (1867-1934) was born in England but lived for many years in Pleasanton, New York with a studio in New York City. He exhibited at the Academy of Design in New York, and with the Pennsylvania Academy.*** Humphriss admired native cultures and continually strove to represent them faithfully in his work.

Colored lithograph from encyclopedic entries. Framed dimensions are 19.25x17”. Unframed dimensions are 9.25x7.5”.

Original lithograph print "The Great East River Suspension Bridge" (the Brooklyn Bridge), 1881, by the noted American printmakers Currier and Ives. The image shows the bridge, sailing and steam craft around it, including a steam paddlewheeler. The bridge was an engineering marvel of the world at the time and a point of great civic pride. This example of the print measures 10 1/2" by 13" inside the framing; much if not most of the margin area has evidently been trimmed, as was common with Curr...

Large folio size (19 1/2" by 24" inside the mat, 24 1/2" by 20" as framed) hand colored 19th century original vintage lithograph print (1867), titled at bottom "Horses at the Ford" by the iconic American print makers Currier and Ives. A great piece of Americana, this print is apparently rather scarce. Hand coloring in various shades of green, mostly, makes for a most attractive example. I have had an opportunity to examine this out of the frame. It exhibits normal browning, and there are old...

One of a number of Whistler lithographs I am offering: "Gants de Suede", ("Silk Gloves"), 1890, measuring 11 1/4" by 8", mounted with hinges/tape at top corners as shown, in red mat, unframed. Condition: toned paper, semi-circular punch at left edge and some other roughness there, and fox mark below the famous monogram at right. Toned creamy color is difficult to capture in the photos. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with p...

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer. At first glance most of Baillie's product looks like a Currier; only close inspec...

Oil on canvas painting of a peaceful landscape in England, 24" by 16", and with newer frame 2" wide, signed at lower right corner by the well known and prolific English late nineteenth century landscape artist ABRAHAM HULK, Junior (1851-1922). The scene is a rural idyll, with a clouding-over sky threatening a storm, feathery trees, a cottage at center, English ancient country church, chickens and cows, a stream entering the scene from the lower left corner. This is rather typical subject matte...

William Stewart (1823-1906); Scottish Artist. Digging for Bait; Oil on Board, Signed lower right "WS". Title and Signature (William Stewart) on back (Title and Name on Plaque, as well). Dimensions; 17" x 11"; framed, 23" x 17". Excellent condition. Exhibited at the Stirling Fine Art Exhibition, and at the Smith Institute in Stirling, Scotland.

Oil on canvas, " by " (" by " framed), the subject a peaceful glen deep in a forest, painted in a luminous style reminiscent of the American Hudson River School, likely Fairy Glen in North Wales, signed at lower right by the noted well listed English artist WILLIAM MELLOR (1851-1931). Mellor was a highly prolific (I see over 1,200 auction records) artist, born in Barnsley, England. He traveled widely, painting often in Wales and Yorkshire. Today his peaceful classic paintings of sensitively r...

Otto Bacher, American, 1856-1909, Etching, "Sailing Toy Yachts in Central Park", image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right

Oil on canvas scene of two white swans in a small lake or pond in a rural area, 24" by 16" (29" by 21" in wide newer frame), signed in red "W W Caffyn" at lower right and dated there "96". This is a work by the noted British artist WALTER WALLOR CAFFYN (1845-1898), who exhibited at the Royal Academy. His paintings tend to be rural scenes of Sussex, Kent and Yorkshire. Caffyn's (mostly large) major works have exceeded $20,000 at auction in London. This painting is in excellent condition, wi...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's. He spent many years of his artistic career addressing the many injustices inflicted upon the Irish p...

This is an OIL ON BOARD by the BRITISH ARTIST: WILLIAM SPRY. The scene has BOATS at Low Tide with small Houses shown in the background. The size is 28" X 22" framed. Great GILDED FRAME. Some pro restoration as this Work warranted that Effort. DETAIL much more PRECISE in real time; may add another jpg or two

Original 19th century lithograph "A Scene in Old Ireland", by Currier and Ives, the famous American printmakers. This is a true antique hand-colored lithograph and not a later restrike. The work is framed in a late 19th century wood frame with gold inner fillet. Wood backing with rotary saw marks indicates it was framed after the 1870's. Measurements are 12" by 15 3/4" as framed (margins are ample but might have been trimmed a little in early days). The print is in about average condition ...

A very rare and beautiful lithograph in full color by artist R.Knötel,of the hero’s of the Boer War with the names of the armies from Southern African Nations. Frame measuring 13x16”

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2". There is no signature. The reverse shows this is painted on a circa 1870's gray English art board from a London supply house. The overall style reminds of Dutch 17th and 18th century Old...

J. Murday (British fl 1837-1911)

A Tri-aspect of a Topsail Trading Schooner off South Foreland (Cliffs of Dover)

Oil-on-canvas; verso label: Wm. Blair, Ltd, Bethesda, Maryland

Painting: 24” x 36”
Frame: 29 ¼” x 40 ¼”

Murday was an accomplished painter of ship portraits and shipping scenes whose works were often signed and dated in the second half of the 19th century. Regrettably, there is little biographical information available on th...

A finely painted work on canvas, 16" by 20", unframed, signed at lower left and dated there "60" or "69" by the Scottish-born artist who worked much of his life in England, JOHN PETTIE (1839-1893). The scene is a lavishly appointed bedroom chamber fit for a castle or manor house, a lone female figure at right and her faithful black dog adding an element of interest and mystery. The subdued light in the chamber and another room to the rear is handled masterfully, as are details such as the bed ...

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862. This is a classic example of Homer's Civil War period wood engravings in Harper's Weekly newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when electronic media did not exis...

Joseph Pennell 1857-1926 American This is a fairly scarce etching by American artist Joseph Pennell. The title is: Chelsea, No. II, it was created and printed in 1886, in an edition of only 20. Hand signed in pencil by the artist. The image measures 6 1/2X9 1/2 inches. This imag appears in the Wuerth catalog as image number 114. Printed on a medium weight wove type sheet. Chelsea Bridge is a bridge over the River Thames in west London.

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.