A superb enamel on copper miniature portrait by Jean Andre Rouquet. The sitter, wearing a powdered wig and a blue velvet jacket and waistcoat, displays a fine English gravitas.

The miniature is presented under glass in a high karat (15K or higher) gold case, the reverse of which is engraved with a half flowerhead above what appears to be the initials BEE...

A wonderfully limed work of a young man, done by John Barry. The porcelain-complected sitter, with reddish-brown hair and brown eyes, is finely dressed in a white cravat, a green and cream striped vest and a silk-lined black coat.

The painting is in excellent condition, with no flaws (the white area on the left is light reflection), and is housed in its original gold bracelet slide case. The sight size is 1 1/2" by 1 1/4"...

Indian painting, colours on card, Marwar. 23 x 17 cm. Undated, estimated to be late 18th century. Areas of retouching, Can be viewed in central London and shipped worldwide.

A watercolor on natural material done by Nathaniel Plimer. The sitter is a somewhat older woman, with a pensive and somewhat sad mien about her. Set against a background with gradations of blue, she is simply dressed in a white gown and bonnet, accented with a pendant medallion on a black ribbon, and a gray belt.

The painting and the original bronze frame are in excellent condition with no flaws or restoration...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".

An unusual double sided miniature by Frederick Buck. One side is painted using watercolors on ivory, and shows a young man with an upswept hair style, dressed in the usual black coat and white stock of the period. The reverse of the case shows an older man in profile, also in a black coat and white stock, but limned in watercolor on card. The paintings were probably done at somewhat different times, and then framed together.

The condition of the full face painting is excellent, with no issues...

A historically important Christian Friedrich Zincke portrait miniature of Edward Walpole. The painting, done in enamel on copper, depicts Walpole in a powdered wig, and wearing a blue velvet jacket with a white shirt and lace jabot. As to be expected from Zincke, the painting is superbly done...

A striking c1790 miniature by Richard Cosway...

A fine miniature portrait painted on natural wafer by Alexander Gallaway. The sitter is a distinguished gentleman with a white wig, and attired in a tan jacket, cream vest, and white shirt. Framed in a 15 karat gold case with half moon and dot work on the border of the reverse side.

The condition of the case and painting is excellent, with no flaws...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning...

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons...

A very fine bust-length depiction done in watercolor on organic wafer. The sitter, a nice looking young gentleman, is attired in a blue waistcoat, a tan and red pin-striped vest, and a white cravat. The painting is signed "Peat" at the left edge, and an old inscribed label attached verso identifies sitter as "Lord Halifax II"...

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm)...

Hindola Ragamala miniature painting on card. 23x17cm Undated estimated to be 18th century. Can be viewed in central London and shipped worldwide

A superb miniature portrait, done en grisaille on organic substrate, by Samuel Andrews. The sitter is an attractive woman with an elaborate wig and hair style, and wearing a cap and gold earrings. The painting is wonderfully executed, and with such skill that there is a three dimensional effect. The photos do not at all due it justice.

The painting is beautifully presented, surrounded by a gilt metal bezel, outside of which is a plait of hair, the whole in a red leather travel case...

A nicely painted and early miniature portrait of a man done in watercolor on natural organic material. The blue-eyed sitter is a nice-looking gentleman fashionably attired in a full, long wig, a blue loose fitting robe, and white ruffled shirt.

One of the interesting things about this piece is that the original gold case is of a type known as a "slide case". The top protuberance is attached to a small sheet of metal (in this case gold), and when a little knob is pushed, the sheet can slide com...

Charles Brooking, 1723-1759, English. This oil on panel is a fine example of the early work of Charles Brooking, known as one of the finest British Maritime painters. It is 13" by 19" in a handsome newer frame (overall dimensions of 16 3/4" by 22 2/4".) The condition is good and it is signed indistinctly (as many of his paintings are) on the piece of wood floating in the lower front of the painting. He is listed in Benezit and his paintings sell for up to $400,000.

A well painted miniature portrait done by Charles Robertson. The subject is a bewigged blue-eyed gentleman of striking visage, posed in a blue and gold jacket. The miniature is presented in a silver case with silver scrollwork. The reverse of the case has the impressed mark "L.V".

The condition of the painting and the case is excellent. Sight size is 1 1/2" by 1 1/4", with an overall case size of 2 1/4" by 1 1/2".

BIOGRAPHICAL NOTE: Charles Robertson (c1760-1821)was born in Dublin and ...

Balthasar Beschey, Netherlands/Flemish, 1708-1776. This lovely portrait of the Madonna and Child in a Landscape is oil on wood panel. It is 10 5/8" by 12 7/8" and is in a beautiful period frame with overall dimensions of 19 6/8" by 22". Provenance: Private Midwest Collection, Hanson Gallery, Private UK Collection. Beschey is known for his paintings of religious subjects as well as Flemish landscapes & villages.He studied under Pieter Strick, an unimportant painter, but imitated the styles of Van...

A beautiful Samuel Cotes miniature painted in watercolor on organic wafer. The sitter was an officer in the First Royal Dragoons, first raised in 1661, making it one of the oldest cavalry regiments in British Army history. It served in many campaigns until 1969, when it was merged into The Blues and Royals.

The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case. The miniature, the case, and the ...

This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls.

The ...

This beautiful miniature portrait, painted in watercolor on natural material, is signed "SH 1786" on the right center of the painting, and also on the reverse as "Sophia Howell 1786". The sitter, a woman wearing a white gown with a lace-edged black overpiece, and holding a salmon colored muff, is posed in front of a blue drape and a stone column and plinth.

The artistic quality of this work is evident in so many ways, from the colors and textures in the drapery, to the painting of the hair, t...

Mercury tying his talaria by Jean Baptiste Pigalle Pigalle was born in Paris, the seventh child of a carpenter. Although he failed to obtain the Prix de Rome, after a severe struggle he entered the Académie Royale and became one of the most popular sculptors of his day. His earlier work, such as Child with Cage (model at Sèvres) and Mercury Fastening his Sandals (Berlin, and lead cast in Louvre), is less commonplace than that of his more mature years, but his nude statue of Voltaire, dated 177...

A beautifully painted miniature on natural wafer of a very attractive woman. The sitter is in a white gown with lace edging, presented in a straightforward manner, unadorned with jewelry, preferring to let her natural beauty speak to the viewer.

There are no condition issues to speak of, with the darker area below her bust line intentionally painted in that manner. Housed in a red leather case without glazing, the size is 2 3/4" by 2 1/4".

BIOGRAPHICAL NOTE: Samuel Shelley (1750/56–1...

Circle of GASPARE DIZIANI (Italian 1686-1767) Two Mythological Scenes, possibly Venus and Adonis - a pair Oil on wood panel Apparently unsigned 17.75 inches x 12 inches (45.1 x 30.5 cm)

Painted in watercolor on natural wafer, this is a lovely portrait of an attractive young woman. The sitter, with a mass of reddish-brown curls and light brown eyes, is attired in a white dress with a restrained ruffles. She is not wearing any jewelry or other adornments, and is presented simply against a white background. Clearly, Lovett has done this intentionally, along with painting this is a smooth, wash style, rather than the much more common stippling, in order to emphasize her pale beauty...

Confidently attributed to Edward Savage, this miniature portrait is painted on organic material. The sitter, who has a strong countenance and blue eyes, is wearing a deep blue coat with gold buttons, a white vest and shirt, and a white cravat.

The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair.

BIOGRAPHICAL NOTE: Edward Savage (1761 in Princeton, Massachusetts – 1817 in Pri...

A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.

The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition. Sight size of the painting is 2 1/4" by 1 7/8", ...

A fine miniature portrait on natural wafer, done en grisaille in watercolor and ink against a blue background. The sitter, an older woman wearing a lace cap and fichu, is beautifully limned in profile, an uncommon approach. Housed in a gold plated metal frame with fabric on the reverse.

There are no condition problems with the painting, which measures 2 1/2" in diameter.

PROVENANCE: The well-known Dr. Leo Catzenstein Collection, and thence to his descendants.

Italian. 17th-18th Century, Oil on Copper, 21"w by 15.25"h in an antique frame 26.25"w by 22"h. On the verso is an antique inscription that attributes the painting to Jean Honore'Fragonard 1775. The inscription is obviousely antique and written in English.

A nicely painted portrait of a woman in white, including her lace edged gown, lace edged scarf, and turban. The artist clearly used a monochromatic palette to convey a sense of simplicity and serenity in the sitter, identified on the reverse as a Mrs. Hobbs, or Hobby.

Painted with watercolors on organic wafer, the miniature is housed iin a later case which is gold over silver (vermeil), and has hallmarks indicating it is sterling silver made in London with the maker's mark of JHP. Fine condi...

A striking miniature portrait painting on organic material, finely painted by John Ramage. The sitter, a gentleman elegantly attired in the height of late 18th century fashion, is wearing a white shirt with a ruffled white cravat and a brick-red coat over a brown-striped vest.

The condition of the painting is superb, with no flaws whatsoever, as is that of the later case. Sight size is 1 5/8" by 1 1/4", and the case size is 1 3/4" by 1 1/2". The case has the original pin on the back for use a...

A superb double silhouette on natural organbic material, in a cast foliate locket, by John Field. One side is of a woman, the other of a man, wearing spectacles (highly unusual) and both are signed "John Field 111 Strand" along the lower edge of the bust line. These paintings display the finely executed bronzed work that was a hallmark of Field's.

The sight size is 1 1/2" by 1 1/4". The condition of the paintings and case is excellent, with no apologies needed.

NOTE: The following are excerp...

A beautiful portrait, by Gervase Spencer, of a striking young woman, painted in enamels on copper. Signed and dated "GS 1759" on the lower right. The subject of the painting, with brown hair and blue eyes, is clearly wealthy, attired in a blue gown with lace trim, and accessorized with pearl earrings, a pearl encrusted hair barrette, a pearl choker, and a long pearl necklace centered by a pearl, onyx and gold brooch. The case for this miniature has a gold bezel, deep (5/16") gilt silver sides, a...

A striking miniature portrait, done in watercolor on natural material, by George Place. The subject, set against a clouded and blue background, is a handsome gray haired officer of light dragoons, dressed in uniform.

The miniature is in superb condition, with no cracks, chips, warping, paint loss, or restoration. The case is also in excellent condition, with a fully glazed back over fabric. On the back glass, at the edge at 10:30 there is a small chip in the underside. The case size is 3" by...

Ottavio Padovanino, Italian, 1582-1634. This stunning drawing is red chaulk and pencil on paper mounted on paper. It is 15"H by 10.6"W with the name Padovanino handwritten in pencil on the paper below the drawing. Verso is written Alessandro Varotari, Verona, 1588-1648, "Le Padovau...." The condition is good with minor foxing and a darkened edge due to framing. It was in a private collection in Chicago.

Godfried Schalcken or Gottfried Schalken (1643 – November 16, 1706), was a Dutch genre and portrait painter.

Fine 18th century engraving of Pope Leo XI, framed 3x5 inches

Godfried Schalcken (attribution), Dutch, 1643-1706. This oil on panel is 9.5" by 7.5" in a gold leaf frame with overall dimensions of 12" by 15".

Circle of Henri Met De Bles, 1480-1550. This wonderful early painting is oil on Wood Panel is in an 18th-19th C Frame. It is 9.75"H by 14.75"W and is 17" by 22" in the frame. It has been restored and backed with wood. Henri Met De Bles, or Henri or Herri,was called Civette (owl) in Italy, also called Master Met den Nil. Born in 1480 in Bouvignes. Died after 1550. 16th Century, Flemish School.A painter of religious compositions, animated landscapes and drawings. His life is not well known but inc...

Please notice the new photo which shows a stylistic monnogram on her collar. We believe this monnogram represents P J P. We will be doing more research on this monnogram. We are researching this exceptional 16th century portrait of Mary, Queen of Scots (1542-1567). This oil on panel measures 20" x 17". The frame label reads Mary Queen of Scots by Pieter Pourbus 1510-1584. The frame and panel appears to be original. If you need detail photos, please advise.

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he...

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival ma...

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age. There is some paint flaking / paint loss towards the bottom, but...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does. He is best k...

Russian Icon . 18th Century. 17th Century Crucifix. 17" x 13".

16th C Italian Crucifixion, Joseph Heintz the Younger, Augsburg(1600-1678) Venice. This magnificent painting is oil on canvas with old relining. It was most likely commissioned for an altarpiece painting. The painting is 41.5 W by 41.5" H. Collectors label verso. Provenance: Private Midwestern Collection, Private NY Collection, Private Prominent Old Master collection of J.J. Hollenbeck, Palm Beach Florida . Verified by Robert Simon, NY, NY as 16th C Italian Venetian. This painting has been verif...

A beautiful and unique Pre-Colombian Possibly Vera Cruz , classic period,Massive Figure 17 Inch height, 7” depth,10” width

This incredible Clovis point, found on the Little Missouri River in Nevada County, Arkansas in 1928, is made from highly translucent novaculite of which only a few are known to exist. I had it authenticated at a forensic laboratory in Santa Fe New Mexico. The COA is included. The point is 3 1/2" long, 1" wide or 8.98 cm in length, 2.4 cm in width and 6.2 mm thick. The flaking on it is exquisite. There is no damage on it anywhere, a true G-10. There is no modern rechipping or restoration. It has ...