Dirck Verhaert, Dutch, 17th C. Oil on Panel of landscape with castle and people in foreground and river and town in background. Height 10.4 in.; Width 20.1 in. / Height 26.4 cm.; Width 51.1 cm.

A superb enamel on copper miniature portrait by Jean Andre Rouquet. The sitter, wearing a powdered wig and a blue velvet jacket and waistcoat, displays a fine English gravitas.

The miniature is presented under glass in a high karat (15K or higher) gold case, the reverse of which is engraved with a half flowerhead above what appears to be the initials BEE...

A beautifully painted miniature portrait by Elkanah Tisdale. The sitter is a handsome older man dressed in a black coat. The painting measures 2 3/4" by 2 1/4", and is in superb condition, with no chips, cracks, bowing, paint loss, or restoration. It is housed in its original gilt metal insert.

Few miniatures by Tisdale are known to exist, and with very rare exception, are, as is the case here, unsigned...

A wonderfully limed work of a young man, done by John Barry. The porcelain-complected sitter, with reddish-brown hair and brown eyes, is finely dressed in a white cravat, a green and cream striped vest and a silk-lined black coat.

The painting is in excellent condition, with no flaws (the white area on the left is light reflection), and is housed in its original gold bracelet slide case. The sight size is 1 1/2" by 1 1/4"...

Indian painting, colours on card, Marwar. 23 x 17 cm. Undated, estimated to be late 18th century. Areas of retouching, Can be viewed in central London and shipped worldwide.

A watercolor on natural material done by Nathaniel Plimer. The sitter is a somewhat older woman, with a pensive and somewhat sad mien about her. Set against a background with gradations of blue, she is simply dressed in a white gown and bonnet, accented with a pendant medallion on a black ribbon, and a gray belt.

The painting and the original bronze frame are in excellent condition with no flaws or restoration...

A beautifully rendered miniature painting, on natural organic material, by John Barry. The sitter is an attractive and stately woman with the mass-like appearance of her hair that is one of the characteristics of Barry's work. The casework is as fine as the painting, with the miniature set in a gold bezel, and the reverse with foil backed blue glass surrounding a display of tightly woven hair.

Both the painting and the case are in excellent condition, with no losses or restoration...

An excellent Swiss miniature portrait painting, on natural organic material, of an architect. The subject is a distinguished gray-haired gentleman wearing a blue coat and white shirt, and is seated in an upholstered chair. His elbow is leaning on a table which has a diagram of a bridge...

A finely limned miniature portrait painting by Andrew Plimer. The sitter, a beautiful young woman with dark hair and blue eyes, is wearing a high-necked white dress, a pearl necklace and a pearl barette. She is posed against a cloud filled blue sky...

A superb Walter Robertson miniature portrait painting done in watercolor on natural organic material. The stately blue-eyed gentleman is wearing a powdered wig, blue jacket with gold buttons, salmon vest, and a white stock. The case for this fine piece is 14K gold, and the reverse has, under glass, 4 sections of hair set at right angles to one another.

The condition of both the painting and the case is excellent, with no issues whatsoever...

A fine silhouette done in black and bronze gilt, of an older woman. Although unsigned, the work was unquestionably done by John Field. The reverse of the gilt metal case, which comes with its silk lined red leather travel case, has elaborate and tightly woven hairwork of two colors, indicating that one of them was hers, while the other was of a loved one.

Both the miniature and the case are in excellent condition...

A truly spectacular portrait miniature executed in watercolor on natural wafer. This is, by quite a few years, one of the earliest known pieces by Samuel Cotes. The painting is signed "SC" and dated "1756" at the center left. The sitter, clearly a nobleman, is seated in a chair as he plays a mandolin. It appears, from his expression and eyes, that the music is transporting him to some remembered or imagined place.

The condition of the painting is excellent...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".

A superb pair of miniature portrait paintings done by Joseph Dunkerley. Labels on the reverse of each case identify the sitters as Joseph Packwood and Denise Wright Packwood, and are dated 1780.

Mrs. Packwood is wearing a large white hat with a blue ribbon and accents, a light blue gown with flowers embroidered on it and with dark lace edging at the bodice. Her husband is wearing a blue jacket and waistcoat, and a white cravat.

Excellent and scarce examples, and in fine condition...

A fine miniature of a handsome gent with strawberry blond hair, painted by Henry Jacob Burch...

An extremely fine watercolor and gouache on organic substrate miniature portrait done by Henry Benbridge, painted in his crisp, realistic style. The sitter is attired in a blue coat and a white ruffled shirt and collar, the fabrics of which are carefully and richly depicted, a characteristic of Benbridge's work. The surround to the painting is gold, while the original case, with a pin on the reverse, is gold filled.

Both the painting and the case are in excellent condition. The sight size of t...

A beautifully painted watercolor on natural wafer, with a very strong attribution to John Barry as the artist. The sitter is an attractive woman with brown eyes and gray-brown hair cascading down her shoulder. She is wearing a dark blue velvet bow in her hair, a gauzy white fichu, and a blue dress with fine white lines and small white dots.

The painting is in superb condition, with no chips, cracks, bowing, or restoration. The sight size is 2" by 1 1/2" and the gold case is 2 3/16" by 1 3/4"....

A striking c1790 miniature by Richard Cosway. The subject, a blue-eyed infantry officer with his hair en queue, is wearing a red jacket with a white epaulet, white trim, and cravat.

This portrait is a good study example as many of Cosway's techniques and style characteristics are present: use of floating transparent paints to allow the luminosity of the substrate to show through, enlargement of the pupils, massed hair as opposed to finer individual strands, a sky background using a stro...

An extremely fine enamel on copper miniature portrait painting done by William Prewett (Prewitt). The sitter is an older gentleman, of quite aristocratic bearing, wearing a powdered wig, white shirt and stock, and a reddish-brown jacket. The painting is in its original gold bezel case.

Condition is excellent, with no issues. The discoloration at the top is due to scanner reflection. The sight size is 1 7/8" by 1 1/2", while the overall size is 2 1/4" by 1 5/8".

IMPORTANT NOTES:1. This piece ...

Ottavio Padovanino, Italian, 1582-1634. This stunning drawing is red chaulk and pencil on paper mounted on paper. It is 15"H by 10.6"W with the name Padovanino handwritten in pencil on the paper below the drawing. Verso is written Alessandro Varotari, Verona, 1588-1648, "Le Padovau...." The condition is good with minor foxing and a darkened edge due to framing. It was in a private collection in Chicago.

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he...

Fine 18th century engraving of Pope Leo XI, framed 3x5 inches

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival ma...

Please notice the new photo which shows a stylistic monnogram on her collar. We believe this monnogram represents P J P. We will be doing more research on this monnogram. We are researching this exceptional 16th century portrait of Mary, Queen of Scots (1542-1567). This oil on panel measures 20" x 17". The frame label reads Mary Queen of Scots by Pieter Pourbus 1510-1584. The frame and panel appears to be original. If you need detail photos, please advise.

Russian Icon . 18th Century. 17th Century Crucifix. 17" x 13".

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age. There is some paint flaking / paint loss towards the bottom, but...

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does. He is best k...

Godfried Schalcken (attribution), Dutch, 1643-1706. This oil on panel is 9.5" by 7.5" in a gold leaf frame with overall dimensions of 12" by 15".

16th C Italian Crucifixion, Joseph Heintz the Younger, Augsburg(1600-1678) Venice. This magnificent painting is oil on canvas with old relining. It was most likely commissioned for an altarpiece painting. The painting is 41.5 W by 41.5" H. Collectors label verso. Provenance: Private Midwestern Collection, Private NY Collection, Private Prominent Old Master collection of J.J. Hollenbeck, Palm Beach Florida . Verified by Robert Simon, NY, NY as 16th C Italian Venetian. This painting has been verif...

Circle of Henri Met De Bles, 1480-1550. This wonderful early painting is oil on Wood Panel is in an 18th-19th C Frame. It is 9.75"H by 14.75"W and is 17" by 22" in the frame. It has been restored and backed with wood. Henri Met De Bles, or Henri or Herri,was called Civette (owl) in Italy, also called Master Met den Nil. Born in 1480 in Bouvignes. Died after 1550. 16th Century, Flemish School.A painter of religious compositions, animated landscapes and drawings. His life is not well known but inc...

Godfried Schalcken or Gottfried Schalken (1643 – November 16, 1706), was a Dutch genre and portrait painter.

A beautiful and unique Pre-Colombian Possibly Vera Cruz , classic period,Massive Figure 17 Inch height, 7” depth,10” width

This incredible Clovis point, found on the Little Missouri River in Nevada County, Arkansas in 1928, is made from highly translucent novaculite of which only a few are known to exist. I had it authenticated at a forensic laboratory in Santa Fe New Mexico. The COA is included. The point is 3 1/2" long, 1" wide or 8.98 cm in length, 2.4 cm in width and 6.2 mm thick. The flaking on it is exquisite. There is no damage on it anywhere, a true G-10. There is no modern rechipping or restoration. It has ...