Sold together as a group, three early copper engravings on heavy paper, one titled "Deuil D'une Personne Qui Vient de Mourir" (20" by 24" framed), another "Mort. Le Passage de Caron, Le Fleuve du Styx, et les tourmens de L'enfer" (20" by 24" framed) and finally a smaller print, "Sepulcre ou Mausolee" (18" by 12 1/2" framed). The engraver was PIETRO SANTI BARTOLI (1635-1700), a noted Italian engraver, draftsman and painter. Born in Perugia, he studied briefly with the great Poussin...

A fine miniature portrait painting, on natural organic material, attributed, by two experts, to Joseph Saunders. The sitter is a young boy dressed in blue garb with gray trim. Condition is excellent, with no issues. The piece is actually much better in person than the photos indicate...

Eighteenth Century Print by L. Boilly artist “Les Lunetts, delpech print c.1790, lithograph measuring 12“ x 9“, frame size 18 x 24. Louis-Léopold Boilly, Louis-Léopold Boilly ; 5 July 1761 – 4 January 1845) was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life...

A fine miniature portrait by Jeremiah Meyer, painted in watercolor on organic wafer. The sitter, an attractive woman with long brown hair, is simply presented in a teal gown, with no jewelry or other distractions from her natural beauty.

The painting has no cracks, chips, bowing, or restoration. The brass case is in fine condition with an unimportant dent in the back. The overall size is 1 7/8" by 1 5/8"...

A finely limned painting, done in watercolor on natural wafer, and attributed to Francois Ferriere. The sitter is a woman dressed in a white gown with a ruffled collar and shown against a grayish blue background.

The frame is period and the painting is mounted so that the backing paper is under glass and visible on the reverse of the frame, displaying the following identification "Ann Moffat died 20th May 1805 aged 32 years"...

An oil on canvas painting of a young prince or son born of a noble family, 30" by 24 3/4", unframed, unsigned. The boy's face to my eye reminds of Goya, so perhaps this could be of Spanish origin (though, "FRANCE" is written on the stretcher in modern hand). The painting was relined sometime in the mid 20th century. There are some scratches at upper right which appear as white marks in the photos, some minor edge losses at lower left, and there is an even craquelure over much of the surface.

This is a fragment of a larger 18th century European religious painting. The painting is very well painted in oil on wood with a gesso layer and depicts the thorn crowned head of Christ.
MEASUREMENTS: 19 cm x11 cm (7 1/2 in x 4 1/4 in).
CONDITION: The wood and the painting have been professionally conserved to protect from further deterioration.

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(Consignment). An important American oil painting of the Hand Sisters of Virginia by American artist Blanchard. The children dressed in late 18th century clothing measuring 38x48”,oil

WILLIAM HOGARTH ENGRAVINGS 1751 4 Stages of Cruelty one of Hogarth's most sought after sets of engravings , this set is a life time printing in good condition for the age there is some light foxing and paper loss please see pictures for condition , please email if you need more images. We do have a Heath set as well in great condition for $950.00 (Largest) H 15.25" x W 20.5"

A nicely done late 18th century miniature of a woman wearing a blue dress and white fichu, her powdered hair with an interwoven white ribbon. Presented in a gilt bracelet clasp mount. Excellent condition with an overall size of 1 3/8" by 1 1/8".

A charming portrait miniature that can be strongly attributed to the highly thought of artist Francois Dumont (1751-1831). The sitter is an attractive young woman wearing a white dress tied over a blue shirt that is accented by the blue ribbon in her hair. The overall diameter of the fabric-backed brass frame is 2 1/8".

A very similar work by Dumont is coming up at a European auction house in December 2022, with an estimate of 1500 Euro, not including premium...

A mezzotint printed in colors of a large Holderness cow, a type of Holstein Friesian. Printed on woven paper. The image is 18 by 24 inches, overall it is 24 ¾ by 30 inches and the mat is 26 by 31 ½ inches. The print, with dedication on the lower margin, depicts a large rectangular cow in front of a barnyard with a dog, cowherd and a well dressed man in the foreground. In the lower left below the image is printed, “painted by G. Gerrard.” In the center, “Pub. April 9th 1798 by G...

A magnificent European,(Spain or Portugal) carved wood and polychrome sculpture of Saint Ursula with applied gold leaf., sitting in the original 18th century altar done with a oval top with carved flowers and at the top a putti.measuring 58” height, 34” width. The sculpture of the Saint, removable and measures 26” height

A fine miniature by Charles Dixon, signed "CD" and dated 1750. The subject is a gentleman with his hair tied back, wearing a blue coat, red waistcoat, and black stock. Presented in a gilt metal mount with bracelet clasp, measuring 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Information about Charles Dixon (fl 1748 - 1798) appears to be quite sparse, and there is not even certainty that his first name was Charles since those pieces he signed were done so with "CD"...

A typical example of the work of Dutch 18th century printmaker JACOBUS HOUBRAKEN (1698-1780), titled "Abraham van der Hulst/Vice-Admiraal van Holland en West-Vriesland". The small engraving measures 6 1/2" by 4 3/8" inside the mat opening and 9 1/2" by 7 1/2" framed. Houbraken was born in Dordrecht. He learned the art of engraving from his artist father Arnold Houbraken...

An antique red chalk European drawing on laid paper, sheet 8 1/4" by 6 3/4" (15 3/4" by 12" in 20th century frame), unsigned, the subject an aristocratic woman formally dressed, with upswept hair of the period. One wonders if this might be Marie Antoinette herself, or someone else who might have been caught up in the 1789 storming of the Bastille and the infamous Reign of Terror. There is a watermark in the old paper. Taped at top edge only...

Capt Cook "Landing Of Capt Cook at Tanna New Hebrides" 1790, the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.

A rare and beautiful 18th century lithograph in Hebrew and Latin

G Zocchi C 1754 view of The Church and Piazza Ognissanti . The 24 plates in this work show views in Florence. The scenes are enlivened by human activity. The first edition was published by Giuseppe Allegrini in 1744. Hand water colored mounted on paper board back good condition . Size 20.3 x 27.9 inches same image in The Morgan Library . Note upper r corner has been reinforced from the back.

18th c Mrs Ogee Engraving "Pub Aug. 1 1775 by MDarly, Strand"a woman with a bonnet wig and ogee-shaped profile, in an oval. 1 August 1775. Rare print nice condition matted 14" by 18" A copy of this print is in the British Museum

A charming pair of portraits of a brother and sister, painted in watercolor on natural material.

The condition of both paintings is excellent, with no issues. The gold case is also without problems. Sight size is 2 1/8" by 1 3/4", and the overall size is 2 3/8" by 1 7/8".

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title. The painting belonged to the Houghton Hall ar...

Watercolor on paper, 10 1/2" by 16 1/2" image size, (20 1/2" by 26 1/2" in attractive silvery modern-day framing), signed at lower left "P. Sandby 1793". The peaceful rural scene includes two cows, a haystack and at least three structures among the feathery trees. From images sent to major auction house specialists in London, the opinion has come back that this is very likely a work by someone of the period who copied Sandby's style. Paul Sandby (1731-1809) was an English mapmaker who went on...

A nicely done portrait miniature of a gentleman, executed in watercolor on natural organic material. Housed in its original ebonized wood frame which has an interesting musical motif as the hanger base.

No condition issues for either the painting or the frame. Sight size is 2 7/8" by 2 1/4", and the framed size is 4 3/4" by 4 1/4".

Chinese Ming Dynasty before 1700 Attendant Early Polychrome Sculpture in Wood measuring 32”x 12.5” With traces of enamel and gold leaf (Consignment)

Three 18th-century English Landscapes

Oils on paper, unsigned.

Painting size: 3” x 4.5” (Approximately)
Frame size: 7” x 8.5” (Approximately)

A fine pair of miniature portraits, done in watercolor on wafer, by Ozias Humphry. They are mounted back to back in a gold case which has black and gold eglomise work on the cover glasses. The sitters are, purportedly by descent within the family, a Mr. and Mrs. Poole. The woman is attired in a white classic white gown and wears a bone comb in her hair. The man is in a blue jacket with gold buttons, and sports a white ruffled shirt and stock.

The condition of the paintings is excellent, with g...

Pierre Aveline, French, 1656-1722, engraving after the painting by Georgion de Castel-Franco", "Moses Presented to the Daughter of the Pharoh", circa 1740, provenance: Gray Collection, Fogg Museum (on Verso #123) image size: 12 7/16 x 24 7/8 inches

This is an antique 18th-century, circa 1740 AD, oil portrait of King Augustus III (October 17, 1696 – October 5, 1763), hand-painted on heavy, hand-woven canvas with great attention to detail.

From 1733 to 1763, he was the King of Poland, Grand Duke of Lithuania, and Elector of Saxony.

The king is depicted wearing armor and a blue moiré silk sash of the Polish Order of the White Eagle. He also has a black cravat and an elaborate white lace collar.

An ermine-trimmed red coro...

A beautifully painted miniature, on organ material, of an older woman dressed in a dark dress with elaborate ruffled collar, a lace fichu and hat, the latter two with incredibly detailed brush strokes. Excellent condition with no issues. 2 1/2" diameter.

Ex Frederick Cochran collection.

By 18th century German etcher and engraver GEORG FRIEDRICH SCHMIDT (1712-1775), this is a fine and beautiful print, titled "Der Bartige Orientale" (The Bearded Oriental), signed in the plate at upper left "G F Schmidt fec" and dated there 1750. Engraved in the plate at lower left in French: "dedie a Monsieur le Comte Algarotti Chambellan de su Majeste Russienne par su tres humble et tres obeissant serviteur Schmidt" (dedicated to Mr. le Comte Algarotti Chambellan from Her Russian Majesty by he...

English school ( 18/19th century ), watercolor, miniature portrait of a woman in the manner of downman. Measurements: 2 1/2" x 2 1/4", framed and glazed in a 4 3/4" x 4" frame and in great condition.

This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away. The print neverthe...

Antique Two panel Japanese byobu screen depicting the first frost at waters edge. Japanese herons and mandarin ducks contently rest and foliage with a light dusting of snow screen depicted on the late white plumb blossom tree. Three ducks rest and warm themselves beneath the near barren tree. A pair of Japanese herons are seem amoungst the water with sprouted bamboo and flowering water lilly. In Japan the white heron is known to be able to move between three elements air, earth and water. T...

Jacob Gole 1660-1737 Dutch This is an original mezzotint engraving by Dutch artist Jacob Gole (1660-1737) This image, The Drawing Lesson was created after the painting by Godfrey Schalcken. This image identified in the lower border has an image size of 9 3/4X7 7/8 inches. Printed on an early laid type paper, some foxing but overall very fine condition. It has a collectors seal in the lower border, "H de t stat".

Copper engraving of a rocky landscape by the sea, in the foreground a romantic couple fishing. After a painting by Joseph (Claude-Joseph) Vernet (1714 – 1789), number 303 from a series of engravings after the works of famous artists edited in the 1760’s by Johann Georg Hertel in Augsburg. Nice frame in green and gilt. Image size "8 ¾ / 22.5 cm x "6 ½ / 16.5 cm, frame "14 / 35 cm x "11 ½ / 29 cm. Condition: the edge of the paper with some minor spots.

"Veduta della Piazza della SS. Nunziata, Statua Equestre di Ferdinando Primo, Fonti, e Loggie Laterali" Lively view of Nunziata square with the statue of Ferdinand I in Florence after Giuseppe Zocchi (1711or 1717 - 1767) and engraved by B.Sgrilli. From "Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze". The 24 plates in this work show views in Florence. The scenes are enlivened by human activity. The first edition was published by Giuseppe Alleg...

Capt Cook Terreeoboo Gifts and The Death of capt Cook c 1788 the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 9.5 x 15.5 inches. Sheet:

Bronze Burmese Disciple/Worshipper, AVA period, mounted on base, 18th Century, condition: good, size: H. 12cm x W. 4 cm x D. 5cm

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West. By 1791 he was living in London and exhibited at t...

Eighteenth Century Floral Study Watercolor 12”x7” on fine French paper

Persian Illuminated Page 18th Century hand calligraphy and hand painted flower study. Measuring 16x12 inches

Christ Carrying His Cross from a Private Family Chapel in Mexico City, 18th century, oil on panel 21 x 15“

A beautiful oil on panel 18th century French Rocco in the era of Louis XIV portrait of a noblewoman measuring 12” x 10” with an associated 20th century gold leaf Rocco frame measuring 17” x 15”

A beautiful 1734 dated lithograph depicting a man with a three. Order hat and his beautiful palomino horse with descriptions in three languages

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression

Female portrait from the Court of Louis XV, by Antoine Coypel circa. 1715, oil on canvas, framed, 29” x 34” Comment: One of the ‘great beauties’ from the Court of Louis XV. Louis XV was the grandson of Louis XIV, known as Louis the Great or the Sun King who reigned of 72 years and 110 days is the longest of any sovereign. This painting is an example of the glorification of powerful and importance of women during the mid 18th Century in France. The mistresses of the most powerful men ...

"William Hogarth" Credulity, Superstition and Fanaticism The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appro...

Gerard Audran, European, 1640-1703, Engraving after Mignard, "Ego Sum Pastor Bonus", image size: 12 1/4 x 8 7/8 inches, sheet size: 18 1/2 x 12 3/4 inches, Fogg Museum provenance, Randall collection #4065

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

French artist Honoré Daumier “Salees des Elections” lithograph 10x12” Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing th...

Collectors of fine botanical prints know that the works of Doctor "Doc" Thornton are among the finest of the fine, their technical complexity surpassing virtually all other efforts over the centuries. Thornton (1768-1837) was a medical doctor and botanical writer and lecturer in medical botany. He was educated at Cambridge and inherited a family fortune, but dissipated it in the course of his heroic effort to produce a landmark series of botanical prints. The "Temple of Flora" series, as it is k...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a ...

French artist François-Joseph Duret 1729-1816, bronze Sculpture of Eleutherios ("the liberator") or Bacchus with a Lute. Extremely important work with signature also of Delafontaine foundry. Françoise-Joseph Duret (12 November 1729 – 7 August 1816) was a French sculptor. He was the father and teacher of Francisque Joseph Duret. Born at Valenciennes, the son of Charles Durez, of Spanish origin, Duret was prince of the Academy of St. Luke, a member of the Académie royale de peinture et de ...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...

A fine c1751 miniature watercolor on natural wafer, signed and dated by J. Lacon. The sitter is wearing a décolleté white dress and a lace underslip. The trimming of the blue ribbons provides a pop of color and wonderful contrast to the rest of the painting. Presented in a gilt metal reeded frame with remnants of collection labels on the reverse. 1 7/8" by 1 1/2".

Lacon (fl. c1740 - 1760) worked in Bath, England, painting miniatures and water color portraits. He also owned a popular pup...

This is an eighteenth century English drawing, 10 1/2" by 15" including the mat details drawn by the artist, plus 1 1/2" wide old gold frame, the subject two men fishing on a pond, a house in the distance and trees framing this idyllic scene of Olde England, signed near the figures "I Burford" (or, Barford possibly) and dated there 1742 or possibly 1792. I do not see an artist listing that would correspond with this. The painting bears the marks of its great age----browning overall, some foxin...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints. The work is known for the accuracy and beauty of the prints, which can now bring impressive sums at Sotheby's and Christie's auctions in London. The prints were created by German apothecary and botanist JOHANN WILHELM WEINMANN (1683-1741), now best known pre...

From our European Collection, a fine 18th century oil on canvas "Painting of a Gentleman," bust length in a brown coat, appears to be in the original period frame. Attributed to Thomas Hudson or Circle of Thomas Hudson (1701-1779).

Size and Condition: Framed dimensions approximately 40 inches tall by 35 inches wide, unframed image size is 30.5 x 25.5 inches. There is obvious and fairly extensive flaking to the gilded wood and gesso frame, notably along the bottom and right edge as seen...