A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style...

A landscape work in impressionist style, featuring a cabin in a forest, signed by listed artist DOROTHY C. NEAL. The piece is signed again on the reverse in pencil and titled there "Cabin in the Aspens/quick sketch/Panguitch Lake, Utah '52". Dorothy Neal was born in St. Paul, Minnesota and was in Chicago by 1920 receiving art instruction at the Art Institute. She worked in commercial art there and later in Los Angeles...

"William Hogarth" Frontispiece to Dr. Brook Taylor's Perspective The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Female nude figure executed in white chalk on black paper, 25" by 18 3/4", signed at lower right "Mondrus", unframed. The artist is associated with California, having been a familiar figure in the Los Angeles/Pasadena art scene for many years. He is still active as a teacher and juror of art competitions. Mondrus is Professor of Art Emeritus at Glendale Community College. His oeuvre includes oils, prints, drawings, and fresco...

Poignant early handmade drawing of pink and white flowers (lilies of the valley and?) painted in gouache within an oval set off by golden mat, the words "BIRTHDAY GREETINGS FROM YOUR LOVING DAUGHTER ALICE" around the central image. The oval measures 4 3/4" by 6 3/4" and the entire work as framed 11 3/4" by 14 1/4". This is a work from another time, when people were less likely or less able to go to a store to buy a gift. Such a gift is the best of all gifts and the most heartfelt...

Attractive nicely framed American watercolor that dates likely to about the 1940's, signed at lower left with what appears as "A W Edwards". The landscape measures 13" by 18" (21" by 25 1/4" framed). Obviously the artist was skilled at and trained in the use of watercolor. More research might turn up information on the identity of this painter. Condition is excellent. Hand drawn mat lines add to the appeal.

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions...

Oil on Masonite panel painting of a thicket of trees in the snow, 16" by 12", 19 1/4" by 15 1/2" framed, signed at lower left by artist S C Swiderski and dated there '86 with copyright symbol. The bare trees are accompanied by a lone pine or spruce which gives a bit of green color to an otherwise silvery white/blue palette. The impressionist work is very attractive and it is in excellent condition. Note how the artist used the wooden end of the brush to create a groove in the wet paint...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting...

Offered is a PAIR of unframed watercolor on heavy paper paintings, each in turn with a simpler work or study on the reverse side, each signed by Southern California listed artist KEN DECKER (1926-1994). Decker, according to printed information on the sleeve (these 11 1/4" by 15" works are not framed), was born in St. Louis, and after growing up in Southern California and military service in the Pacific, studied at the Portland School of Art in Oregon...

A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner. ...

For your rustic lake cabin, second home, or Adirondack style interior, a well executed pastel drawing of a lake landscape with tent and figures, 17 1/2" by 29 1/2" (21" by 34" as simply framed), signed at lower right by noted American pastel artist ANDREW GUNDERSON (1888-1964). Gunderson is grouped today with such pastellists as William Chandler and Glatthaar. These artists around the turn of the century and the early years of the 20th century produced large numbers of original pastel landscapes...

Apparently unsigned watercolor on heavy paper painting of an arid landscape in the American Southwest, including a distant mountain, barbed wire fencing at a dirt crossroads, and fading evening clouds, 14" by 17 1/2" as framed in a faux burl frame. When I first saw the image I was reminded of some of the watercolor art of Peter Hurd---the memorable scenes he painted of New Mexico. There is no evidence that he painted this one, but perhaps the artist was inspired by Hurd's imagery. The waterco...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

This is an example of Haku Maki’s production of small prints that were known as San Mon Ban. These prints were usually 2in x 2in but there were instances of larger ones. This one measures 6in x 6in. Dan Tretiak writes that Haku Maki began creating San Mon Ban in early 1975, a set of seven volumes of small prints. For some he used themes from the past, others were new themes that he used again and again in succeeding years. A small rendering for collectors to add to their holdings.

This is a large work of art in delicate condition, 26" by 54" and 3" wide frame, so, I am seeking a local (Southern California) buyer who can pick it up. The painting, of a tropical coast with palms, decorative boats, and numerous figures, is well painted in an impressionistic manner, and is signed "M. H. Liu" at lower right in red and dated there 1967. A search of this name has not produced any listings. The painting is equivalent in style and quality to works by Indonesian important artists...

Lithograph titled in pencil at lower margin "Going Home", pencil signed at lower right by the artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 9 1/2" by 14 3/8" inside the mat, 16 3/4" by 20 3/4" framed. The original Associated American Artists labels remain on the backing paper, as shown. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence,...

An oil on panel painting of a red covered bridge in a mountain landscape, a village at left center, 13" by 19 1/2" (16" by 22" framed), signed at lower right by artist Ed Mifflin. I do not see a listing for this name. The scene likely shows Vermont or Maine; possibly there are covered bridges in hilly southern Ohio that might fit. In any event the circa 1960 work is very poetic. The black panel on which this is painted was not meant for art use, leading one to suspect that the artist was a t...

A PAIR of ink on paper drawings, one of a young woman reclining, (7 1/2" by 10") the other a young boy seated cross-legged (8 1/2" by 6 1/2"), both signed by the noted American actor, accomplished artist and writer/novelist, PETER MARK RICHMAN (1927-). One is dated 1966, the other inscribed "For Al". Richman, now 90 years old, has an extensive biography, all visible online. Born in Philadelphia, by the mid 1950's he was already acting and shortly thereafter was shuttling between the coasts, w...

This hand carved rock crystal snuff bottle is 2 ½ inches tall, 1 ¼ inches wide and 1 inch thick. It depicts a bird resting on a small branch of a gourd plant. The snuff bottle is well hollowed and polished. It has a cone shaped agate top. The crystal has natural grains and impurities.

Nicely executed impressionist pastel drawing of coastal rocks and surf, 9" by 12" (14 1/2" by 17 1/2" framed), unsigned. This came from a collection of Northern California art, including pastel drawings by Carl Sammons, so I would at least entertain the possibility that he could have been the artist, but alas, this is truly unsigned. The work is on paper laid on a board. Condition is excellent with just a little contact with the old style non-glare glass, which should be replaced. The photos...

Coastal seascape painting on pebbly surface old gray art board, likely the California coast but possibly Maine, circa early twentieth century, unsigned, measuring 7" by 17" (14 1/2" by 25" in its interesting blackish with reddish design frame). The work and framing is very presentable as-is, with just very slight wear to the frame. At the left edge one can see where the portion hidden by framing is fresher in color; therefore we can state that a cleaning would remove the somewhat yellowed varn...

Pencil on paper drawing of a young man, in true 1930's American Scene style. The work measures 12 1/4" by 9 1/2" inside the present mat, the full sheet extending under the mat (some of the drawing is hidden by present mat) 14 1/2" by 11 3/8". The work is unsigned. I would imagine that the artist would be someone listed, judging from the quality and sensitivity of the portrait. The paper has yellowed with time, and the area under the present mat is a different shade from the exposed area, so ...

Desert scene with distant mountains, possibly a scene in Texas or New Mexico, in oil on artist's board, 8 1/2" by 12 1/2", unframed, signed at lower right "M. Edwards", not dated but likely circa 1920 to about 1940, judging from the technique, soiling and the black board. I don't see a listing for the name but he or she was obviously talented. The painting is very, very dirty and would be a wonderful candidate for a cleaning, which would really transform it. Obviously it needs a frame too, bu...

Watercolor and ink on paper laid on illustration board, 17 1/2" by 23", unframed, the subject a rural road with houses, low mountains in the background, signed at lower right by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining. Benson was born in the Los Angeles area and died in Washington state, but there is limited biographical information on him. He apparently worked mostly i...

Oil on canvasboard, 12" by 16" (17" by 21" as framed), signed at lower right by artist CURT PAULSON. I do not see a listing but the artist had a skilled hand. The style reminds a bit of California desert painters William Darling or Fred Chisnall. There is impasto, vigorous brush stroke, and a grayish blue light over the scene. Apparently original whitish antiqued frame completes this ready for the wall package. Condition is excellent.

Oil on canvasboard painting of Paris Montmartre section, the dome of famous Sacre Coeur looming white in the distance above the rooftops, signed lower left "Michel" and dated there 1960. The work measures 24" by 18" (27" by 21" in simple white wood framing). The piece has beautiful depth and a balanced satisfying palette of colors. Condition is excellent.

Original watercolor/gouache on paper by Hans Kleiss (1901-1973), depicting a smiling Berber man from Morocco. Circa 1940-1950. Image size: 26cm by 20cm. Signed l.l. Hans Kleiss was an Orientalist/ Africanist painter, illustrator, and caricaturist. He was the husband of Orientalist painter Yvonne Kleiss/Herzig. They both lived for long periods of time in North Africa (Morocco and Algeria). They settled together in Sidi Slimane (Morocco) in the early fifties before returning to France. On...

A circa 1910 small oil on canvas landscape of a forest pond, signed at lower right "O. Sch". This 3 1/2" by 5 1/2" work (9 1/2" by 11 1/2" framed) came from a local family of German heritage. Their art, some of which I acquired, came with the family from the old country. This work has some condition issues, as the canvas over the decades has buckled, with sharp horizontal roughly parallel "ridges" now apparent, as well as craquelure. The canvas was laid years ago on a panel and evidently it h...

Oil on canvas contemporary landscape of a jagged high mountain peak, trees and a large boulder catching the atmospheric light in the foreground, unframed, 36" by 24", signed at lower right with a signature that resembles "Joseph Eugene" or "Joseph Evgeny". The artist has handled dawn or sunset light to great effect, as did many of the Hudson River artists. An alpenglow lights up the peak, and a sunbeam lights up the boulder. I'd think that the painting would have been executed in the 1980's th...

An example of the 1976 poster for the Pasadena Art Center College of Design exhibition of the works of then-already famous American fashion and portrait photographer RICHARD AVEDON (1923-2004), measuring 26 1/4" by 19 1/2", unframed. The stark black and white imagery features photos of artist Willem de Kooning at his Long Island studio (1969) and dancer John Martin (1975). Avedon hand-signed in marker with his typical sweeping, dramatic signature, at lower center. The work was found unframed,...

Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland. Baldizsar was born at the end of the 19th century and by 1918 was studying at the Academy of F...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state. This example is in good condition if you are seeking a pleasing print to frame, but it is not in pristine con...

A gouache on paper painting of a vase with white flowers, blue on white plates, green bowl with cherries, a decorative leaded window beyond, the work signed at lower right corner with what appears as "Louise Brentnall" and dated there 44 (or, I think less likely, 77). The piece measures 9 1/4" by 7" (12 3/4" by 10 3/4" in simple strip frame). I do not see an artist by this name, if I am reading the name correctly. I thought it might read "Louise Brumback", but that artist died in 1929. So, ...

An antique floral watercolor painting of a bundle of cut snapdragons, 15 3/4" by 10 1/4" (24" by 18" framed), apparently unsigned and undated, but likely circa 1900. Condition is good, the work is clean.

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age. Weave of the canvas and the technique all suggest th...

An oversized framed Presidential Christmas card/print from Jimmy Carter. Facsimile signatures of both the President and his wife, Rosalyn."Thanks for your friendship and support. With our best wishes..." The gunmetal frame measures 12" x 14-1/4" with the picture fitting snugly into it. Mounted under glass.

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

The size of Sheet: 13 1/2"H x 13" W
Image size:. 8 3/8" H x 9" W
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More I
The condition: Excellent. It never been framed
The year of Serigraph: 1990
Edition No.: 6/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed. I had this serigraph last 19 ye...

Etching, in a style that exhibits both the fine detail and subtle shading techniques of Rembrandt, the subject matter three human heads, one head of a goat, and one, a ram, by the French draftsman, etcher and engraver, JEAN-JACQUES DE BOISSIEU (1736-1810). The print, 6 1/4" by 8" inside the blue mat (10 1/2" by 13 1/2" framed), is signed at lower center just with initials, the "DB" conjoined, and is dated there 1803. De Boissieu was born in Lyon in eastern France and is closely associated with...

A large lithograph print, the sheet 28 1/2" by 22 3/4", unframed, signed at center right with his monogram "JR" and star symbol, dated there 1950. This is a work of American illustrator artist JAMES REYNOLDS (1896-1996). The imagery of flowers and leaves reminds of the work of American twentieth century artist Charles Burchfield. Reynolds is often confused in art auction records and biographies with western American contemporary artist James Reynolds.

Oil on canvas painting of a rocky windy coastline, likely in Ireland or Scotland I believe, signed at lower right "Peg McCarty". I do not see a listing for the artist. There is a canvas stamp on reverse, of Winsor & Newton, London, England. Measurements 14" by 18" (17 1/2" by 21 1/2" framed). Condition is excellent save for a few drips of foreign matter, brownish, along the ridgeline/horizon at left, and in sea at left center.

"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — ov...

Watercolor on paper landscape painting of a large body of water, possibly a river, with rickety wooden docks in the foreground and a few small boats in the sun glare off the water, 9 3/4" by 12 3/4" (13 1/2" by 16 1/2" in pleasing gold frame), signed at lower right "Minn Thein" and dated there 2001. This watercolor likely hails from Myanmar (Burma), as the name is commonly encountered in that nation. This might be the Irrawaddy River that winds through the country. Condition is excellent and ...

A small unframed watercolor painting of an early adobe structure of Northern California, similar to the historical, rare structures that may be seen today around the plaza in Sonoma, 7" by 9 1/2", signed at lower right by listed artist JEAN G. WALFORD (1875-1938). Walford was born in England, but was in Berkeley by 1917. She ran an art gallery until her passing in 1938. The watercolor came from an old Bay Area collection.

Photo print, 22 3/4" by 19 1/8" inside the mat (31" by 27" as framed), pencil signed at lower right by the noted artist of the American West JOE BEELER (1931-2006), and numbered at lower left 58/300. The subject is a monument to the American West: a cowboy on his horse, a butte in the background as he pursues stray cattle with his lasso on a spring or late winter day. This is a clean print and is ready for the wall. Not knowing the print's colors, I feel it possible there might be a touch o...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a fine image in soft pencil and ink on paper, the drawing itself 10" by 13 1/2", in a simple frame without mat, signed with initials at right and dated '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod. Hughes exhibited widely ...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work, undated, titled "Silhouette Collage" on original accompanying sticker, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing. This measures 12" by 13" inside the pr...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area. The burl wood framing is simple and attra...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Bazaar newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when elect...

Oil on Masonite painting of one of the dramatic red eroded formations in Monument Valley, in far northeastern Arizona. The impressionist work is good enough to be by someone listed but there is no signature. Probably dates to about the early 1950's. Measures 9 1/2" by 11 1/2" (16" by 18" nicely framed, with some wear on the frame that could likely be smoothed out).

"William Hogarth" The Pool of Bethesda Invented and Painted by William Hogarth Engraved by Ravenet and Picot The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplat...

An original watercolor drawing of a familiar California theme: surfers at the beach, with lifeguard tower, palms, and two parked classic late 1940's Woodies vehicles. The work is signed at lower left "Dry......" ("Drysbock", or similar?) and measures 4 1/2" by 6 1/2". It comes matted but with no frame and glass. Likely is a contemporary work. Looks like a print but guaranteed to be original work.

Oil on canvas of a mysterious red cabbage on a string and an orange gourd on a tiled surface, windows beyond looking out onto a hilly landscape, 16" by 20" (23 1/2" by 27" signed "Hernandez" and dated 1995 at lower right. The painting should probably be reframed, as the cream liner is soiled. The painting has some yellowed varnish but otherwise is in good condition.

Watercolor painting on heavy textured paper by Marion Maas (1930-2023) in very abstract style, a large yellow sun, often seen in her art, and what may be hills, rivers and lakes, all very vivid in classic Fauvist style. Measures 11" x 15", sight size is 8" x 12". This image is almost entirely abstract, and depicts many of the stylistic components found in her art, from slight suggestions of landscape details to fanciful creations. Her inspiration came from life around her, still lifes of flow...

Large matted watercolor of abstract landscape by Yngve Olsen (1905-2000), American Modernist, one of many watercolors painted in the Southwest in the 1940s and 1950s. Measures: Mat is 22" x 17" and watercolor sheet is 16 3/4" x 13". Like many of his works from this collection, it is not signed, but is guaranteed to be by this artist. Contemporary archival matting with glassine over painting, the mat is a soft creamy yellow tone. Painted in the mid century modernist style, very much in the ...

The size of Sheet : 17 1/4" W x 23 3/8" Long,
The image size : 11 3/8" x 18 1/2" Long (approximately)
Artist: F. Muzi (? Unknown)
Signed: Lower right in Pencil, F. Muzi (?)
Edition Number : 29/70
The subject : Figurative form from ground or water.
The year of made : 1970.
Medium: Monochrome Lithograph on paper.
The condition of Lithograph: Excellent, no tear, no stain.
Plese see the backside shee, and texture of paper.
There are five light crease...

Oil on canvas laid on board paint of daffodils or jonquils in a painted ceramic vase, 16 1/2" by 13" framed, signed at lower right "N. Green". The painting I think if American and looks to date to circa 1940's or early 1950's at the latest. There is no apparent biography for an artist matching this name, but he or she was clearly talented. I opened the back to see if there might be more information but the red board to which the canvas is affixed is itself glued in the center to the backing c...

This is a folky painting of someone's favorite St. Bernard dog, circa 1870's or 1880's (ONE OF TWO SUCH WORKS IN MY SHOP). Measuring 21" by 16" on the original very old stretchers and 12 1/2" by 12 1/2" (and 17 1/2" by 17 1/2" as framed), the painting is a sweet and classic rendition of a treasured pet of the Victorian era. Vintage dog paintings are very popular and collectable. This one has evidence of its great age, with a darkened surface, no varnish, soil/blanching, very slight stretcher bar...