This is a very fine, classical early drawing, 5 1/8" by 8 5/8" (12" by 15 3/4" in attractive ornate gold leaf frame), not dated but likely dating to the 1830's through 1850 or so, signed at lower center by the artist "Loisel". The drawing, executed in pen, watercolor, and gum arabic highlighting in the trees and the low bank in center, is in excellent fresh condition, belying its age...

Russian late twentieth century lacquer box, 6" by 4" by 1 5/8" high, with signature (I believe) in Russian, and also a title, in Russian, at lower left. It is a great image, with mounted medieval horseman, an orthodox church in the distance, and a figure like Old Man Winter blowing at the horseman. Colors are delicate and pleasing. I have been using this as a trinket holder on my night table...

Watercolor and ink drawing of the Seine in Paris by Notre Dame, 7" by 8 3/4" (13" by 15" framed), signed at lower left in pencil "Leprin". This COULD be a work by well listed artist MARCEL LEPRIN (1891-1933). I hesitate to state unequivocally that it is, as the long hand signature differs from the commonly seen all-capital letters version. The artist was known to do very similar works of Paris, and many other parts of France, from Normandy to Marseilles...

For the natural history aficionado or decorator, a PAIR of original finely detailed drawings in watercolor and ink, one titled faintly in pencil "Scorpions", the other featuring other unidentified but quite exotic-looking creatures with many legs. Each drawing is 8 1/4" by 6 1/2" inside the mat, and the works are identically framed (13" by 11")...

Contemporary Australian aboriginal art "dot" painting, acrylic on a thin canvas, signed on the reverse by artist POLLY PUNTJUNTA, and stamped with the Original Aboriginal Art Company stamp, of Adelaide, South Australia. The work measures 15" by 26 1/2" (23" by 34" in a wood frame with scratches). The past framer elected to place the reverse wire so as to hang this vertically, though I do not believe there is any particular reason to have done so. The work might be more logically horizontal...

An interesting marriage of Japanese kirigami or "kirie" art, (paper intricately cut to a lace-like appearance, that finished work, in this example, a crane standing in water, and surrounded by pine trees) and a circa 1885 American Eastlake style gold and black frame. The paper art measures 5 1/2" by 5", and the entire framed piece 15" by 13 1/2". The kirigami has been laid against a green-blue crushed velvet type surface, creating an interesting effect...

An unusually beautiful and impressive example of Vietnamese lacquer painting, an art form that goes back many centuries in China and Southeast Asia. The technical process is very complex, involving application of multiple layers. This panel, unframed, measures 15 1/2" by 23 1/4" and it is not signed. Note the gold showing through in many areas, and the detail of the figures and general atmosphere and luminosity created by the artist in a notoriously difficult medium.

This one is certainly a challenge to describe----but I will give it a go. A mixed media (watercolor, gouache, pastel and gold metallic paint mix) painting, the subject a fantastic, surreal, dream-like scene including a supine male figure with ants on his chest, leopard-like creature, moth, skulls, green, opportunistic poisonous-looking tropical style snake emerging from a woman's body, and bat hanging upside down! The piece is an impressive size at 29 1/2" by 22" (34 1/2" by 27" framed)...

Found in Massachusetts, a mixed media (pastel, pencil and black ink) old drawing on paper of a clipper ship at sea, 7" by 9 1/2" (15" by 18 1/2" framed behind glass), signed at lower right corner with initials "A.L" or "A. G." or similar. The ship flies an unidentified flag at the stern. I feel this is likely European though it could possibly be of American origin...

Australian aboriginal art, painted on eucalyptus bark in the traditional manner, the imagery featuring four long-necked birds and leaves, against a patterned background. The work might bear the name of the artist on the reverse, written in white chalk, but that is indecipherable. The word "Mapuru" is readable; this is a remote, pure, isolated area of northeast Arnhem Land in the tropical north of the country, about 600 km. east of Darwin. Measurements are 21" by 12 1/2"...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work, undated, titled "Silhouette Collage" on original accompanying sticker, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing...

Pencil with white highlight drawing on brown paper, 9 1/2" by 15 3/4" (17" by 23" framed), the subject a number of different types of boats along a dramatic coast, possibly Whitby, England, circa 1860, signed at extreme lower left corner in pencil "Fowler". The drawing, which is laid on a thin board, features various types of sailing craft, and, in the foreground, a rowboat. A castle like structure crowns the prominent hill...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work, undated, titled "Moonlit Night" on original sticker, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing...

A colorful image of an idyllic tropical beach ringed by coconut palms and bordered by emerald green water, signed at lower right by contemporary San Diego artist Vonda Velasquez. The work, mixed media on heavy paper (gouache and maybe oil?) measures 13 3/4" by 21 1/2" (24" by 31" in matching blue-green frame) and is signed at lower right and the artist's business card is affixed on the backing paper. The work is clean, frame is in good condition.

A charcoal and color chalk drawing of a young boy, 8 1/2" by 4 1/2" inside the mat and 11 1/2" by 7 1/2" framed, apparently unsigned. The work is affixed at three edges to another sheet, I was able to peer into the back via the open side and do not see any writing or other information there. The drawing extends beyond the mat, as shown. Nicely executed work by unknown artist.

An interesting late 19th century, antique drawing of woodland plants, unsigned on front, word "Stanyan" on reverse, where the date "Oct. 28th/84" is written in pencil in old hand. The work measures 15" by 11" (slightly smaller inside the pink mat--which plays off the pink flowers) and 23 1/2" by 19 3/4" in frame (no glass). The piece shows some age, in overall toning and there are some meandering abrasions at upper right and along right edge; also there is a rip about 1 1/2" at lower right cor...

An unusual, elegant "embossed relief" print on heavy grayish-tan earth-tone hand-made paper that appears almost like tooled leather, or parchment, featuring in the design organic forms such as leaves, signed at lower right in Chinese characters and in Roman letters by the artist, HA BICK CHUEN (1925-2009) (also known as XIA BIQUAN). The work, dated 1975 adjacent to the signature, is numbered at lower left 26/50. It measures 28" by 23 3/4" (31 1/4" by 26 1/2" in hardrock maple box style frame w...

Acquired as one of a number of works by late Bozeman, Montana artist MARION "MAL" LEWIS (1925-2010), this is a fine collage work of an orange-yellow painted cardboard sphere with overlaid and background cut blue printed paper, undated, not framed (just matted), likely from late in the artist's life. While traveling through Montana I came upon a group of mostly collage, abstract works by this artist, though there is at least one non-abstract work, a New Mexico drawing, that I will be listing. Thi...