Oil on canvas laid on board, 19 1/2" by 14 1/2" (22 1/2" by 17 1/2" in simple wood frame), the subject a courtyard of the Vieux Carre (French Quarter) of old New Orleans. The painting is a fine impressionist rendition and is larger than many of Kinsey's typical courtyard and street scene studies. The artist, ALBERTA KINSEY (1875-1952) is considered one of the founders of the New Orleans art colony...

Large oil on canvas, 30" by 40", unframed, signed at lower left by the artist and dated there "30", the subject a snowy, rugged mountain range with autumnal colors and evergreens, a small lake in the middle ground. The artist, RICHARD DEY DE RIBCOWSKY (1880-1936) was a prolific painter, and a well traveled one, at that. For his time he was truly an adventurous traveler. Born in Bulgaria, he was in Paris by age 13, and Florence and St. Petersburg after that...

Oil on masonite painting of a reclining nude woman, 24" by 36" (30" by 42" as framed), signed at upper right "W. R. Shulgold" and dated there "75". This is a beautiful work by a well listed painter who was born in Russia and spent much time in the Pittsburgh area, as well as New York, before settling in Southern California later in life. Shulgold's biography tells of stints as a watchmaker and worker in a bottling plant, before yielding to the desire to create art...

This is a work with a real WPA 1930's feeling to it, but it is dated 1965. The artist was IDA HANSGEN, or possibly, HANSGREN. (There's a little writing on the frame on reverse that suggests there might have been an "r" in her name). Very surprisingly, I cannot find a listing or any information on her...

Oil on canvas, 15" by 19" (22" by 25 1/2" as framed), the subject the famous Taos Pueblo of northern New Mexico, an iconic scene of the Great Southwest, the painting signed at lower right "Stowell". Included in this picture is a stormy dark sky, the pueblo itself bathed in a ray of sun, and no less than eight figures and one saddled horse. I have researched the signature and cannot definitively tie this to any particular artist, listed or otherwise...

Oil on canvas painting of many pink asters of various shades in a ceramic vase on a tabletop against a greenish curtained background, 18" by 22", 22 1/2" by 26 1/2" as framed, signed at lower right with the distinctive conjoined signature of HARRY HAMBRO HOWE (1886-1966). Howe was a prolific New England artist known for his coastal and White Mountain (New Hampshire) scenes, though he was known to have created still life works as well. He was the son of sea captain T...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941)...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole...

Oil on canvas painting, the subject a ranchette of the Southwest, likely Arizona or New Mexico, 16" by 20" (24" by 28" framed), signed at lower right corner in the paint by the noted, well-listed American impressionist plein air painter (and National Academician) PAUL STRISIK (1918-1998). The artist was born in Brooklyn and received art training at the Art Students League with Frank Vincent DuMond in the late 1940's. By 1955 he had settled in Rockport, Massachusetts, becoming a fixture in the ...

Oil on canvas, unframed, 30" by 40", the subject large boulders and rocks surrounding a small pool of water, executed in a photo-realist style in muted colors, signed at lower left with the artist's name, copyright symbol, and date 1985, and titled "Slow Water" and signed again on the reverse. This is a relatively early work by the noted Twentynine Palms, California contemporary artist and muralist CHUCK CAPLINGER. Caplinger's website details his rise in art circles from NASA illustrator, comm...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery. The artist painte...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

This is a work squarely in the Hudson River style by a talented landscape artist of the second half of the century, DANIEL CHARLES GROSE (1838-1900). The scene is a significant river winding among steep green bluffs, a feathery tree at left, the only sign of the hand of man a split rail fence. Signed at lower left and dated there 1874, the work measures 8" by 12" (12 3/4" by 17" in its original attractive old gilded frame). The work is smoky and could benefit greatly from professional cleanin...

Oil on canvas painting of fruits in a shallow dish, 6" by 12" (10" by 16" nicely framed), signed at lower right by the well-known American artist ALEXANDER BROOK (1898-1980). The subdued colors and careful arrangement suggest familiarity with the great Italian still life master Giorgio Morandi. There is a coldness, a stillness, that is quite monumental. Brook was born in Brooklyn, and studied at the Art Students League from 1914-1918. He married painter Peggy Bacon, and was divorced from her...

‏Oil on canvas painting of snowy high mountain framed by a lake and trees, unusually large size for the artist's works at 20" by 36" (24 1/2" by 40 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette almost certainly suggest the hand of the noted California painter. I have owned and sold other unsigned paintings as being by Detreville, and I will stand by this one being by him as well. Detreville was born in South C...

Oil on canvas, 17" by 9" and thin original wood frame, signed lower left "M Stuart", depicting a young woman in greenish gray paint. This is more a work of figural art, really, than mere portrait. The sitter is unknown, as is the artist; there is a listing for a Mimi Stuart (1959-) but I am not convinced this is by that artist. Signature looks as if it could be by a British hand, judging from the style of writing. It is a professional signature, though, and this is not a work by an amateur....

Very subtle and elegant oil on canvas, 24 1/2" by 30" (27 1/2" by 33 1/2" as framed) signed at lower right by listed Midwest artist MARY C. PETERSON and dated "31", showing an Asian inspired still life scene in monochromatic minimalist tones of beige, gray and tan. The artist added just a spot of color at lower left where two iris are in full flower. This is a particularly easy to live with painting---I enjoyed it on my wall for quite some time. It bears an old label on the reverse: "THE ART...

An impressionist oil on canvasboard painting of coastal cliffs, rocks and waves, likely California, signed at lower left in red by listed American painter DAVID SPURLIN JR. (1923-2009). The 11" by 14" work (18 1/2" by 21 1/2" in distressed style wood frame) features strong wave and action, and the five shorebirds at lower right, and their reflections in the wet sand are all beautifully handled. The painting could used a cleaning to remove smoke and yellowed varnish, and there is a hairline 2 1...

A circa turn of the century oil on canvas painting of a creek and surrounding woods in the autumn of the year, 11 1/2" by 22 1/2", on canvas, and 17 1/2" by 29" in likely original frame, apparently unsigned. The work has survived over a century in excellent condition. No punctures or problems. There are a few chips missing from the frame. A pleasing, easy to live with scene that brings a sense of calm and reflection.

Oil on canvas, 24" by 36" (33" by 45" as framed), signed at lower left "Cantrell". This is a good sized oil of a peaceful scene with tree and a house against the setting sun. I date the work to the 1970's or 1980's. Condition good with some light craquelure and very slight dimpling, but no holes. The frame upper left corner is separating just a little bit.

Acrylic on canvas, 23" by 35" plus 5/8" wide black simple frame, signed on reverse with what could be "Tamworth" or "Ramworth" plus copyright symbol (unsigned on front). This is an op-art type piece with a definite three dimensionality to it.......the dots "float" over the rest of the pattern, casting "shadows".......it's quite the contemporary work and would look great in any modern setting. If anyone can identify the artist, please let me know. I would imagine from the professional handlin...

Oil on canvas painting, 30" by 20", unframed, of two deer in a silent forest of towering redwoods, shafts of light penetrating to the forest floor, signed twice at lower left by the noted Northern California artist CHARLES DORMON ROBINSON (1847-1933). This is a classic old painting of the northern part of the Golden State, by one of its most appreciated historical painters. Robinson was born in Maine but was in San Francisco during the Gold Rush days. As a youth, he returned to the east for educ...

By the hand of early Plein Air master artist GEORGE KENNEDY BRANDRIFF (1890-1936), a small but pretty and highly impressionistic painting, "San-Bernardino--Mt. Baldy", circa late 1920's. The oil on canvas laid on board measures 10 1/4" by 12" (15" by 16 1/2" in contemporary gold frame). The artist's estate stamp signature appears at lower left; on the reverse is written in old hand "Brandriff/San Bernardino"; and the rectangular David & Sons estate stamp for Brandriff is at left. The prov...

Oil on canvas landscape with a home and small out building, possibly but not at all necessarily a California scene, measuring 10" by 14" (12 1/4" by 16 1/4" as framed), signed at lower right (I think in ink) "....... E. Miller" and dated there '32. The actual first part of the signature is difficult to read, but on the stretcher in pencil is written "E. E. Miller". I do not see any listing for this artist, but, as is often the case, the lack of a listing does not mean the artist wasn't talente...

Oil on canvas, 22" by 18" and 2 1/2" wide frame, unsigned, showing the famous Mountain of the Holy Cross in central Colorado, 100 miles west of Denver and 15 miles from Vail. This is a late 19th century painting, evidently one of many copies, by many artists, of the iconic 7' by 5' work by famous American artist Thomas Moran, which was completed in the year 1875. The painting is in compromised condition, with soiling, paint loss, punctures, and scrapes, but, I believe it worth restoring. See ...

Oil on canvas painting completely in the distinctive sepia tones manner often employed by the artist, 14" by 18" (19 1/2" by 23 1/2" as framed), the subject the famous aspen and mountains of northern New Mexico, signed at lower left and notated there "Taos" by well listed artist THOMAS L. LEWIS (1907-1978). Lewis was born near Houston and was already a professional artist by age 19. Originally he painted scenes of the American South, including swamps and cypress, but after service in World War...

An oil on canvasboard of a Victorian era house in all its splendor, the work titled on reverse "The Lennox House" (along with its' $50 original price), and signed at lower right, by well listed California artist WILFRID TAYLOR MILLS (1912-1988). The work, on canvasboard, measures 20" by 16" (29 1/2" by 25 1/2" as framed). Mills was born in California. He spent some time teaching in New York, before returning to Southern California, where he painted for many years until his death in La Crescen...

A colorful original work, NOT A PRINT, the subject four palms at the beach, signed at lower left margin in pencil by noted California contemporary artist SALLY HUSS (1940-). The work, art itself 15" by 24" and 23" by 32 1/2" as framed, is typical of the artist's output----always colorful in the extreme, and whimsical, the subjects landscape, florals, or fantasy. Her designs are often available as prints or on merchandise, but original works are more scarce. Condition is excellent.

Oil on canvas laid on Masonite, 20" by 16" (27" by 23" nicely framed in gold California style frame by Summit Frames of San Diego), unsigned, attributed to the famed American sculptor and artist, JOHN GUTZON BORGLUM (1867-1941). The painting features a large tree such as would be found in a California redwood or sequoia forest. The attribution comes in the form of some cryptic notes on paperwork affixed to the reverse side, and a placard placed on the front side. There is a post-zip code (aft...

Painting on canvas by the acclaimed 19th century American artist HENRY STULL, featuring a portrait of the head of a pampered thoroughbred racehorse, signed at lower right and dated there 1896. The work measures 12 1/2" by 10 1/4", (16 1/2" by 15" framed). Stull is considered one of two major American painters of thoroughbred racehorses, the other being Edward Troye. Born in Hamilton, Ontario, Canada, he was exposed at an early age to horses. By 1873 he headed to New York City to become an ac...

Oil on canvas painting of pink roses in a glass vase with metal kettle on a table top, 20" by 24" (25 1/2" by 29 1/2" framed), signed at lower right by artist Nell Smith. I do not see a listing for this name. The age of the painting judging by style, frame and stretcher would be circa 1940. Condition is good save for overall soiling and a roughly 1 3/4" narrow paint loss area at top right. Overall a very "Shabby Chic" work.