Oil on canvas painting titled on reverse "Iris and Poppies", 9" by 12" (16" by 19" in gold leaf frame) signed at lower right corner by noted contemporary northern New Mexico artist DON BRACKETT (1932-). The artist, born in Oklahoma and raised and educated in Albuquerque, (where he received a fine art degree from the University of New Mexico) is known today for his plein air landscapes of northern New Mexico around Taos and Santa Fe, as well as paintings of flowers and wildflowers...

Oil on canvas laid on board, 14" by 18" (18" by 22" framed), the subject a California low desert landscape with distant snowy peaks, signed at lower left and bearing old pencil notation on reverse "Eug. Frandzen". This is a classic desert plein air painting, in need of a professional cleaning. There is overall soiling that dulls the colors and subtleties of this work. Frandzen was born in San Diego in the early year 1893. By the teens he was in Chicago at the Art Institute for training...

Oil on board painting in a fully impressionist hand, 26 1/2" by 21 1/2" (35" by 29 1/2" in old, vintage probably original frame), signed lower left and incised on the old soft board on reverse "Pines at Carmel".  This lovely impressive work is by listed California artist IDA MAYNARD CURTIS (1860-1959). Curtis was born in Pennsylvania before the outbreak of the Civil War. She studied with Charles Webster Hawthorne, and with Ross, Menard and Simon in Paris...

A highly decorative, elegant painting of Siamese cats, 22" by 24" (32" by 34" in gold contemporary framing), signed at top edge by the noted American artist KENNETH STEVEN MACINTIRE (1891-1979). Judging from the materials used, the painting was likely painted at some time from the late 1940's through about 1960, I believe. The colors used----white, gold yellows, and black----make for a highly decorative composition that reminds of the Art Deco period...

Fine old painting of a young woman in a most distinctive red-striped dress, signed at lower right by American artist REVINGTON ARTHUR (1908-1986). This painting has composition, a great palette and blond light, and a modernist feel. It stands in contrast to much of his work, which was executed in rather dark colors. The artist was a student of George Luks, Arshile Gorky, and Kimon Nicolaides...

Vintage circa 1880's oil on canvas, 20" by 14" and 1" wide old dark oak simple frame, likely the original, signed at lower right side with the typical conjoined "MStraus" signature of well listed Northern California artist MEYER STRAUS (1831-1905). Straus was born in southern Germany, and was in the US by 1848. He traveled the southern states, including New Orleans and Mobile areas, as well as Ohio and Illinois...

Oil on canvas of a clapboard cottage by a lake in spring, 18" by 24" with 3" frame, signed at lower left "J.C. FRANCES". I do not see a listing for the artist but he or she was obviously at the very least familiar with the paintings of Henry Pember Smith (1854-1907) and George W. Drew (1875-1968), who painted eerily similar scenes. This painting shows a gambrel roofed cottage with blooming pink blossomed trees and ducks----an idyllic spring idyll in New England or New York state perhaps...

Oil on canvas, 12" by 16" (17" by 21" as framed---and likely original frame), signed at lower right by popular listed California artist HERBERT SARTELLE (1885-1955). This is a classic autumn scene of large trees and a lake with distant mountains, executed in Sartelle's unique impressionistic style. The painting probably dates to the 1940s or 1950s. It is in generally good condition, with the typical large cracking seen in a number of his paintings, (visible especially in the sky---see photo)...

Oil or acrylic on board, large and impressive wall-filling size at 33 1/2" by 45" (41 1/2" by 53" as framed), in a very contemporary style incorporating the complex geometric small squares repeating patterns of artist Robert Natkin, with the addition of various swirls and carefully placed parallel lines. The artist was surely familiar with Natkin's work...

Oil on canvasboard, 16" by 20" (19" by 23" in its simple wood frame), the subject Motif #1 in iconic Rockport, Massachusetts harbor at the tip of artists' paradise Cape Ann, circa 1950's or 1960's, signed at lower right by the artist. This is rather typical subject matter for Garabedian, who worked on the north shore, in Maine, and even away from the coastal areas, always painting in an impressionistic hand...

Large oil on canvas, 30" by 36", 40" by 46" as framed , signed at lower right and dated "11" by listed American artist R.A...

Here's an unusual item, a painting on white milk glass, in oil, measuring 5 1/2" by 7 1/2" and 8" by 10" as framed. The somewhat folk art feeling work is not signed. I would judge the age as anywhere from about 1880 to about 1920----a nautical type could probably date this more accurately by noting in which decade such a ship would have existed. Condition is good with minor paint losses from scratches and aging. However the small losses are not really noticeable at normal viewing distance. ...

Ideal addition to kitchen or pantry area, a well-painted little still life of green and yellow zucchini squash, and an onion, 7 1/2" by 11 1/4" inside the linen mat, 11" by 15" framed, signed on the back of the canvas "Duffy '95". The framer's label is from Chicago so our artist may have been from Illinois. This is a decorative work and the skill of the artist is obvious. There is light wear to the frame. I had to open up the backing to find the signature and date.

Oil on canvas, 36" by 40" and a narrow black wood frame, circa 1970's, signed at lower right "JMac". There is a website for this artist's work, set up by the artist. I believe the type of painting might well be called "hard edge", there being sharp delineations between strips of color. This is a large and decorative work that will enhance any modern or mid century interior. The painting needs a simple cleaning, as over the years it has acquired some superficial brownish drips and soiling. Th...

Desert scene with distant mountains, possibly a scene in Texas or New Mexico, in oil on artist's board, 8 1/2" by 12 1/2", unframed, signed at lower right "M. Edwards", not dated but likely circa 1920 to about 1940, judging from the technique, soiling and the black board. I don't see a listing for the name but he or she was obviously talented. The painting is very, very dirty and would be a wonderful candidate for a cleaning, which would really transform it. Obviously it needs a frame too, bu...

An exceptional example of the work of Florida's well-listed impressionist artist, EMMETT FRITZ (1917-1995), the 16" by 20" work (20 3/4" by 24 3/4" framed) a view down St. George St. in the historic downtown area of St. Augustine on Florida's northeast coast. This example seems to be a particularly above average effort by the artist, and it is in exceptionally fresh condition, having just come from a Southern California estate. Fritz was born in Kansas City, Missouri, and served in the US Army...

Oil on canvas painting of a young ballerina, 50" by 30" (60" by 40" as framed), signed at lower left by noted American painter SAUL SCHARY (1904-1978). This is a large and impressive work that reminds one perhaps of the painting styles of Raphael Soyer, Robert Brackman, or Robert Phillipp. The young dancer is shown in her tights against a plain background that does not distract the viewer from her lovely figure and stance. Schary was born in 1904 in Newark, New Jersey, and was a very visible ...

Oil on canvas modernistic still life, 12" by 20" (13" by 21" in a narrow wood frame), signed at lower right "R. FORTIER" and dated there 1948. The work reminds me a little bit of Braque, Picasso or some of the other 20th century giants who painted modern still life. This painting was evidently owned by a heavy smoker or was in a bar or restaurant where smoke was very much a part of the scene, as it is very heavily yellowed and smells of smoke. I believe that once cleaned, yellows, blues and p...

Oil on canvas still life of white flowers in a vase on a table top, a decorative curtain at left, 30" by 25", unframed, signed at lower left and inscribed there "For Mother & Dad", by the listed California artist EUGENE DUNLAP (1916-1999). Dunlap studied with the likes of Jack Wilkinson Smith, J. Mason Reeves and Nell Walker Warner. An exhibitor at the Golden Gate International Exhibition in 1939, he for a good part of his life was a part of the Laguna Beach art scene. Today Dunlap's landscap...

For the fans of the "Big Eye" paintings, here is a pair of mid century retro style works in oil on board, each 23 1/2" by 11 1/4", and each signed at lower right. The signatures are hard to decipher; I'm guessing "Balmiani" or "Dalmiani". If I am reading them at all correctly, I am not able to tie these names to any of the listed, recognized big eye painters. Regardless of authorship, these are sure to please the devoted big eye collector. One of them has some light to moderate surface scuff...

Oil on canvas painting of a small house in the trees, 22" by 26" (28" by 32" framed), signed at lower right "Stahl" and dated there "42", titled on reverse "In Laurel Canyon" and signed and dated again there. This is an early work by the important, well-listed American illustrator artist and art educator BENJAMIN A. STAHL (1910-1987). Stahl was Chicago-born, and traveled to Mexico and apparently California as well, before settling into Weston, Connecticut and eventually, Sarasota, Florida. St...

Large example of the work of the much-storied American artist "T. Bailey", circa 1910, measuring 24" by 36" (32 1/2" by 44 1/2" framed). This is the largest example I have been able to find, after a search of the auction records. Signed at lower right in white (partly indecipherable), this is also one of the more appealing examples in my opinion because it tends more towards the folk art and "China Trade" direction, and less towards the more commonly seen, and easily achieved, faithful photogr...

Oil on canvas, 18" by 12 1/2", unframed, signed at lower right "F M Shane", and inscribed on reverse of the canvas, "Loveland Canon/Road to Estes Park/Colorado/1925". This work is somewhat primitive but the artist has created an interesting painting. There is a listed artist Frederick Emmanuel Shane (1906-1992), a Missouri regionalist who also painted in Colorado; conceivably this could be an early work of that artist, for some reason signed "F M Shane". The painting appears to have been fra...

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner). The peaceful scene includes a lake with eight ducks in the foreground, a shore in the foreground, two rowboats at right, a quaintly undersized man and woman in Victorian garb at left, overhanging dark trees, a small waterfall emanating from a mill, and distant low...

Oil on canvas, 9 1/2" by 13 14" (18" by 22 1/2" as framed), signed in red at lower left "J. A. McClurg" and dated there with what looks like "1900" or "1908". There's a vintage Denver artists materials sticker on the stretcher, Considering the scene and the sticker, I am tempted to call this one a Colorado plains/edge of the Rockies picture, in the nineteenth century tradition of Bierstadt, Worthington Whittredge, Samuel Colman, and so many others in that school......I do not see a listing for...

Oil on Masonite painting, 18" by 7 3/4" (24" by 13 3/4" as framed, with liner), the subject two young girls and their classic olla-type water or grain pots. of the Southwest. This is likely a New Mexico or Arizona scene, executed in tan and brown earth tone colors. The painting is signed in black at lower left "Ch. Bragg"; I believe this to be the work of the well-known California-based American illustrator artist Charles Bragg (1931-2017), though, this is perhaps best offered as "attributed" ...

Oil on canvas painting of a matador in his suit of lights, 31" by 23", unframed, not signed but inscribed on the stretcher with the name of the artist and title "portrait of a matador".. This is a circa late 1940's or perhaps 1950's work I would guess, by noted listed artist JOSEPH WEISMAN (1907-1994). Weisman was born in the east but was already in California as a young man. He studied with well known California artists Millard Sheets, Barse Miller, and Clarence Hinkle, and exhibited at such...

PAIR of unframed, unstretched oil on canvas paintings, the larger 20" by 24", the smaller one 17 1/4" by 22", both signed at lower right "Allen H. Newton" and bearing inscriptions on the reverse showing the locations in Andover, Connecticut (east of Hartford, between there and Willimantic in the northeastern part of the state). Both paintings are in need of restoration, since they've been carelessly handled by past owners, including, probably, rolling. There is paint loss, creases, craquelure,...

This unframed 20" by 24" oil on canvas landscape painting is something of a mystery. It is signed "J.V.C." and dated 1851 at lower left (see very close up photos), and on the wood stretcher on the reverse is incised "John V. Cornell New York". I believe there is an excellent possibility that this is a work by the historical New York painter John V. Cornell but I cannot prove it. He seems to have been an obscure fellow, though he is listed in the book of historical painters born before 1860, a...

An American 19th century oil on canvas still life, circa 1870-1890, measuring 10" by 16" (12 1/2" by 18 1/2" as framed), unsigned, featuring a metal pot with green and red apples, a pitcher, and a glass, in the classic style of nineteenth century American still life art. I wish the artist had signed his or her work, as he or she was quite skilled. The painting has a patch on the reverse, approximately 3 1/2" by 2", corresponding to a repair in the red apple. It is acceptable as is to the casu...

This is a stunning, classic plein air style seascape painting (24" by 30", 29 1/2" by 33 1/2" as framed) signed at lower left by California master artist HENRY LEOPOLD RICHTER (1870-1960). A probable original title, "SURF", is written on the stretcher. The handling of color, motion, and especially the balance of sunlight and shadow is quite impressive. Having viewed a number of other works by the artist online, this one really seems to stand out. It needs a cleaning, inpainting of small loss...

Oil on canvasboard painting titled on backing paper "LAVISH FALL PALETTE/LONGS PEAK", signed at lower right by artist RUTH ERWIN (1904-1994). The work, featuring flaming aspen in the Colorado high country in high autumn, a view to monumental Longs Peak in the distance, measures 10" by 8" (18 1/2" by 16" framed). I've gathered a few nuggets of information on the artist through the net. One person wrote what she found on a label attached to the back of an Erwin painting she owned: "....the "pa...

Oil on canvas, 18" by 25" (19 1/2" by 26 1/2" as framed) signed lower left "F. Glyndon". This is a nicely painted landscape of the edge of the forest, with pink blossoms on one of the trees, by FRANK GLYNDON (1847-1937). Glyndon was born in Prague, Bohemia and arrived in New York by ship from Liverpool in 1892. Shortly after 1900, Glyndon lived in Alameda, California. He was known for genre, landscapes, and portrait paintings. Some paintings have recently sold at auction, one, of a night sce...

Oil on canvas nocturne style painting of a wave, 24" by 30" (28" by 34" as framed) by listed California artist ERNEST BROWNING SMITH (1866-1951). Smith is a familiar artist on the plein air scene and I believe his works are presently underrated in the marketplace. The artist had a trademark style; often the scenes in my experience are simplified, devoid of figures, and in a limited color palette. This nocturne is executed in shades of blue. It does not appear to be signed on the front but i...

Oil on panel, 9 1/4" by 12 1/2" (14 1/4" by 17 1/4" as framed), signed at lower left in red "Karla Mirabal", and inscribed on label on reverse, "Judge M. R. Mirabal Homestead in New Mexico" "Artist Karla King--So Calif and New Mexico--Artists of West--WHAA". This is probably of historical interest, depicting as it does an early home. The work is very impasto and impressionistic. The painting is a bit soiled but could be placed on the wall as is. Note the two young girls on the porch.

Oil on canvas, 24" by 36" (28" by 39" as framed), UNSIGNED, but certainly by the popular listed California artist HERBERT SARTELLE (1885-1955) (I will stand by this). This is a classic mountain scene favored by the artist (he seems to have painted that particular mountain over and over again), with large eucalyptus trees and a lake with distant mountains, all executed in Sartelle's unique impressionistic style and characteristic color palette. The painting probably dates to the 1940s or 1950s. I...