Watercolor on paper painting, 10 1/2" by 13 1/2" (18 1/4" by 21" framed), signed at lower right "J.C. MIDDLETON.", the subject a suburban boathouse in a neighborhood, possibly in southeast England. Middleton painted in oil and watercolor in Surrey, greater London, and Cornwall, as well as South Africa, apparently, as a number of works from Cape Town are known. The artist was skilled in watercolor, as this painting shows a sure hand.

A beautiful drawing, small but very accomplished, 5 1/8" by 7 1/8" (9 1/4" by 11 1/4" framed), signed somewhat illegibly at lower left, but fully identified in old ink on the reverse as "Palais de Justice Rue de la Place du Chatelet", the artist EMILE APPAY, 1922. Note the fine details of the Sphinx at right, lamp posts, kiosks, and people dressed in period clothing...

An old unframed watercolor of an Asiatic-looking man in traditional clothing, with pencil writing in Russian at right including the date 19.II.1920. A Russian-speaker informs me that there is no name of an artist, but that the subject is identified as a Buryat. I take from online information: "The Buryat people are descended from various Siberian and Mongol peoples that inhabited the Lake Baikal Region including Kurykans, who are also the ancestors of the Siberian Turkic speaking Yakuts...

Watercolor on paper painting of the architecture of old New Orleans, 14 1/2" by 5" (21" by 11 3/4" framed), signed at lower right with the typical signature of well known illustrator artist ADOLPH KRONENGOLD (1900-1986). Kronengold was educated at Tulane in the 1910's, and in New York and Philadelphia, where he was a Daniel Garber pupil. Information I have seen online states that he established art schools in New York and Alaska...

Gouache on paper landscape drawing, 14" by 21" (27" by 33 1/2" framed), signed somewhat illegibly in the lower right corner in pencil and dated there "43", the subject a small village on the shore of a lake or ocean. The scene, including small white church steeple, reminds me vaguely of the quaint coastal tourist town of Mendocino north of San Francisco. There is no hint as to where the subject is, so, we will just have to guess. The signature might be "Pien" or "Pian" or similar...

Watercolor on paper painting of a windmill, measuring 8 3/4" by 6" (14 1/2" by 11" framed), signed "A. L. Terrell" or similar at lower right, where the artist dated it "07" and added "The Hague". I do not see a listing by this name or similar possibilities, though there was an artist Adriaan Terhell who painted windmills in watercolor...

Watercolor on paper, 9 1/2" by 13 3/4" (16 1/2" by 20 1/2" as framed), the subject a 19th century shipwreck engulfed by waves on what appears to be an Atlantic ocean beach, some tiny sails visible on the distant horizon. The artist painted in New England and specifically on Nantucket so this could well be coastal New England. The watercolor is signed at lower left by the listed Ohio and Pennsylvania artist RUFUS WAY SMITH (1840-1900)...

**ONE OF TWO WORKS BY THIS ARTIST IN MY SHOP** This is a mixed media work on paper, (watercolor and gouache) 8 1/2" by 12", 16" by 19 1/2" as framed, signed at lower right in pencil by the artist "J Cl Imbert". The landscape scene includes a few trees and a small river rendered in subdued colors. Thee primary medium is watercolor but there are tiny spots of gouache, and possibly charcoal in the tree branches, and scratching technique. No foxing or damage.

Gouache and watercolor abstract painting, 10 1/2" by 7 1/2" (17 3/4" by 14" in quality ash wood, deep poster box-style contemporary framing), signed in pencil at lower right by artist ANN THORNYCROFT (1944-) and dated there 1992. The work is very light and ephemeral and would fit right into any modern-leaning setting. Thornycroft was born in England and educated in art there, but found herself in New York by 1969 and Venice, California by 1972, where she remains...

Watercolor on paper, unsigned, 15 1/2" by 11 3/4" and a 1/2" wide narrow modern frame, no glass, probably dating to circa 1950, the subject a fluted column 19th century style American framed mirror with flowers in a vase placed before it. This is a simple composition but the anonymous artist was obviously skilled in the use of watercolor and also had a sense of composition. There is a modernist touch, in the way the flowers are stuffed into the foreshortened space...

An exceptional watercolor and gouache painting of a young girl carrying a pail, pondering the white ducks which move towards her on a tiny pond in a verdant bucolic rural landscape, a faint local church steeple in the distance the only other sign of man. This is one of the finer works by English listed artist FRED (sometimes FREDERICK) HINES (1860-1930)...

Large watercolor painting of trees after the leaves have turned in the fall, signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is a celebration of autumnal forests. The work measures 19 1/2" by 27 1/2" and 32 3/4" by 40" as very nicely framed. Lauritz is considered one of the important plein air painters, a number of works having exceeded $25,000 at auction...

Watercolor on paper, 8" by 11 1/4" (12" by 15 1/2" framed), the scene a shallow, reedy small river and its grassy banks, a few majestic trees completing the peaceful scene. The artist signed his name "E. Starker" at lower left in pencil. Starker was a painter in Stuttgart and Leonberg. He studied at the Akademy Stuttgart with Kappis and Grünenwald and in Karlsruhe with Schönleber...

A watercolor painting of outbuildings and scrubby trees, 10" by 15 3/4" (20" by 25" framed), titled at lower right "Near Filkins/March 1934" and signed at lower left by listed English artist ANTHONY LOUSADA. There appears to be little information on the artist, though some works have sold at auction in England. Some of his paintings seem to show a distinct modernist approach. The watercolor is in good condition, there is a hand-drawn style mat, and there seems to have been in the past some co...

By the hand of noted Southwestern artist MANUEL S. FRANCO, a large, detailed work, consisting of two separate paintings framed as one: the principal painting of the iconic Taos Pueblo in northern New Mexico, and the smaller work at right a black ware traditional pot. The pueblo image measures 13 3/4" by 26 3/4", the pottery 3 3/8" on a side (27 3/4" by 42 1/2" in a pinkish frame). Franco signed both and dated them 1990. Note the extreme detail, including tiny figures around a smoking kiva ov...

Contemporary watercolor full length portrait of a young woman seated on a sofa, titled "Zoe", 28 3/4" by 18" (36" by 25" as framed), signed at lower center by New York-born artist AL ZERRIES (1940-2009). Zerries studied at Pratt in New York and for more than twenty years was an art director and creative director at Manhattan advertising agencies. He also taught at the School of Visual Arts. It was not until the 1990's that he began to paint and draw on his own, taking lessons from Burton Silve...

EIGHT small original watercolors of famous sights of Venice, Italy, signed but signature not fully legible. The works are identically framed and measure 8" by 10". More than likely, these were painted for the tourist market and brought to the US unframed, in the luggage of a visitor. All are clean. One of the eight, for some reason, has an overmat that is removable. During photography outside, within seconds, condensation beads formed under the glass, with no permanent consequence. Some of ...

This is a relatively earlier (1976 or before) work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996). Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled with tourists when they returned from holidays. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or possibly oil or acrylic on paper. Som...