Watercolor on paper painting, 10 1/2" by 13 1/2" (18 1/4" by 21" framed), signed at lower right "J.C. MIDDLETON.", the subject a suburban boathouse in a neighborhood, possibly in southeast England. Middleton painted in oil and watercolor in Surrey, greater London, and Cornwall, as well as South Africa, apparently, as a number of works from Cape Town are known. The artist was skilled in watercolor, as this painting shows a sure hand.

A beautiful drawing, small but very accomplished, 5 1/8" by 7 1/8" (9 1/4" by 11 1/4" framed), signed somewhat illegibly at lower left, but fully identified in old ink on the reverse as "Palais de Justice Rue de la Place du Chatelet", the artist EMILE APPAY, 1922. Note the fine details of the Sphinx at right, lamp posts, kiosks, and people dressed in period clothing...

An old unframed watercolor of an Asiatic-looking man in traditional clothing, with pencil writing in Russian at right including the date 19.II.1920. A Russian-speaker informs me that there is no name of an artist, but that the subject is identified as a Buryat. I take from online information: "The Buryat people are descended from various Siberian and Mongol peoples that inhabited the Lake Baikal Region including Kurykans, who are also the ancestors of the Siberian Turkic speaking Yakuts...

Watercolor on paper painting of the architecture of old New Orleans, 14 1/2" by 5" (21" by 11 3/4" framed), signed at lower right with the typical signature of well known illustrator artist ADOLPH KRONENGOLD (1900-1986). Kronengold was educated at Tulane in the 1910's, and in New York and Philadelphia, where he was a Daniel Garber pupil. Information I have seen online states that he established art schools in New York and Alaska...

Gouache on paper landscape drawing, 14" by 21" (27" by 33 1/2" framed), signed somewhat illegibly in the lower right corner in pencil and dated there "43", the subject a small village on the shore of a lake or ocean. The scene, including small white church steeple, reminds me vaguely of the quaint coastal tourist town of Mendocino north of San Francisco. There is no hint as to where the subject is, so, we will just have to guess. The signature might be "Pien" or "Pian" or similar...

Watercolor on paper painting of a windmill, measuring 8 3/4" by 6" (14 1/2" by 11" framed), signed "A. L. Terrell" or similar at lower right, where the artist dated it "07" and added "The Hague". I do not see a listing by this name or similar possibilities, though there was an artist Adriaan Terhell who painted windmills in watercolor...

Watercolor on paper, 9 1/2" by 13 3/4" (16 1/2" by 20 1/2" as framed), the subject a 19th century shipwreck engulfed by waves on what appears to be an Atlantic ocean beach, some tiny sails visible on the distant horizon. The artist painted in New England and specifically on Nantucket so this could well be coastal New England. The watercolor is signed at lower left by the listed Ohio and Pennsylvania artist RUFUS WAY SMITH (1840-1900)...

**ONE OF TWO WORKS BY THIS ARTIST IN MY SHOP** This is a mixed media work on paper, (watercolor and gouache) 8 1/2" by 12", 16" by 19 1/2" as framed, signed at lower right in pencil by the artist "J Cl Imbert". The landscape scene includes a few trees and a small river rendered in subdued colors. Thee primary medium is watercolor but there are tiny spots of gouache, and possibly charcoal in the tree branches, and scratching technique. No foxing or damage.

Gouache and watercolor abstract painting, 10 1/2" by 7 1/2" (17 3/4" by 14" in quality ash wood, deep poster box-style contemporary framing), signed in pencil at lower right by artist ANN THORNYCROFT (1944-) and dated there 1992. The work is very light and ephemeral and would fit right into any modern-leaning setting. Thornycroft was born in England and educated in art there, but found herself in New York by 1969 and Venice, California by 1972, where she remains...

Watercolor on paper, unsigned, 15 1/2" by 11 3/4" and a 1/2" wide narrow modern frame, no glass, probably dating to circa 1950, the subject a fluted column 19th century style American framed mirror with flowers in a vase placed before it. This is a simple composition but the anonymous artist was obviously skilled in the use of watercolor and also had a sense of composition. There is a modernist touch, in the way the flowers are stuffed into the foreshortened space...

An exceptional watercolor and gouache painting of a young girl carrying a pail, pondering the white ducks which move towards her on a tiny pond in a verdant bucolic rural landscape, a faint local church steeple in the distance the only other sign of man. This is one of the finer works by English listed artist FRED (sometimes FREDERICK) HINES (1860-1930)...

Large watercolor painting of trees after the leaves have turned in the fall, signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is a celebration of autumnal forests. The work measures 19 1/2" by 27 1/2" and 32 3/4" by 40" as very nicely framed. Lauritz is considered one of the important plein air painters, a number of works having exceeded $25,000 at auction...

Watercolor on paper, 8" by 11 1/4" (12" by 15 1/2" framed), the scene a shallow, reedy small river and its grassy banks, a few majestic trees completing the peaceful scene. The artist signed his name "E. Starker" at lower left in pencil. Starker was a painter in Stuttgart and Leonberg. He studied at the Akademy Stuttgart with Kappis and Grünenwald and in Karlsruhe with Schönleber...

A watercolor painting of outbuildings and scrubby trees, 10" by 15 3/4" (20" by 25" framed), titled at lower right "Near Filkins/March 1934" and signed at lower left by listed English artist ANTHONY LOUSADA. There appears to be little information on the artist, though some works have sold at auction in England. Some of his paintings seem to show a distinct modernist approach. The watercolor is in good condition, there is a hand-drawn style mat, and there seems to have been in the past some co...

By the hand of noted Southwestern artist MANUEL S. FRANCO, a large, detailed work, consisting of two separate paintings framed as one: the principal painting of the iconic Taos Pueblo in northern New Mexico, and the smaller work at right a black ware traditional pot. The pueblo image measures 13 3/4" by 26 3/4", the pottery 3 3/8" on a side (27 3/4" by 42 1/2" in a pinkish frame). Franco signed both and dated them 1990. Note the extreme detail, including tiny figures around a smoking kiva ov...

Contemporary watercolor full length portrait of a young woman seated on a sofa, titled "Zoe", 28 3/4" by 18" (36" by 25" as framed), signed at lower center by New York-born artist AL ZERRIES (1940-2009). Zerries studied at Pratt in New York and for more than twenty years was an art director and creative director at Manhattan advertising agencies. He also taught at the School of Visual Arts. It was not until the 1990's that he began to paint and draw on his own, taking lessons from Burton Silve...

EIGHT small original watercolors of famous sights of Venice, Italy, signed but signature not fully legible. The works are identically framed and measure 8" by 10". More than likely, these were painted for the tourist market and brought to the US unframed, in the luggage of a visitor. All are clean. One of the eight, for some reason, has an overmat that is removable. During photography outside, within seconds, condensation beads formed under the glass, with no permanent consequence. Some of ...

This is a relatively earlier (1976 or before) work of the noted Bermudian artist ALFRED BIRDSEY (1912-1996). Birdsey was a familiar figure in Bermuda for decades, a prolific artist, the works of whom traveled with tourists when they returned from holidays. This would account for the wide distribution of his distinctive work. Today his daughter continues the family tradition, with similar looking paintings being sold to visitors. Birdsey worked in gouache or possibly oil or acrylic on paper. Som...

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine. So, the drawing has most definitely strayed far to ...

Watercolor on paper of Royal Street (Rue Royale), a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 22 1/4 by 18 1/4" as framed, signed somewhat obscurely at lower right (and harder to see by virtue of the non-glare glass) by the listed New Orleans artist TOM LANE (1916-1991). On the mat below is "Rue Royale" and "New Orleans '77". Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the fami...

Antique watercolor painting of five rabbits in a grassy scene, feasting on several peaches, some reduced to just pits. The charming work measures 5 1/4" by 6 7/8" (and the old gold turn of the century frame is 11 1/4" by 13 1/4"). Frame is in above average condition for a frame of its type and period, with just one gold-painted area at left edge where there had been some loss of the design.

Original watercolor on paper painting of the famous and iconic Brulatour Courtyard in New Orleans, Louisiana, signed at lower right "F. W. Steck", measuring 13 5/8" by 19 1/4" inside the mat, and 21" by 27" as framed. On the reverse framing paper is written in black marker "Foyer"/Florence W. Steck/(215)789-0966". Online research has revealed the artist to be a talented woman who was born in 1919 and passed away in 1994. She, along with her husband Jack, was a pioneer in broadcasting in the g...

Everyone seems to love Paris, a city which has inspired and continues to inspire much art. This pair of watercolors, one of the elegant and timeless Place Vendome, the other the famed "Le Dome" cafe of Montparnasse, are signed by artist "Hrobel". Each measures 16" by 24" (26" by 33 1/4" as framed). The pair is ready for the wall, with clean blue mats and tasteful cream frames. The colors are not faded and there is no foxing nor water staining. Surprisingly I do not see an obvious listing fo...

This is a contemporary work, signed at lower right "Christopher Clarke" and dated there "83". Measuring 11 5/8" by 16 5/8" inside the mat and 19" by 25" as framed, the work reminds of accomplished watercolor painters like Frank Weston Benson, Ogden Pleissner, Chet Reneson, and others who skillfully rendered duck hunters and their prey. Oddly I don't see a listing for this artist but he was clearly very talented. Note the wet-on-wet technique in the sky area. The work is in excellent, fresh c...

Watercolor on paper of a large ship at the dock, 13 1/2" by 17 1/4" (21" by 26" framed), signed in the image at lower left and also on the mat at lower right "Herbert Manasse", and titled "ENSENADA 'L.'C.I." on the mat at lower left. The artist is HERBERT MANASSE (1891-1965), who according to the AskArt listing was an artistically talented attorney. He was obviously quite familiar with the medium. Note the wet-on-wet technique in the sky. The colors of the painting are extremely rich and not...

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned. (Ackermann was a supplier of artist supplies during the 19th centu...

This is a fine ink and wash drawing, 9 3/4" by 13 3/4" (16 5/8" by 20 1/2" framed), titled at lower left "CAPRI" and signed there by the artist, GONSALVO CARELLI (1818-1910). The artist's name is sometimes spelled "Consalvo" or "Consalve" or "Gonsalve". The scene includes more than ten vessels ranging from little more than rowboats to masted sailing ships. The famous island of Capri looms as a backdrop, the foreground boats filled with carefully drawn figures. Carelli was born in Naples and...

One of three works in my shop by the same artist, F. KENWOOD GILES of Bermuda, is this watercolor on paper painting, 14" by 19 1/2" inside the mat, 20 1/2" by 26 1/2" as framed, the subject a pink-walled, white-roofed island home on a lovely piece of property, flowering oleander shrubs and a few pines or cedars completing the happy scene. The paintings are not dated, but I believe that they would have been created in the 1950's. Giles (1899/1900-1972) was a versatile English artist who lived in...

An impressively large (26" by 39", and 40" by 53" in a fine high quality gilded oak style frame of the period) watercolor landscape of a fascinating primeval, mystical forest interior, signed at lower right by English Victorian period artist JOSHUA RENSHAW, who was active in the 1880's and 1890's, though little biographical information is available. The painting is not behind glass but has survived into the 21st century in exceptional condition nevertheless; I note just a few insignificant foxi...

At first glance this might appear to be a print, but it is not: it is an amazingly crafted quite large hyper-real watercolor painting, 29" by 19 3/4" inside the mat, 37 1/2" by 26" framed, signed at lower right by the artist, JAY RATHER. From my internet research, this appears to be a work by the son of Texas artist Herb Rather (1930-), who painted in a similar style, though the online reference mentions Jay as Herb's father, not his son. I am guessing that Jay is the son because the work doe...

Watercolor on paper, unframed, 9" by 11 3/4", signed at lower right in pencil, and signed again and apparently titled on the reverse, by the noted, long-lived American artist, THERESA FERBER BERNSTEIN (1890-2002). The watercolor likely dates to about the middle years of the 20th century, I would guess. Writing on the reverse seems to say "Israel/Yarkon River". In upper corner in different hand is "Yarkon, B./Israel". This is a scene on the Yarkon River which winds through Tel Aviv on its way...

ONE OF SEVERAL WORKS BY THE ARTIST IN MY SHOP---Watercolor on paper of a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 21 1/2" by 17 1/2" as framed, signed at lower right by the listed New Orleans artist TOM LANE (1916-1991). Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the familiar and much-loved scenes frequented by tourists. This example is titled in the mat at lower left "Rue Roy...

Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.

Vintage (circa 1910 or 1920---possibly earlier---) old watercolor landscape of a log bridge over a small creek in a woodland, nicely framed, signed at lower left by listed upstate New York artist ELBRIDGE J. FENN (1857-1934). Fenn seems to have executed landscapes in oil and watercolor, in the area around the old Skaneateles art colony near the Finger Lakes, west of Syracuse. There is not a lot of biographical information to be gleaned from the net, but he was obviously talented. This work me...

Watercolor on paper, with skilled use of wet-on-wet technique, 19" by 27" (31" by 38" as framed), the subject quite possibly a city with figures, (but that is just a guess---only the artist knew for sure), signed at lower right "G. Benaroyo" (or "Benaroya") and dated there 1962. I believe Benaroyo or Benaroya is a Jewish surname, and I discovered upon opening this up that there is writing in Hebrew on the back of the work, the words "Benaroya landscape" and the original $150 price. I do not se...

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow. The work is signed at lower right by the talented contemporary Russian gallery artist NIKOLAI TROSCHENKOV (1961-) and dated there 1989, and at lower left, I'm told, is the name of the town (all this related to me by Russian speakers). On the reverse in longhand i...