This is a true lithograph, numbered 170/200 at lower left margin, pencil signed by the artist at lower right, the title of the work given on reverse label as "My Beloved is Like a Roe". The lithograph is by the important Jewish artist THEO(DORE) TOBIASSE (1927-2012). Tobiasse has often been compared to Chagall and Picasso, with his figure-based, personal, dreamy interpretations of themes like the exploration of one's heritage, exile, and Biblical and erotic fantasy...

This is a fresh and clean example of the 1956 print "The Four Sisters, Chazalet", one of an edition of only 675 examples, signed in pencil at lower right and bearing an characteristic embossed blind stamp and, in the image, (copyright symbol) "F & R (Frost and Reed) at lower left. The print measures 18" by 24" (26 1/2" by 32" as framed). According to information on the net, Chazalet is a small medieval period town in central France near the famed ceramics town of Limoges...

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression Also see #1181

Carl Pickhardt, American, 1908- , Lithograph, "Back Stage", image size: 8 3/4 x 7 1/2", pencil signed

After the Salvador Dali 1959 painting "Virgen de Guadalupe", this is a circa 1982 pencil signed lithograph print measuring 28" by 16 3/4" inside the mat (36" by 25" as framed). The piece is pencil signed at lower right and numbered 132/300 at lower left. This particular print is widely considered a late, unauthorized edition so is offered strictly as manner of or after the great Dali's work, the signature not by Dali, who died in 1989 and was not signing in the years before his death...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse...

Dramatic linocut print, the sheet 26 1/4" by 17 7/8", unframed, numbered at lower left 3/6 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title. Burkhardt was born in Switzerland and arrived in America in 1924...

This is an attractive and elegant poster, issued in 1954 for an exhibition of the works of the ultra famous and important Swiss sculptor, painter and printmaker, ALBERTO GIACOMETTI (1901-1966). Measuring 29" by 20 1/2", it is simply framed in modern metal with glass and no mat. The edition size of this particular poster, titled "Rue d'Alesia", is unknown. It is signed in the stone at lower right...

A PAIR of lithographs, one of a male, another of a woman, the larger work 24" by 17 3/4" inside the mat (28 1/2" by 22 1/4" framed), the other 19" by 16 3/4" (23 1/2" by 21" framed), both signed in Hebrew in the plate, the larger print numbered 1/50 at lower left in pencil. The works are in black ink though the larger piece exhibits faint blue in the background and light red in the cap. The larger piece has two short edge tears, one at upper left (about 2"), the other at top (about 3/4").

A beautiful Romantic Victorian Garden Scene circa 1900 lithograph 18x13” in its original frame

One of an identically framed pair of Currier trotter horse prints in my shop, this example, "The Grand Horse ST. JULIEN, the 'King of Trotters'." (measuring 11 1/2" by 14 1/2" inside the mat, and 19" by 23" framed), is in very good condition. The print is after a painting by the noted American artist Scott Leighton. I have not examined it out of the frame but for the most part, the kinds of problems that most Currier and Ives print acquire over time are not present...

ONE OF TWO OF THIS SAME PRINT IN MY SHOP, lithograph print in elegant gray and white on black paper, 27" by 22", (and 33 1/2" by 27" in silvery modern frame), pencil signed at lower right, and numbered 5/100 at lower left. The title is "Daphne and Apollo", the imagery consisting of idealized male and female figures with leafy trees in the background, creating a most interesting and modern composition that looks almost like a "solarized" photo...

A rare and beautiful 18th century lithograph in Hebrew and Latin

Shirley Tattersfield, Phila. 20th century. Muralist, Lithographs.

Studied - The George School in Newtown; and graduated in 1949 from the Philadelphia Museum School of Art, now the University of the Arts.

Exhibited - Phila. Print Club.

Lithograph - entitled 'Mannequins'.

Pencil signed and dated

Image - 12 1/2" x 8 5/8", Full sheet - 16" x 11".

Condition - excellent, unframed.

A Fumio Tamura 1969 Nokemono framed litho print 2/7. This evocative semi-erotic colour lithograph print entitled "Nokemono" (translated from Japanese - outcast) was produced in 1969 by Fumio Tamura (Japan, 1941-)...