Watercolor on paper, 10 1/4" by 5 1/4" (15 1/2" by 10 1/2" framed), the subject apparently an ornate inner courtyard of a famous Portuguese palace and present day tourist magnet, the Sintra National Palace near Lisbon. I am guessing on this, having googled various possibilities, but comparing the window style, wonderful tile details and the castellated ledge at top, I think the odds are excellent that this be the Portuguese subject...

This large print is an etching on paper in dark brown ink, and a heavily inked example at that, the subject apparently "Turkish Cemetery", according to a pencil notation in the upper left margin. Measuring 19" by 20" inside the mat (28" by 28 1/2" as framed), the work is signed in pencil in margin at lower left with the distinctive signature of the noted English modern art figure FRANK BRANGWYN (1867-1956)...

Photolithograph print, 16 3/4" by 24 1/2" inside the mat, no title but the subject is a mountain landscape with Native American figures and horses, likely northern New Mexico. The print is signed in the plate with the 1972 date and Cowboy Artists of American symbol, and is pencil signed at lower right, by the well-known western American artist MELVIN CHARLES WARREN (1920-1995)...

Woodblock on very thin, delicate Japan type paper, 14 1/2" by 10" inside the old mat, signed at lower right margin in Hebrew, numbered there 53/100, (part of the numbering apparently in green ink), the subject a holy or religious Jewish orthodox man with traditional clothing and hair style. I am not able to read the Hebrew and a friend who can was not able to decipher the writing. Regardless of artist name, the print is beautifully conceived and executed...

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

Lithograph of the year 1946, "Ecclesiastes 4", from the artist's mid 1940's series interpreting themes from the Bible's Book of Ecclesiastes, pencil signed at lower right and with "Ed. 40" and Cuno blind stamp in the margin at lower left. The sheet measures 21 5/8" by 16" (31" by 24 1/2" as framed). This is a mid-career work, one of 536 lithographs produced in a prolific career in the fine arts...

Lithograph on paper, 17" by 23" inside the mat, 24 1/2" by 30 1/2" as framed, signed in pencil at lower right and "Epreuve d'artiste" written in pencil at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

Black ink on paper still life including wine bottle, Asian pot in foreground, potted plant and objects on a distant table, 17 1/4" by 11 1/4" (25" by 19" as framed), signed at lower right by well listed artist WAYNE LA COM (1922-). The economy of draftsmanship in this ink drawing reminds of the skilled pen technique of Henri Matisse and his famous nudes. La Com is known for his skilled watercolors in the 20th century California Scene style...

Oil on canvas, 12" by 16", (19 1/2" by 23 1/2"), the scene a white stuccoed house among flowering vines and subtropical vegetation on a sunny Mediterranean coastline, as one would expect to find in Italy, the work signed at lower right with a signature appearing to be "C. Rontini" or similar. The work is purely decorative and likely dates to the 1960's or 1970's. There is dry paint in the sky area, with a fine craquelure pattern. Otherwise the painting

**One of a number of prints by the artist in my shop** Lithograph on paper, the sheet 24 1/4" by 18 1/2" framed, signed in pencil at lower right and numbered 31/100 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

Oil on canvas,unframed, 18" by 22", signed at lower right by listed French- Italian modern and contemporary artist NINO GIUFFRIDA (1924-), the subject a pair of harlequins, one dressed in blue, the other in red, in a dreamy landscape with houses, trees, and a small beach on the sea, a point of land and trees on the far horizon...

This is an unsigned oil on paper laid on board work, quite possibly an oil study for a more finished painting, circa 1870's, by the 19th century American painter JUNIUS SLOAN (1827-1900), the subject trees silhouetted against an extensive landscape, two ladies in period dress at center left, several houses in the middle distance, and two tiny cows grazing at right...

Watercolor on paper drawing of a gentle coastal beach backed by small sand dunes, (14" by 29 1/2" and 22 1/2" by 36 1/2" framed), signed at lower left "G H Flavelle" (GEORGE H. FLAVELLE, born 1868), This is a clean, wall-ready work by a listed artist who hailed from Pennsylvania. Flavelle's works include landscape, woodland interiors, cottage scenes and Dutch windmill scenes. He was a china and glass painter at some times in his career...

Watercolor on paper painting of a lone figure in a clearing surrounded by summer trees, unframed, 9 1/4" by 14", signed at lower left "S.J YARD. 97. JUNE." This is an eastern-looking work though the subject is almost certainly somewhere in Northern California. Yard was born in Rockford, Illinois where he was able to become introduced to art. Still young, after further art study in New York, he moved to London, coming under the tutelage of Royal Academician Sutton Palmer...

Oil on thin canvas painting of a classic American Indian with chief's feather headdress, executed in a charmingly naive style by an amateur artist around the year 1960 I would guess. The work measures 17" by 14" in its oak simple sturdy frame...

Oil on canvas landscape of a traditional scene of tropical Southeast Asia, figures wearing conical hats working in a manicured, lush, green rice paddy, 20" by 23 1/2" (25" by 28 1/2" as framed), signed at lower left in orange by the noted contemporary Indonesian painter SRI MARTHA (also spelled sometimes as one word, "SRIMARTHA"). This is a fine, carefully executed work, with an amazing amount of craftsmanship evident in the distinctive, three dimensional stipple technique employed by the artis...

Oil on canvas laid on canvasboard at a later date, (13" by 16 1/4" as framed), signed boldly at lower right in Greek "PIPIS XARALAMBIS" and dated there 1914. The artist does not appear to be well known but the painting is nicely executed, with an excellent luminosity. In my experience, vintage and antique Greek paintings are quite scarce. The tall cypress trees at left balance the distant temple ruins at right. More research might reveal more on the artist. A Greek speaker kindly read the s...

Pastel on paper of a rugged coast with crashing waves, 13 1/2" by 19 1/2", plus wood frame, signed at lower right by often-auctioned California artist CARL SAMMONS (1883-1968). Sammons is known among collectors for his impressionist landscapes, often of Northern California, but he also traveled to other parts of the state and throughout the Southwest. The artist was born in Nebraska and was in California by the year 1919, studying at the California School of Fine Arts. He lived in Oakland and...