This lovely Antonio Pineda 970 Silver Bracelet features thick heavy links with a stylized leaf motif. Featured in the book Silver Masters of Mexico on page 181, it measures 6 7/8" long by 1" wide and has a substantial weight of 82.7 grams. Hallmarked with the Antonio Taxco Crown, 970, Sterling, Silver, ZZ609 and the eagle stamp 17. Secure box clasp and attached safety chain. A beautiful, elegant bracelet with timeless style.

A nicely-detailed late Victorian pin depicting a lion’s head. The open mouth grasps a 10-point old European-cut diamond, while each eye is set with a small cabochon ruby. The head is surrounded by flowing fur that hints at Art Nouveau styling. The design is similar to a tiger’s head brooch that was made by Alling & Co., and probably was made by one of Alling’s Newark competitors. The c-clasp is an old replacement. Tested and guaranteed 14K gold.

Origin: America, ca. 1890...

A nice pair of vintage 14K yellow gold rectangular cufflinks, each face engraved in a starburst pattern emanating from a bezel-set round diamond. The diamonds are I/J color, VS2 clarity. The backs are marked 14K.

Origin: America, ca. 1950. Condition: excellent. Size: 11/16” x 1/2”. Weight: 7.9 grams. Approximate Total Diamond Weight: .06 ct.

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end...

A handsome man’s 14 yellow gold ring set with a large bloodstone tablet. The dramatically tapered shank is engraved on either side of the stone with a stylized papyrus motif. The bloodstone has a slightly lighter than usual greenish tint that contrasts nicely with its red markings. The interior of the shank is stamped “14Kâ€.

Origin: America, ca. 1920. Condition: excellent, all original. Dimensions: crown, 13/16†x 3/4"; shank tapers from 13/16†to 1/8â€...

Circa early 1940's, the Lyre necklace is an iconic design from Hector Aguilar. Shown on p. 30 of Silver Masters of Mexico, it's a necklace which drapes beautifully on the neck with a substantial presence. Measures 15 3/4" end to end. Weight is 131.2 grams. Signed and hallmarked with the conjoined HA, Taxco, and 940. In excellent vintage condition.

A fine pair of 14K yellow gold cufflinks featuring plaques of lapis lazulie framed in pierced Greek key borders. The lapis has very attractive violetish-blue coloring with a nice smattering of glittery pyrite. The connectors are marked "14K" and "585".

Origin: America, ca. 1980. Condition: excellent. Dimensions: 7/8" x 7/8". Weight: 16.9 gr.

A very good pair of doubled-sided 18K yellow gold cufflinks, the faces made from carved mother-of-pearl punctuated with gold “stitches” and finely-worked laurel wreath borders. The backs of the faces are beautifully decorated in an engraved foliate pattern. The faces are connected by chains. Fully marked with French “tete d’aigle” hallmarks for 18K.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.3 grams.

Hallmarks date this very rare Hubert Harmon pin 1942-1944. This is a huge piece, measuring 4 1/4" top to bottom and a width of 1 1/2". At front and center is a huge carved face. The winged ears and turban have exquisite repoussé silver work, with amethyst cabochons for earrings, on the turban, and on the dangling necklace - which swings freely in front. The face is smooth to the touch, with internal inclusions but no chips or cracks. Weight is 53.4 grams...

This delightful Victorian Art Nouveau pendant and pin features a four-leaf clover nestled inside a crescent moon, both set with seed pearls. The clover is centered with a .2-carat old European cut diamond. The combination of a flower and a crescent in Victorian jewelry was intended to convey the sentiment "honeymoon" and they were often a gift from a groom to his new bride. The four-leaf clover, of course, conveyed good luck...

A lovely Art Nouveau locket worked in 14K yellow gold depicting a poppy blossom and buds. In the Victorian language of flowers, the red poppy represented "consolation," certainly an apt choice for a locket that might hold a portrait. The interior of the locket retains both of the original frames and glass covers. The jump ring is marked "10K", but the locket is tested and guaranteed as 14K.

Origin: America, ca. 1900...

This bracelet is a seldom seen design from Sigi Pineda. It's a spectacular modernist piece with three faceted stones which graduate in size. At first glance the stones appear to be hematite, but they may well be onyx. Opens at the back nice and wide to easily fit over the wrist. Original safety chain attached. Closed, wearable length is 6 7/8". Width is 1 7/8". Weight is 91.3 grams. Signed and hallmarked "Sigi Tasco Made in Mexico Sterling", with the design #47 and the eagle assay 3...

Generously long and imposing in its presence, this early Mexican Deco silver, copper and stone necklace with cascabeles is a great example of the way ancient Mesoamerican artifacts found their way into jewelry created during the country's 20th c...

Circa 1940's, here is a superb pin produced by Chato Castillo. Chato Castillo apprenticed with Matilde Poulat. In the Davis/Pack book "Mexican Jewelry", it's noted that Chato's pieces are all one of a kind. He left William Spratling's Taller de Las Delicias in 1939 to help his brothers start Los Castillo. Many of his early designs were also used as prototypes for pieces later produced by Los Castillo. Measuring 5" tall, 2 1/8" wide, this pin is a sight to behold. It is beautifully crafted ...

A rare, spectacular Erika Hult de Corral set consisting of two square sterling silver bangles with wood inlay (I believe probably rosewood) this pair is a feast for the eyes and such a treat for the vintage Mexican jewelry collector who also seeks out the few (but amazingly talented) female designers of the field. Ric (as Hult de Corral signed her pieces) studied at the Parson's School of Design in Paris and before opening her own workshop during Taxco's "middle period", she worked for both Sigi...

This spectacular ring produced by Fred Davis is a very rare piece. Hand-wrought with superb repoussé silverwork and a huge oval amethyst gemstone, it's a ring which will not fail to be noticed. Measures about 6.375 on a ring sizer. The face measures 1 3/16" north to south. The stone is gorgeous, with quartz marbling and natural inclusions. Setting has four forked prongs. Signed and hallmarked with a conjoined FD and Mexico Silver. Dates 1930's - early 40's. In excellent vintage ...

This huge pendant is the work of Celia Harms and likely dates 1960's-70's. Celia Harms pieces are rarely seen, and no two are identical. Measuring 6" tall, this pendant is composed of lapis lazuli and branch coral with sterling silver 22k vermeil beads. Weight is 58.9 grams. Signed and hallmarked inside the bale "Celia Harms Sterling Mexico". In excellent vintage condition. The vermeil is perfect and even.

Circa mid-century, this Margot de Taxco creation is a rare version of her hibiscus design with a centerpiece. An intricate design, exquisitely crafted, and one which lays perfectly on the neck. It's also a very flattering piece. Collector quality. Measures just shy of 16" closed, wearable length. Centerpiece is 2 3/4" wide. Weight is 49.8 grams. Signed and hallmarked "Margot de Taxco Sterling Made in Mexico", with the design # 5488 and eagle assay 16. In excellent vintage condi...