Look carefully at the full underside of the bracelet for the clear but spread apart (hard to get all in one photo) hallmarks revealing AP, an eagle 22 and sterling Mexico for Abraham Paz. This maestro made many of the pieces for Fred Davis and this is one of those designs produced for him. He added more special cut stones on the sides of this piece than the other lion bracelets. There is no damage anywhere and it is stunning on! It displays a dark natural patina...

Purchased in Peru during the 70's, an ornate filigree chain that measures 68". No clasp.

A heavy 40" low grade silver necklace. The stones are approximately 1" in length and some show inclusions. Weight 165 grams or 5.8 ozs.

Bernice Goodspeed is respected as one of the women of Taxco from the Mexican Silver Renaissance. The silver is thick with a count of 48 grams (not bendy at all) and displays a heavy patina. The condition is without damage. These fire opals are stunning and seem to have a whole different world inside them. We have a wearable length of 17 inches long and the center drop is 1.5in. tall and 1.25in. wide...

A vintage modernist sterling silver ring by Tone Vigeland for Norway Designs Studio Plus from the 1960s. Made from one continuous piece of sterling silver with a flattened ribbed texture at each end.

Marked with ND, TV, +, Sterling 925S, and Norway.

Currently about a size 8, but can be adjusted a little. In nice condition with minor nicks and surface scratches.

A fine example of Scandinavian modernist design.

A sterling silver modernist ring with an amber ball by Danish silversmith, Niels Erik (NE) From.

Marked From 925S. Measures about a size 7. In nice condition with some minor scratches and nicks to the edges of the back of the shank. Not very noticeable when worn. It may need a bit of cleaning but we will leave that to the new owner. Looks like it may have been resized by a previous owner. The ball sits 1/2" off the finger.

Fine MCM streamlined design.

This wonderful stylish antique 14Kt yellow and white gold onyx and diamond ring dates back to the roaring twenties. The 10 X 8 millimeter rectangular onyx is centered by a bezel set approximately 0.10Ct very bright old-mine diamond. The filigree work on the sides and the top part of the shank is exceptional. The ring is a size 4 ½ and it can easily be sized.

Silver and moonstone brooch with a raised and oxidized design in Celtic style. Unmarked except for a very small cross-like mark on the pin. Tested for a silver content of at least 800 / 1000 and probably Scottish, c 1900. Length "2 ½/ 6.5 cm, security clasp. Condition: fine.

Good-luck charm, a gilt-metal horseshoe pin with garnets, Victorian, late 19th century. Height of horseshoe "¾ / 1.8 cm. Condition: fine. Price: $60, including worldwide shipping & insurance

Elongated drop earrings, Aventurine black and gold glass with a swirl. Bohemian, c 1900. Height "1 ¾ / 4 cm. Condition: fine.

Honey colored amber brooch, made in Königsberg / Kaliningrad in the 1950’s. Four leaves and a gold-filled shaft with a Russian / Soviet hallmark. Width "1 ¾ / 4.5 cm. Condition: tip of one leaf with minimal damage (cf. pics).

Gold-filled cross pendant, 1880s French Louis XVI revival, the centre with a pink mabe pearl. Height of the cross "2 ¼ / 6, width "1 ½ / 4 cm. Condition: some age wear.

A pair of Scotty dog cufflinks, English, from around 1930. The small terriers are protected with celluloid. Width " ¾ / 1.8 cm, marked Gilt to the back. Condition: some age wear.

Beautiful strand of Murano glass beads, of considerable length: "59 /150 cm. The beads are of various size, age and model - the yellow and marbled bead being the longest. The beads were probably put together in the 1960’s or 70’s. Condition: the long white pearl with a short crack, caused in fabrication.

Beautiful Charleston era flapper necklace / sautoir made of iridescent blue and gold seed pearls. Length appr. "19 / 48 cm (x2). Condition: fine.

Cast pewter and gilt pendant with a squirrel, by Volmer Bahner, c 1940, made to look like bronze. VB (1912 – 1995) was a Danish designer who in his jewels usually worked with enamel and silver. However, during WWII silver and even bronze was sometimes hard to find and cheaper material such as pewter was used as a substitute. Nature was Bahner's source of inspiration and stylized flowers, leaves and animals are often seen in his jewelry. Signed Volmer Bahner. Width "1 ½ / 3.7 cm...

Pretty brooch or pin, a small guitar made in the late 19th century or around 1880. Micro mosaic made up of Millefiori glass tesserae in a brass setting. Length "1 ¾ / 4.5 cm. Condition: fine.

From a Victorian gentleman’s jewelry box: a pin in the shape of a foil or rapier, to secure the folds of your cravat or jabot. Italian micro mosaic set in gilt brass. Length "2 ½ / 6.6 cm. Condition: fine.