An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p...

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with bands of black taille d'epargne enamel and small natural pearls. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn. Each is stamped with French 18K gold marks and with an illegible master goldsmith's mark.

• Origin: France, ca. 1860.
• Condition: excellent; new 18K wires.
• Dimensions: 1-5/8" long from tops of wires.
• Weight: 9.3 grams.

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Two gorgeous vintage 1970s necklaces with genuine Mediterranean red coral graduated beads in soft barrel shapes. One is hand knotted in a continuous strand and one has a screw barrel clasp. Together they weigh 93 grams. The beads are polished, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies...

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15"...

Fred Davis was often daring with his designs using size for the jewels presence...

Fabulous vintage 1960s French necklace and matching clip earrings in wired poured glass with rhinestones and faux pearls, in pink and green, in 18th century style with a girandole drop. The earrings are marked DEPOSE. The glass beads are opaque and translucent. The rhinestones are openbacked. The earrings have French open clips. The metal on the necklace is dark silvertone as well as on the earrings, except for the earring post backs, which are dark goldtone. With characteristically French ornat...

Stunning antique Austro Hungarian silver girandole drop earrings in 935 silver with glass paste stones, in an 18th century style. Circa 1910. 935 silver is a bit higher in silver content than sterling, and the designation was used in Austria, Germany, and Switzerland. The design and construction are characteristic of Austro Hungarian jewelry. Marked 935. With screwbacks. The stones are held in tiny prong settings. The backs of the earrings are as finely and ornately finished as the fronts. The l...

Fabulous stunning antique 19th century gunmetal or so-called Berlin iron long collet set crystal sautoir necklace. Mid to late 19th century, probably French. These necklaces were also originally used as muff chains, hanging the fur muff around the wearer's neck, where it would fall at about waist length. The watch style clasp and ring could also be used to hang items such as a lorgnette or a lady's watch. This piece is long enough to wear three times around the neck or wear as a longer sautoir. ...

Beautiful antique Edwardian long drop screwback earrings in sterling silver and 10KT white gold with paste rhinestones. Circa 1910. With paste rhinestones in closed settings, and one unfoiled stone on the center drop of each earring in an openback setting. The stones are held with tiny prongs. Marked STERLING with an illegible maker's mark, and also marked 10KT on the backs of the screwbacks. It's possible these were converted from pierced by a very early owner but there are no obvious signs of ...

Gorgeous antique Victorian necklace of graduated matched banded agate onyx beads. The beads are half opaque black and half translucent light brown, with a band of white in the middle. The beads are mid to late 19th century, most likely cut in Idar-Oberstein, Germany. They have tiny facets visible on close inspection, indicating that they were hand cut and finished. They have been professionally restrung, hand knotted in a continuous strand, for security. There are 44 beads. Wearable length is 26...