This intricately engraved citrine ring dates to about 1900. It is beautifully made and is in very good condition. The stone is a lovely shade and quite clear. It has a few inclusions proving it is a natural stone. It is currently a size 7 and weighs 11.6 grams.

Stunning vintage sautoir in heavy goldtone metal with 8 different two sided stations with poured glass cabochon stones simulating carved jewels, in topaz, ribbed molded amethyst, ruby, sapphire, emerald, onyx, carnelian, and garnet, plus one solid metal station. In the Renaissance revival style which was popularized by Chanel. Incredible construction -- each chain link is individually soldered, and the stone settings are all very finely detailed. Very heavy and substantial...

Walter Schluep modernist sterling silver and 14K gold necklace

Montreal, Canada

1971

Chain - 23 1/2" long

Pendant - 2 5/8" long x 1 3/4"

Weight - 83.86 grams

Very good vintage condition

Two wrist ornaments to wear today. Select either or take them both for real savings:
( A) Stamped: GERMANY STERLING with 13 faceted 12mm x 8mm bezel set Carnelians in a slightly serrated bezel. Organic shading, as they are not all identical color.
End to end 7 3/4X 7/8; or
(B) Rhodium plated with 8 half round Carnelian looking claw set stones. Each half moon shape is 30 X 15mm and although quite even coloration, no bubbles noted.
End to end 7 3/4 X 1 1/4"...

A pair of vintage modernist sterling silver earrings by the well known Mid Century NYC jeweler, Henry Steig. Geometric sterling layered design. They are opposites so will frame the face when worn.

Warm patina. Screw backs hold securely. Measure about 7/8" long and 3/4" across. Marked Steig Sterling on the backs and Sterling on the screw parts. Well made.

Fine MCM design.

This Coro 'Geissmann Screech Owl' 1938 is rhodium-plated base metal with black and red enameling and pave rhinestones, depicting a screech owl in the act of swooping down on its prey.

Robert Geissmann was of German origin, and lived in New York. He was probably a freelancer who occasionally worked for Cor and the jewelry sector...

Being offered is an early circa 1940 sterling silver bracelet by William Spratling, of Taxco, Mexico; bracelet features silver and copper (the copper can easily be cleaned and perked up but seller kept original patina intact) elongated beads; hinged clasp. Dimensions: 1 inch wide by 7 inches long. Marked as illustrated in photo. In excellent condition. This iconic bracelet is often illustrated in many books. Stupendous bracelet.

This mid-century bracelet was produced by "RMM", and is based upon an Antonio Pineda design. I have the Antonio bracelet, with amethyst stones, listed in my shop. It's a fabulous hand-wrought modernist piece, with twelve rectangular aventurine bars which are angled on the ends. Stones are all hand-carved and polished. The aventurine stones alternate with silver cones...

An unusually fine pair of 18K yellow gold cufflinks in the “stirrup” (“etrier”) style popularized by Cartier in the late Art Deco period. Rather than the usual triangular shape, however, the cufflinks display a double cyma-curve shape. Each of the sides is decorated with an angular ridged pattern at the edges. The solid bar is hidden inside the cuff when the cufflinks are being worn...

A pair of carved shell cameo 800 silver screwback earrings from the 1940s. This pair measures 5/8 x 1/2" across the hand carved cameo portraits of a young woman, the backs are stamped 800, they weigh 5.1 grams and they are in excellent condition with no cracks, dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use...

Excellent vintage flower form fur clip with brilliant smoke gray stones in gunmetal japanned metal settings, with a very large faux pearl trembler in the center of the flower. French, marked DEPOSE, and a possible Roger Jean Pierre piece.

Great size -- 4 inches long and just under 2 inches wide and 1 1/2 inches deep. Very good to excellent condition...

A lovely Art Nouveau depiction of the Greek goddess Iris worked in 14K yellow gold. The goddess wears an elaborate floral headdress punctuated with an old mine cut diamond. Her wings, in folded position, can just be seen behind her shoulders. The brooch is finished with a garland of iris blossoms and foliage. Iris was the goddess of the rainbow and, as such, connected the earthly and heavenly worlds. The back of the brooch retains the original c-clasp and watch hook...

A symbol of America's golden past, this is an original pair of $2 1/2 Dollar Liberty Head Quarter Eagle coins, mounted with American original Three Cent silver Type 2 coins made into cufflinks or collar buttons. Each finely cast gold piece depicts Miss Liberty, hair in bun and head circled by stars. One coin dated 1853 and the other 1854. These coins were inspired by the 1849 California "Gold Rush". Although the mounting covers the back, the eagle is visible...

A lovely and weighty vintage 18K yellow gold oval locket, the front cover enhanced with a finely-worked net motif studded with nearly a half-carat small round brilliant cut diamonds in a résille (net) pattern. The diamonds offer a nice bit of glitter without being overwhelming...

The 3-D design is so beautiful with rhinestones triple layered to resemble flower heads as the focal point of the necklace and earrings...

A stunning Belle Epoque brooch in the form of a fern worked in silver-topped 18K gold and set with 89 rose cut diamonds. The curving shape and the delicacy of each individual diamond-set leaf gives the piece a lightness that is very attractive for wear with today's clothing styles. The pin could also easily be converted to a pendant by attaching a gold chain at either end. In the 19th language of flowers, fern conveyed the sentiment of "sincerity." The back is stamped with French 18K marks.

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Vintage bull and bear get the golden touch with these nicely detailed toggle back cufflinks, circa 1950, marked PAT 2,974,381 on toggle. Size: 7/8"; Very good condition, Hard to tell but one bull horn may have minor damage. (camera picked up something but not visble to the naked eye.)

Danish silversmith Gertrude Engel made this unique, modernist ring. Her signature is found on many Anton Michelsen pieces, along with the AM crown maker’s mark (as she designed for that firm). This ring, however, is solely signed by her (see pictures). The rounded band of heavy gauge silver is 1/2” wide. It has a cluster of 10 bezel set carnelian cabochons. It is signed “Gengel,” in script (her maker’s mark), and “925S” and is in excellent condition. It is about a size 5.