An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p...

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with bands of black taille d'epargne enamel and small natural pearls. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn. Each is stamped with French 18K gold marks and with an illegible master goldsmith's mark.

• Origin: France, ca. 1860.
• Condition: excellent; new 18K wires.
• Dimensions: 1-5/8" long from tops of wires.
• Weight: 9.3 grams.

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Two gorgeous vintage 1970s necklaces with genuine Mediterranean red coral graduated beads in soft barrel shapes. One is hand knotted in a continuous strand and one has a screw barrel clasp. Together they weigh 93 grams. The beads are polished, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies...

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15"...

Fred Davis was often daring with his designs using size for the jewels presence...

Fabulous vintage 1960s French necklace and matching clip earrings in wired poured glass with rhinestones and faux pearls, in pink and green, in 18th century style with a girandole drop. The earrings are marked DEPOSE. The glass beads are opaque and translucent. The rhinestones are openbacked. The earrings have French open clips. The metal on the necklace is dark silvertone as well as on the earrings, except for the earring post backs, which are dark goldtone. With characteristically French ornat...

Stunning antique Austro Hungarian silver girandole drop earrings in 935 silver with glass paste stones, in an 18th century style. Circa 1910. 935 silver is a bit higher in silver content than sterling, and the designation was used in Austria, Germany, and Switzerland. The design and construction are characteristic of Austro Hungarian jewelry. Marked 935. With screwbacks. The stones are held in tiny prong settings. The backs of the earrings are as finely and ornately finished as the fronts. The l...

Fabulous stunning antique 19th century gunmetal or so-called Berlin iron long collet set crystal sautoir necklace. Mid to late 19th century, probably French. These necklaces were also originally used as muff chains, hanging the fur muff around the wearer's neck, where it would fall at about waist length. The watch style clasp and ring could also be used to hang items such as a lorgnette or a lady's watch. This piece is long enough to wear three times around the neck or wear as a longer sautoir. ...

Beautiful antique Edwardian long drop screwback earrings in sterling silver and 10KT white gold with paste rhinestones. Circa 1910. With paste rhinestones in closed settings, and one unfoiled stone on the center drop of each earring in an openback setting. The stones are held with tiny prongs. Marked STERLING with an illegible maker's mark, and also marked 10KT on the backs of the screwbacks. It's possible these were converted from pierced by a very early owner but there are no obvious signs of ...

Gorgeous antique Victorian necklace of graduated matched banded agate onyx beads. The beads are half opaque black and half translucent light brown, with a band of white in the middle. The beads are mid to late 19th century, most likely cut in Idar-Oberstein, Germany. They have tiny facets visible on close inspection, indicating that they were hand cut and finished. They have been professionally restrung, hand knotted in a continuous strand, for security. There are 44 beads. Wearable length is 26...

Gorgeous vintage 1970s necklace with very big genuine Mediterranean red coral graduated beads in soft barrel shapes, hand knotted in a continuous strand. It weighs 189 grams. The beads are polished and smooth, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed, genuine, natural, and undyed. I am also listing a similar smaller coral necklace from the same estate. Wearable length is 30 inches. The largest center bead is...

Amazing set of two vintage 1970s turquoise beaded necklaces with sterling silver clasps. The beads are graduated and carved in soft barrel shapes. Hand knotted with matching silk thread. The necklace clasps are marked STERLING and also marked B.A.B. These are possibly Native American made; they came from an estate with a large quantity of Native American pieces. The turquoise beads have a fabulous hand carved softly polished slightly matte rustic finish. Together they weigh 272 grams. The larger...

Gorgeous vintage 1970s necklace with genuine Mediterranean red coral graduated beads in soft barrel shapes, hand knotted in a continuous strand with matching thread. It weighs 83 grams. The beads are polished and smooth, with many naturally occurring openings. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate. Wearable length is 26 inches. The largest center bead is 18mm by 15mm and the smallest bead is 6mm by 5mm. Excell...

Fabulous 1960s French collier made from goldtone metal and wired glass beads simulating different colors of jade, coral, amber, turquoise, carnelian, and lapis. Also with small goldtone metal fluted beads which I have had on another signed French necklace. Slide clasp with matching wired beads. I had a very very similar necklace several years ago, with a slightly different clasp. Wearable length is 16 inches. The drop is 2 1/4 inches. Excellent condition. Photos enlarged to show detail. Display ...

This mid-century necklace was produced by Margot van Voorhies Carr / Margot de Taxco.

It’s a book-piece design, with a stained glass appearance and amazing attention to detail. There are three separate pieces. The center pendant can be worn as a pin, or simply add the two sides to wear as a necklace.

Composed of tiny enamel squares which are black, blue, and teal with light blue within the center of each square.

Measures a closed, wearable length of 16”. The...

Very chic unusual vintage 1970s French long sautoir necklace with double snake chains in dark goldtone metal, and stations with large translucent tortoise Lucite rings with large rhinestone balls with brilliant clear rhinestones, and a characteristically French S hook clasp. The rings reference French Art Deco glass rings found on necklaces from the 1920s and 1930s. 33 inches wearable length and 1 1/16 inches wide at the rings. Excellent condition and all stones are very bright and better than t...

Beautiful vintage 1960s modernist sterling silver trefoil signed pendant by Danish maker Hans Hansen, on a separately made thick sterling silver shaped collar with a hand hammered finish. The pendant is marked HANS HANSEN 925S DENMARK and the collar is marked STERLING S. The pendant is very finely made and finished. The pendant is 2 3/4 inches long and 1 7/8 inches wide. It weighs 29 grams. The collar has a wearable length of 15 inches, including the gap, which is 1 1/2 inches. The collar weighs...

This book-piece design produced by Margot de Taxco is shown in "Margot Van Voorhies : The Art of Mexican Enamelwork" by Penny C. Morrill.

This Margot de Taxco design is known as "Silver Leaves", or sometimes "Leaf and Berries". It's a heavy gorgeous repoussé sterling silver clamper cuff bracelet. The silver leaves have oxidized recesses and beading, making this a standout piece. Collector quality, with a tight snappy hinge. absolutely no issues whatsoever.

Fully closed, t...

This mid-century bracelet from Antonio Pineda is a seldom seen design, sometimes referred to as "Rings and Planets", with a smooth and seamless flow. Thick, heavy, and just all around stunning. The closure is a tongue which fits into a round ball, and is itself a work of art. Measures a closed, wearable length of 7 1/4". Weight is 68.6 grams. Signed and hallmarked with the Antonio Taxco crown, "VJ" within a circular "Taxco Mexico", "970", and the eagle assay 3. In superb vinta...

An elegant late Victorian or early Edwardian 14K yellow gold long chain with opal double-cabochon stations at regular intervals. The stations are carefully arranged so that the opals are alternately spaced whether the necklace is worn at full-length or doubled. The clasp can also be used to suspend a pendant. The opals are good quality with even play-of-color, mostly in the blue/green range with occasional bursts of orange/red. The clasp is marked "14K."

• Origin: America, ca. 1900.

This vintage Italian 18K gold and ebony blackamoor charm is distinguished by particularly nice carving. She is adorned with gold hoop earrings and a gold collar that forms the base of the charm. The bottom is stamped with 18K gold hallmarks used in Florence 1938-64.

• Origin: Italy, ca. 1950.
• Condition: excellent.
• Dimensions: 1-1/16" tall (not including bail or jump ring).

A handsome 14K gold and amethyst dress set presented in its original fitted leather, velvet and silk case embossed "Tiffany & Co. New York Paris London." The amethyst cabochons are simply mounted in collet settings. The gold has a slightly rosy tint that beautifully accents the rich color of the amethysts. Tiffany relied on Newark makers such as Krementz, Larter and Carrington to supply many of their cufflinks. Sometimes, the pieces were re-hallmarked by Tiffany, and sometimes not. These cufflin...

A lovely Victorian pendant/pin in a snowflake pattern. The 14K yellow mounting is set with seed pearls and sapphires around the central old mine cut diamond. The design is very elegant and delicate. The back retains the original pinstem/clasp and pendant loop. Marked 14K.

NOTE: The pendant is shown with an optional 16" 14K chain.

• Origin: America, ca. 1900.
• Condition: one pearl deficient; all original.
• Dimensions: 1" diameter.
• Weight: 3.2 grams.
• Appro...

A delightful Art Nouveau daisy pendant/pin, the petals formed from long Mississippi river pearls arranged around a textured gold disc studded with an old mine cut diamond. The pearls have very attractive lustre and the diamond has nice color and clarity (J/VS2). The back retains the original pendant hook and pinstem/clasp. Tested and guaranteed 14K.

NOTE: The pendant is shown with an optional 16" 14K chain.

• Origin: America, ca. 1900.
• Dimensions: 1" diameter.
• Weigh...

A very nice vintage French 18K gold curb link chain. The weight is sufficient to support a rather heavy locket or pendant. Stamped with French 18K gold hallmarks and an illegible master goldsmith's mark.

• Origin: France.
• Length: 22 3/4"; width 2.5mm.
• Weight: 10.6 grams.

An extraordinary late Georgian 18K gold ring set with a carnelian carved into the leering face of a satyr classically portrayed with a goatee, a snub nose and pointed ears. The carved gemstone was likely already several centuries old when it was set into this ring. The expert carving is only eclipsed by the extraordinary artistry of the goldsmith. The bold shank is entirely covered in flower and foliage appliques expertly worked in rose, green and yellow gold. The carved stone is set in a bezel ...

Circa mid-century, this clamper was hand-wrought by Los Castillo, and it is spectacular. Wide, large, heavy, and collector quality. The snail shell design has graduated beading which curves gently around the sides. Very substantial, with a weight of 104.4 grams. Hinge looks to be old and original, and it's super tight and snappy. Couldn't be more perfect. Recesses are oxidized, giving depth which makes this a standout piece. Fully closed this will fit up to a 6 1/2" wrist. Width is 2 1/4"....

Circa early 1940's, this is a superb slinky chain bracelet from William Spratling. It's a heavy handwrought piece, with a closed, wearable length of 7 1/2" and a width of 7/8". Classy and elegant, and feels fabulous on the wrist. Signed and hallmarked with the WS Print Circle "Spratling Made in Mexico WS", and Spratling Silver. Weight is 115.2 grams. Excellent vintage condition, collector quality. Silver tested to be 98% purity.

Circa 1930's-early 1940's, this magnificent amethyst ring is the work of Abraham Paz. Paz produced and designed work for himself, as well as for Fred Davis. This is a gorgeous piece, with a huge hand cut and polished amethyst and deco sterling silver setting. The face of the ring measures 1 1/16" x 13/16", and sits 7/16" high above the finger. The ring size measures between 6 and 7 on a sizer, depending on which way the ring is placed. I've taken photos of both. It's never been sized. Sign...

A colorful pair of 18K gold and gemstone earrings from the “Rainbow Collection” by H Stern. Created in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes amethyst, several shades of citrine, peridot, and blue topaz. Each earring is marked “750” for 18K and be...

A colorful 18K gold and gemstone ring from the “Rainbow Collection” by H Stern. Created in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes garnet, amethyst, citrine, peridot, and blue topaz. The interior of the shank is marked “750” for 18K and bears St...

A heavy vintage 18K yellow gold chain in the elegant "Russian Braid" style. The chain is quite substantial and can be worn alone or with a heavy pendant. Stamped with French 18K guarantee marks.

• Origin: France, ca. 1970.
• Condition: excellent.
• Dimensions: 24-3/4" long.
• Weight: 18.7 grams.

An unusual vintage 14K gold equestrian keychain by Tiffany & Co. The chain has a fob on either end, one in the form of a horseshoe and the other in the form of a fully three-dimensions horse head. The head is nicely detailed and sparkles with a pair of bright ruby eyes. The rubies, though small, have very fine bright color. The back of the horseshoe is marked "Tiffany & Co. 14K."

Keys are added by holding the chain against one side of the horseshoe and slipping on the key. When the chain ...

A lovely pair of French Victorian 18K gold earrings set with sapphires and rose cut diamonds. Each earring features a prong-set blue sapphire surrounded by a cluster of ten rose cut diamonds, bead-set in an engraved background. The backs are finished with a hand-pierced gallery. The sapphires and diamonds have particularly good color and clarity for the period. This style of earrings was popular in the 1850's when popular hairstyles that covered the ears rendered large earrings irrelevant. Small...

A fine Victorian 18K yellow gold fancy link long chain necklace. The 47” chain has ornate scrolling plaques separated by smaller simple links. The fancy links are further highlighted with rope-twist and beaded decoration. The generous length allows the chain to be worn doubled or tripled. Necklaces of this style are distinctly French and were popular from the Second Empire through the beginning of the 20th century. This example is stamped with French 18K gold hallmarks.

• Origin: France,...

A delightful vintage 14K yellow gold bracelet by Tiffany & Co. featuring three reverse-carved Essex crystals. The center crystal depicts a horse and rider jumping a fence and is flanked by a matching pair of crystals depicting hounds. The crystals are separated by links in the shape of horseshoes overlaid with bits. Sporting bracelets set with Essex crystals are uncommon and examples by major makers such as Tiffany are nearly impossible to find. The back is marked "Tiffany & Co./14K/Pat. Sept. 1...

A nice Georgian locket in the form of a Maltese cross with a central rock crystal locket compartment. The arms of the cross are made from faceted carnelian plaques mounted in gold around the central compartment. The compartment was intended to hold the woven hair or perhaps a miniature portrait of a loved one. The Cross of the Knights Hospitallers of St. John was created in 1126 based on designs from the Crusades. The eight points of the arms represented truth, faith, repentance, humility, just...

A classic pair of Mid-Century “around the cuff” mesh cufflinks set with square cut sapphires and round diamonds. This classic style securely holds the cuff and is heavy enough to know you’re wearing them. At the same time, the flexible mesh makes them very comfortable. The gemstones have excellent color and clarity. The overall look is clean and streamlined. Each cufflink is fully hallmarked by Gubelin and bears a serial number.

• Origin: Switzerland, ca. 1950.
• Condition: exce...

Circa 1950's, this is a very rare and spectacular bracelet produced by Graziella Laffi (1923-2009), who was known as the "Spratling of Peru". Combining modern design with pre-Columbian imagery, Laffi produced jewelry and hollowware. Her style is unmistakeable and distinct, and this is a fabulous example of her work. Multi-dimensional and exquisitely detailed, this piece features Laffi's "Sun God" motif, with two large figures atop a hand-hammered concave bracelet which closes with a tight ...

Large and beautifully crafted Navajo Silver and Turquoise ring, size 8 3/4", measuring 1 3/4" long and 1" wide, and 1 1/4" high from base of band to top of stone. The stone has a lovely caramel and brown matrix, with a deep turquoise green tone. It is signed "sterling" and has a maker's mark that is not clear. From a collection of good Navajo jewelry, most pre 1980s. In good condition, some wear and slight tarnist visible to silver, but the stone is in perfect condition, nicely polished and ...

Tane Orfebres is an important silver house in Mexico City, known as the Tiffany of Mexico. This bracelet is wide, heavy, and gorgeous. It has a sleek modernist design, with the one half shiny and mirror like, and the opposite half bearing a slightly matte finish. I have never seen this design before, and it is a stunning bracelet. Signed and hallmarked "Tane Sterling Mexico", with an "A" within a triangle. No eagle assay on this one, but I believe it to be 1953-1980. This will fit up to...

Circa 1939, from William Spratling's first design period, here is his Tuliman necklace. Shown in "William Spratling and the Mexican Silver Renaissance", "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", and "Mexican Silver", as well as the Spratling Silver website, this piece is known as Tuliman Bird Necklace. Spratling based his design on images painted on large clay water jars made in Tuliman. Three cascabels dangle in front, making a beautiful jangling bell sound with movem...

A simple and elegant sterling cuff by Navajo Yazzie Johnson from his early work in the 70's. His work now features varieties of stones and he often collaborates with Gail Bird. This bracelet measures 5 1/4" around in the inside plus a 1 1/2" opening. It is 3/8" wide and weighs 31 grams. Fine original condition and signed as shown. A very handsome and wearable piece that can stand alone or be stacked with your other favorite cuffs.

A beautiful Second Empire 18K yellow gold locket, the front decorated with an enamel portrait of a society lady in a brightly-colored formal dress. Her ornate hairdo is studded with an ostrich plume, blue forget-me-nots, lace and small rose-cut diamonds. Interestingly, she wears a locket in the portrait, as well as a gold bracelet and a shoulder brooch. The portrait is enclosed in a frame of opaque black enamel that accents the punch-work decoration around the image. The original bail is similar...

This exquisite French Victorian pendant/brooch features a fine onyx cameo depicting a fairy-winged woodland nymph, her translucent gown pulled aside to expose her breasts, dancing and tossing boughs of flowers. The cameo is surrounded by an ornate shield-shaped border of rose-cut diamonds and a single natural pearl set in silver over 18K gold. The diamonds are of very good quality with excellent brilliance and clarity. The bale can be detached for wear as a brooch, or the pinstem and clasp can b...

A pretty late Victorian 10K gold locket, the front decorated with a colorful champleve and painted enamel image of a thistle blossom. In Victorian flower language, the thistle represented the sentiment "meddling is unwelcome." One can imagine a rebellious young woman using it to hide the image of a suitor of whom her parents don't quite approve! And of course, the thistle is the emblem of Scotland. The cover opens by pressing on the bail, a mechanism we've never seen before. The interior is stam...

A handsome pair of 18K yellow gold cufflinks featuring collet-set rectangular garnet plaques in a deep wine red shade. The faces are connected by chains to classic baton backs. The cufflinks are stamped with French 18K gold marks and an illegible master goldsmith's mark.

• Origin: France, ca. 1940.
• Dimensions: faces, 9/16" x 11/16" (14x18mm).
• Condition: excellent.
• Weight: 13.2 grams.

A classic pair of Art Deco sterling silver stirrup cufflinks, the ends set with black onyx sugarloaf cabochons. This style of cufflink was popularized by Cartier in the 1920s. The cufflinks bear Swiss import hallmarks used until 1934, and are stamped "935" indicating that they have a slightly higher pure silver content than sterling silver.

• Origin: Continental Europe, probably France, ca. 1925.
• Condition: excellent.
• Dimensions: faces, 11/32"(15 mm) diameter.
• Weight...

A colorful pair of doubled-sided French Art Deco enameled silver cufflinks. The rectangular faces have canted corners and are enhanced with champleve enamel in bright opaque red, green and black. The chain connectors are stamped with French silver marks and the backs of the faces have an unidentified maker's mark.

• Origin: France, ca. 1920.
• Condition: excellent; light surface scratches commensurate with age, but no chips.
• Dimensions: 5/8" x 13/32" (16 x 10 mm).
• Weig...

This mid-century pin is the work of Los Castillo. It's a striking modernist design which is composed of two pieces connected with a rivet. The bottom hands and body swings freely with movement. Hand-wrought with intricate detail.

Measures 2 3/4" x 1 3/8".

Weight is 17.3 grams.

Signed and hallmarked "Los Castillo Taxco", with the eagle assay 15 and the design # 136.

In excellent vintage condition. Pin closes with a rolling C clasp.

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open. A dense green teardrop stone sits just off center within the modernist design w...

With hallmarks dating 1940-1944, this William Spratling bracelet is from his first design period.

Composed of three rows of elongated silver beads with a foldover clasp, this is a weighty bracelet which tests out at 980, or 98% silver purity. It's a very elegant, classy, and substantial piece, and it wears beautifully with a silky and luxurious feel on the wrist.

Measures 8" long, with a closed, wearable length of 7 1/2" and a width of 15'16".

Weight is 77.2 gram...